Album Info
| Artist: | Incubus |
| Album: | A Crow Left Of The Murder... |
| Released: | Europe, 11 Feb 2013 |
Tracklist:
| A1 | Megalomaniac | |
| A2 | A Crow Left Of The Murder | |
| A3 | Agoraphobia | |
| A4 | Talk Show On Mute | |
| B1 | Beware! Criminal | |
| B2 | Sick Sad Little World | |
| B3 | Pistola | |
| C1 | Southern Girl | |
| C2 | Priceless | |
| C3 | Zee Deveel | |
| C4 | Made For TV Movie | |
| D1 | Smile Lines | |
| D2 | Here In My Room | |
| D3 | Leech |
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Description
**Album Review: Incubus - A Crow Left of the Murder...**
Incubus's fifth studio album, "A Crow Left of the Murder...," released on February 3, 2004, marks a significant evolution in the band's sound and artistic direction. Known for their ability to blend various genres, Incubus continues to push boundaries with this album, incorporating elements of alternative rock, progressive rock, and funk, while maintaining their signature style.
The album was produced by Brendan O'Brien, a renowned producer who has worked with artists like Pearl Jam and Bruce Springsteen. His influence is evident in the polished yet dynamic sound of the record. "A Crow Left of the Murder..." is the first album to feature bassist Ben Kenney, who replaced Dirk Lance. Kenney's addition brought a fresh perspective and a new layer of complexity to the band's music.
The album opens with "Megalomaniac," a powerful track that sets the tone for the rest of the record. With its driving guitar riffs and Brandon Boyd's impassioned vocals, the song is a critique of power and ego, often interpreted as a political statement. The accompanying music video, directed by Floria Sigismondi, further emphasizes the song's themes with its provocative imagery.
Following "Megalomaniac" is the title track, "A Crow Left of the Murder," which showcases the band's ability to blend intricate guitar work with catchy melodies. Guitarist Mike Einziger's performance throughout the album is noteworthy, as he experiments with different sounds and techniques, adding depth to each track.
"Agoraphobia" and "Talk Shows on Mute" are standout tracks that highlight the band's lyrical prowess. "Agoraphobia" explores themes of isolation and anxiety, while "Talk Shows on Mute" critiques the superficiality of media culture. The latter features a memorable music video inspired by George Orwell's "1984," further emphasizing the song's message.
One of the album's most ambitious tracks is "Sick Sad Little World," an eight-minute epic that allows each band member to shine. The song's extended instrumental section showcases the band's musicianship, with Einziger's guitar solos and Jose Pasillas's intricate drumming taking center stage.
"Southern Girl" offers a change of pace with its softer, more melodic sound. The song's romantic lyrics and gentle instrumentation provide a moment of introspection amidst the album's more intense tracks.
"Priceless" and "Zee Deveel" continue the album's exploration of societal themes, with lyrics that critique materialism and superficiality. These tracks, along with "Beware! Criminal," demonstrate the band's ability to address complex issues through their music.
The album closes with "Leech," a track that encapsulates the band's growth and experimentation. Its dynamic structure and thought-provoking lyrics leave a lasting impression, making it a fitting conclusion to the album.
"A Crow Left of the Murder..." received generally positive reviews from critics, who praised the band's willingness to experiment and evolve. The album debuted at number two on the Billboard 200 chart, further cementing Incubus's status as a leading force in the alternative rock scene.
In summary, "A Crow Left of the Murder..." is a testament to Incubus's ability to innovate and push the boundaries of their sound. The album's blend of intricate musicianship, thought-provoking lyrics, and diverse influences make it a standout entry in the band's discography. For fans of Incubus and newcomers alike, this album offers a compelling listening experience that showcases the band's artistic growth and commitment to their craft.
