Album Info
Artist: | Blur |
Album: | Modern Life Is Rubbish |
Gatefold: | Yes |
Released: | Europe, 13 Oct 2023 |
Tracklist:
A1 | For Tomorrow | 4:18 |
Band [The Duke String Quartet] - Ivan McCready, John Metcalfe, Louise Fuller, Rick Koster | ||
Bass Guitar - Alex | ||
Cello - Ivan McCready | ||
Drums, Timpani - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals - Graham | ||
Viola - Helen Kamminga, John Metcalfe | ||
Violin - Louise Fuller, Rick Koster | ||
Vocals, Organ [Solina Organ], Bells [Sleigh Bells] - Damon | ||
A2 | Advert | 3:43 |
Bass Guitar - Alex | ||
Cajón [Drumbox], Handclaps - Stephen | ||
Drums - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals, Tambourine - Graham | ||
Vocals, Keyboards [Casio SKI], Voice [Shopping Tannoy] - Damon | ||
A3 | Colin Zeal | 3:14 |
Bass Guitar, Handclaps - Alex | ||
Drums, Handclaps - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals, Tambourine - Graham | ||
Synth [S1000] - Stephen | ||
Vocals, Vocals [Butlins Tannoy Vocal] - Damon | ||
A4 | Pressure On Julian | 3:30 |
Bass Guitar - Alex | ||
Drums - Dave | ||
Electric Guitar, Noises [Black & Decker], Backing Vocals - Graham | ||
Vocals - Damon | ||
B5 | Star Shaped | 3:25 |
Bass Guitar - Alex | ||
Bells [Typewriter Bell] - Stephen | ||
Drums - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals, Synth [Anti Cat And Dog Moog Tone] - Graham | ||
Oboe, Cor Anglais, Soprano Saxophone - Kate St. John | ||
Vocals - Damon | ||
B6 | Blue Jeans | 3:53 |
Bass Guitar - Alex | ||
Drums [Loop Drums], Loops [Loop Drums] - Dave | ||
Electric Guitar, Acoustic Guitar, Guitar [Volume Guitar], Backing Vocals - Graham | ||
Vocals, Melodica, Piano - Damon | ||
B7.1 | Chemical World | 4:02 |
Bass Guitar - Alex | ||
Drums - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals - Graham | ||
Vocals - Damon | ||
B7.2 | Intermission | 2:27 |
Bass Guitar - Alex | ||
Drums - Dave | ||
Electric Guitar - Graham | ||
Piano - Damon | ||
C8 | Sunday Sunday | 2:36 |
Band [The Kick Horns] - Neil Sidwell, Paul Spong, Roddy Lorimer, Simon Clarke , Tim Sanders | ||
Baritone Saxophone, Alto Saxophone - Simon Clarke | ||
Bass Guitar - Alex | ||
Cornet - Paul Spong | ||
Drums [Salvation Drums] - Dave | ||
Electric Guitar, Acoustic Guitar, Slide Guitar, Backing Vocals - Graham | ||
Tenor Saxophone - Tim Sanders | ||
Trombone - Neil Sidwell | ||
Trumpet - Roddy Lorimer | ||
Vocals, Organ [Bingo Organ] - Damon | ||
C9 | Oily Water | 4:59 |
Bass - Alex | ||
Drums - Dave | ||
Electric Guitar, Backing Vocals - Graham | ||
Vocals [Shopping Precinct Tannoy Vocal] - Damon | ||
C10 | Miss America | 5:34 |
Bass Guitar - Alex | ||
Electric Guitar, Acoustic Guitar, Backing Vocals, Noises [Background Noise], Percussion - Graham | ||
Performer [The Plough, Bloomsbury] - Dave | ||
Vocals - Damon | ||
C11 | Villa Rosie | 3:54 |
Bass Guitar, Bass Guitar [Distorted Bass Guitar] - Alex | ||
Drums - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals - Graham | ||
Performer [Small Stone Operation] - Jason | ||
Vocals, Keyboards [Avon Lady Keyboard] - Damon | ||
D12 | Coping | 3:23 |
Bass Guitar - Alex | ||
Drums [Loop Drums], Loops [Loop Drums] - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals, Tambourine - Graham | ||
Vocals, Synthesizer [Jupiter 8 Synthesizer], Synthesizer [Moog] - Damon | ||
D13 | Turn It Up | 3:21 |
Bass Guitar - Alex | ||
Drums - Dave | ||
Electric Guitar, Acoustic Guitar, Backing Vocals, Tambourine, Triangle - Graham | ||
Handclaps - Stephen | ||
Vocals - Damon | ||
D14.1 | Resigned | 5:13 |
Bass Guitar - Alex | ||
Drums - Dave | ||
Electric Guitar, Slide Guitar - Graham | ||
Vocals, Melodica - Damon | ||
D14.2 | Commercial Break | 0:56 |
Bass Guitar - Alex | ||
Drums - Dave | ||
Electric Guitar - Graham | ||
Piano - Damon |
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Description
Blur's second studio album, "Modern Life Is Rubbish," was released on May 10, 1993, and it marked a significant turning point for the band, both musically and culturally. Following the commercial success of their self-titled debut, this album saw Blur stepping away from the more generic Britpop sound that characterized their earlier work and embracing a more eclectic and distinctly British style. This shift not only helped to define their identity but also played a crucial role in the Britpop movement that would dominate the UK music scene in the mid-90s.
Upon its release, "Modern Life Is Rubbish" received a warm reception from critics, who praised its ambitious songwriting and the band's willingness to experiment with different sounds. Major publications like NME and The Guardian lauded the album for its clever lyrics and social commentary, which reflected the disillusionment of a generation. The album's themes of modern life, consumerism, and the struggles of everyday existence resonated deeply with listeners, making it a cultural touchstone of the time.
Standout tracks on the album include "For Tomorrow," which features a catchy melody and introspective lyrics that capture the essence of youthful angst. The song's infectious chorus and vibrant instrumentation make it a highlight of the album. Another notable track is "Chemical World," which showcases Blur's knack for blending pop sensibilities with a more alternative rock edge. The song's commentary on the superficiality of modern life is both poignant and relatable, making it a favorite among fans.
The album also features "This Is a Low," a beautifully melancholic track that showcases Damon Albarn's lyrical prowess. The song's reflective nature and evocative imagery paint a vivid picture of life in Britain, further solidifying Blur's status as chroniclers of their time. The production, handled by Stephen Street, is crisp and polished, allowing the band's diverse influences to shine through.
"Modern Life Is Rubbish" did not achieve the same commercial success as its predecessor, but it laid the groundwork for Blur's future triumphs. It was nominated for the Mercury Prize in 1994, which is a testament to its critical acclaim and cultural significance. The album is often credited with helping to pave the way for the Britpop explosion that would follow, influencing countless bands and artists in the years to come.
Interestingly, the album's title and themes were inspired by the band's experiences and observations of contemporary British life. In interviews, Albarn has mentioned how the band was influenced by the media and the commercialization of culture, which is reflected in the album's lyrics. The cover art, designed by the band themselves, features a collage of images that further emphasizes the album's critique of modernity.
In retrospect, "Modern Life Is Rubbish" is often seen as a pivotal moment in Blur's career. It marked their transition from a band trying to find their sound to one that was confident in their identity and message. The album's blend of humor, social commentary, and catchy melodies has allowed it to endure over the years, and it remains a beloved entry in Blur's discography.
Overall, "Modern Life Is Rubbish" is not just an album; it's a snapshot of a time and place, capturing the essence of a generation grappling with the complexities of modern existence. Its influence can still be felt today, and it serves as a reminder of the power of music to reflect and shape cultural narratives. If you haven't given it a listen yet, I highly recommend diving into this classic album—it's a journey worth taking.