Album Info
Artist: | Maggie Rogers |
Album: | Heard It In A Past Life |
Released: | US, 18 Jan 2019 |
Tracklist:
A1 | Give A Little | |
Mixed By - Serban Ghenea | ||
Recorded By - Alex Pasco, Julian Burg | ||
Written-By [Lyrics], Written-By [Music], Producer [Additional Production] - Maggie Rogers | ||
Written-By [Music], Producer [Produced By], Recorded By - Greg Kurstin | ||
A2 | Overnight | |
Mixed By - Serban Ghenea | ||
Recorded By - Alex Pasco, Julian Burg | ||
Written-By [Lyrics], Written-By [Music], Producer [Additional Production] - Maggie Rogers | ||
Written-By [Music], Producer [Produced By], Recorded By - Greg Kurstin | ||
A3 | The Knife | |
Mixed By - Tom Elmhirst | ||
Recorded By - Alex Pasco, Julian Burg | ||
Written-By [Lyrics], Written-By [Music], Producer [Additional Production] - Maggie Rogers | ||
Written-By [Music], Producer [Produced By], Recorded By - Greg Kurstin | ||
A4 | Alaska | |
Mixed By - Tony Maserati | ||
Written-By [Lyrics], Written-By [Music], Producer [Produced By], Recorded By - Maggie Rogers | ||
Written-By [Music], Producer [Produced By], Recorded By - Douglas Schadt | ||
A5 | Light On | |
Mixed By - Serban Ghenea | ||
Recorded By - Sammy Witte | ||
Recorded By [Additional Recording] - Alex Pasco, Greg Kurstin, Julian Burg | ||
Written-By [Lyrics], Written-By [Music], Producer [Additional Production], Recorded By - Maggie Rogers | ||
Written-By [Music], Producer [Produced By], Recorded By - Kid Harpoon | ||
A6 | Past Life | |
Mixed By - Tom Elmhirst | ||
Recorded By - Chandler Herrod | ||
Written-By [Lyrics], Producer [Produced By] - Maggie Rogers | ||
B1 | Say It | |
Mixed By - Serban Ghenea | ||
Producer [Additional Production] - Lucio Westmoreland | ||
Producer [Produced By] - Ricky Reed | ||
Recorded By - Ethan Shumaker | ||
Written-By [Music], Producer [Produced By] - Tor Miller | ||
Written-By [Music], Producer [Produced By], Recorded By - Jack Hallenbeck | ||
Written-By [Music], Producer [Produced By], Recorded By, Written-By [Lyrics] - Maggie Rogers | ||
B2 | On + Off | |
Mixed By - Tony Maserati | ||
Producer [Produced By] - Douglas Schadt | ||
Recorded By, Written-By [Music], Producer [Produced By] - Nick Das | ||
Written-By [Music], Producer [Produced By], Recorded By, Written-By [Lyrics] - Maggie Rogers | ||
B3 | Fallingwater | |
Mixed By - Tom Elmhirst | ||
Recorded By [Assisted By] - Dalton Ricks, Nick Rowe | ||
Written-By [Music], Producer [Produced By], Recorded By - Rostam Batmanglij | ||
Written-By [Music], Producer [Produced By], Recorded By, Written-By [Lyrics] - Maggie Rogers | ||
B4 | Retrograde | |
Mixed By - Serban Ghenea | ||
Recorded By - Alex Pasco, Julian Burg | ||
Written-By [Lyrics], Written-By [Music], Producer [Additional Production] - Maggie Rogers | ||
Written-By [Music], Producer [Produced By], Recorded By - Greg Kurstin | ||
B5 | Burning | |
Mixed By - Serban Ghenea | ||
Producer [Produced By] - Ricky Reed | ||
Recorded By - Ethan Shumaker | ||
Written-By [Music] - E. Frederic | ||
Written-By [Music], Producer [Produced By], Written-By [Lyrics] - Maggie Rogers | ||
B6 | Back In My Body | |
Mixed By - Serban Ghenea | ||
Recorded By - Alex Pasco, Julian Burg | ||
Written-By [Music], Producer [Produced By], Recorded By - Greg Kurstin | ||
Written-By, Producer [Produced By] - Maggie Rogers |
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Description
Maggie Rogers’ debut album, "Heard It In A Past Life," released on January 18, 2019, is a stunning introduction to an artist who has quickly made her mark in the music world. The album is a blend of folk, pop, and electronic influences, showcasing Rogers' unique sound and lyrical depth. It’s hard to believe that this is her first full-length project, as it feels so polished and mature, reflecting her journey and experiences leading up to its release.
The album gained significant attention after Rogers performed her song "Alaska" for Pharrell Williams during a masterclass at NYU, which went viral and catapulted her into the spotlight. This moment not only highlighted her talent but also set the stage for the anticipation surrounding her debut. "Heard It In A Past Life" was well-received by critics, earning a spot on numerous year-end lists and even receiving a Grammy nomination for Best New Artist, which is a testament to her impact in such a short time.
One of the standout tracks on the album is undoubtedly "Alaska." The song is a beautiful blend of ethereal vocals and a catchy beat, capturing the essence of nostalgia and self-discovery. The lyrics reflect a personal journey, and the production, which Rogers co-produced, is both innovative and accessible. Another highlight is "Light On," which showcases her ability to convey vulnerability and strength simultaneously. The chorus is anthemic, and it resonates with anyone who has faced uncertainty in their life.
Critics have praised the album for its authenticity and emotional resonance. Publications like Rolling Stone and Pitchfork lauded Rogers for her songwriting prowess and the way she blends different genres seamlessly. The album's production is also noteworthy; it was primarily produced by Rogers herself, along with collaborators like Kid Harpoon and Dan Nigro, which adds a personal touch to the sound. The mix of organic and electronic elements creates a rich sonic landscape that feels both fresh and familiar.
What makes "Heard It In A Past Life" particularly special is its exploration of themes such as identity, love, and the passage of time. Rogers’ lyrics often reflect her own experiences, making the album feel intimate and relatable. For instance, in "Fallingwater," she dives into the complexities of relationships and the feeling of being overwhelmed, which many listeners can connect with. The song’s haunting melody and poignant lyrics linger long after the last note fades.
The album also features tracks like "The Knife" and "Past Life," which further showcase her range as an artist. "The Knife" is a more upbeat track that contrasts with the introspective nature of some of the other songs, demonstrating her versatility. Each track flows into the next, creating a cohesive listening experience that invites you to reflect on your own life while enjoying the music.
Interestingly, Rogers has mentioned in interviews that much of the album was written during a time of personal upheaval and growth. This context adds another layer of depth to the songs, as they are not just crafted for entertainment but are also a reflection of her life experiences. It’s this authenticity that resonates with fans and critics alike, making her music feel genuine and heartfelt.
In terms of cultural significance, "Heard It In A Past Life" arrived at a time when the music industry was increasingly embracing diverse voices and sounds. Rogers’ blend of genres and her unique perspective as a young woman navigating her twenties has made her a role model for many. The album’s success has paved the way for other artists who are looking to break into the industry with their own authentic stories.
Overall, Maggie Rogers’ "Heard It In A Past Life" is a remarkable debut that showcases her talent as a songwriter and musician. With its rich production, relatable themes, and standout tracks, it’s no wonder that the album has received such critical acclaim. As she continues to evolve as an artist, it will be exciting to see where her journey takes her next.