Album Info
| Artist: | Fall Out Boy |
| Album: | From Under The Cork Tree |
| Released: | US, 16 Dec 2016 |
Tracklist:
| A1 | Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued | |
| A2 | Of All The Gin Joints In All The World | |
| A3 | Dance, Dance | |
| A4 | Sugar, We're Goin Down | |
| B1 | Nobody Puts Baby In The Corner | |
| B2 | I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song) | |
| B3 | 7 Minutes In Heaven (Atavan Halen) | |
| Vocals [Additional] - Brendan Urie | ||
| B4 | Sophomore Slump Or Comeback Of The Year | |
| Vocals [Additional] - William Beckett | ||
| C1 | Champagne For My Real Friends, Real Pain For My Sham Friends | |
| C2 | I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me | |
| Vocals [Additional] - New Found Glory | ||
| C3 | A Little Less Sixteen Candles, A Little More "Touch Me" | |
| C4 | Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows) | |
| C5 | XO | |
| D1 | Snitches And Talkers Get Stitches And Walkers | |
| D2 | The Music Or The Misery | |
| D3 | My Heart Is The Worst Kind Of Weapon (Demo) | |
| Engineer - Dan Dazinsky | ||
| D4 | Sugar, We're Goin Down (Patrick Stump Remix) | |
| Remix - Patrick Stump | ||
| D5 | Dance, Dance (Lindbergh Palace Remix) | |
| Remix - Lindbergh Palace |
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Description
Fall Out Boy cooks up an immediately digestible combination of crunching rock, highly melodic songwriting, and expressive singing on 2005's FROM UNDER THE CORK TREE, the Chicago unit's first release on Island, and its most accomplished to date. Building on an instrumental foundation that owes debts to both hardcore (drummer Andy Hurley has a thunderous, bass-drum-heavy approach that gives the band tremendous muscle) and indie rock (guitarist Joe Trohman peels off melodic solos), Fall Out Boy packs quite a sonic punch. However, it is the group's songcraft that impresses the most. Each of CORK TREE's 13 tracks is rife with pop hooks. From the churning chords and expansive chorus of the opener (cheekily titled "Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued"), through the brightly up-tempo "Sugar, We're Goin Down," to the minor-key "XO," CORK TREE is overflowing with potential hit singles. Singer/guitarist Patrick Stump's clear tenor and evocative lyrics (which balance confessionalism, metaphor, and witty cleverness) are the icing on this sweet punk-pop cake.
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"From Under the Cork Tree" by Fall Out Boy is an album that truly marked a turning point for the band, catapulting them from the underground pop-punk scene into mainstream success. Released on May 3, 2005, this album was a follow-up to their 2003 debut, "Take This to Your Grave," and it certainly did not disappoint.
One of the most remarkable aspects of "From Under the Cork Tree" is how it managed to capture the angst and energy of the mid-2000s emo and pop-punk movement while also appealing to a broader audience. The album's lead singles, "Sugar, We're Goin Down" and "Dance, Dance," became anthems for a generation, with their catchy hooks and relatable lyrics about love, heartbreak, and the trials of youth.
The album was produced by Neal Avron, who helped the band refine their sound without losing the raw edge that made them stand out. Avron's production brought a polished yet powerful feel to the album, allowing the intricate guitar work of Joe Trohman and the driving bass lines of Pete Wentz to shine through. Patrick Stump's vocals were also a highlight, showcasing his range and emotive delivery.
Lyrically, "From Under the Cork Tree" is a testament to Pete Wentz's ability to craft vivid, often self-deprecating narratives. The album's title itself is a reference to "The Story of Ferdinand," a children's book about a bull who would rather smell flowers than fight in bullfights, which reflects the band's desire to carve out their own path in the music industry.
Critically, the album was well-received, with many praising its catchy melodies and clever lyrics. It was nominated for a Grammy Award for Best New Artist in 2006, which was a significant achievement for the band. Publications like Rolling Stone and AllMusic highlighted the album's ability to blend pop sensibilities with punk energy, making it a standout in the genre.
Beyond its critical acclaim, "From Under the Cork Tree" was a commercial success, debuting at number nine on the Billboard 200 and eventually going double platinum. This success was a testament to the band's ability to connect with listeners on a personal level, as well as their knack for writing songs that were both introspective and universally relatable.
Tracks like "A Little Less Sixteen Candles, a Little More 'Touch Me'" and "Sophomore Slump or Comeback of the Year" further showcase the band's ability to blend humor with sincerity, creating songs that are both fun and meaningful. The album's closer, "XO," leaves listeners with a sense of closure, wrapping up the album's themes of love, loss, and self-discovery.
In terms of cultural significance, "From Under the Cork Tree" played a crucial role in bringing emo and pop-punk into the mainstream, influencing countless bands that followed. It also solidified Fall Out Boy's place as one of the leading bands of the genre, paving the way for their continued success in the years to come.
Overall, "From Under the Cork Tree" is an album that not only defined a moment in time but also continues to resonate with fans old and new. Its blend of catchy hooks, clever lyrics, and emotional depth make it a timeless classic in the pop-punk genre. Whether you're revisiting it for nostalgia or discovering it for the first time, this album is sure to leave a lasting impression.
