Album Info
Artist: | Midnight Oil |
Album: | Head Injuries |
Released: | Australia, 25 Aug 2017 |
Tracklist:
A1 | Cold Cold Change | 3:29 |
A2 | Section 5 (Bus To Bondi) | 2:58 |
A3 | Naked Flame | 3:28 |
A4 | Back On The Borderline | 3:09 |
A5 | Koala Sprint | 5:10 |
B1 | No Reaction | 2:56 |
B2 | Stand In Line | 4:46 |
B3 | Profiteers | 3:44 |
B4 | Is It Now? | 4:24 |
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Description
Midnight Oil - Head Injuries LP Vinyl Record
Midnight Oil (known informally as "The Oils") are an Australian rock band composed of Peter Garrett (vocals, harmonica), Rob Hirst (drums), Jim Moginie (guitar, keyboard) and Martin Rotsey (guitar). The group was formed in Sydney in 1972 by Hirst, Moginie and original bassist Andrew James as Farm: they enlisted Garrett the following year, changed their name in 1976, and hired Rotsey a year later. Peter Gifford served as bass player from 1980"“1987, with Bones Hillman then assuming the role until his death in 2020.
Head Injuries is the second studio album by Australian pub rockers Midnight Oil, which was released in October 1979 on their own Powderworks label and distributed by Columbia Records. The album was produced by Leszek J. Karski, recorded at 'Trafalgar Studios' in Sydney (Engineer: Peter J. Walker, Photography: Philip Morris). It was the last Midnight Oil album to feature founding bass guitarist Andrew James, who quit the band due to illness. It peaked at No. 36 on the Australian Kent Music Report and by mid-1980 had achieved gold status.
Pressed on Classic Black Vinyl.
"Head Injuries," the second studio album by Australian rock band Midnight Oil, was released in October 1979. This album marked a significant step in the band's evolution, showcasing their raw energy and the beginnings of the politically charged themes that would later define their music.
The album was produced by Leszek Karski and recorded at Trafalgar Studios in Sydney. Midnight Oil, known for their powerful live performances, managed to capture some of that intensity in "Head Injuries." The album features a mix of punk rock and hard rock influences, with a sound that is both aggressive and melodic.
One of the standout tracks on the album is "Cold Cold Change," which opens with a driving guitar riff and features Peter Garrett's distinctive vocal delivery. The song's lyrics hint at the environmental and social issues that would become central to the band's later work. Another notable track is "Back on the Borderline," which combines catchy hooks with a sense of urgency and restlessness.
"Head Injuries" received positive reviews from critics, who praised the band's energy and the album's production. It was seen as a significant improvement over their self-titled debut album, with more focused songwriting and a clearer sense of direction. The album helped to establish Midnight Oil as a force in the Australian music scene, setting the stage for their later success both domestically and internationally.
The album did not achieve significant commercial success outside of Australia, but it was an important stepping stone for the band. It reached number 36 on the Australian Kent Music Report Albums Chart, which was a respectable showing for a band still building their audience.
In terms of cultural significance, "Head Injuries" is often seen as a precursor to the band's more politically charged work in the 1980s. Midnight Oil would go on to become known for their activism and commitment to social and environmental causes, and "Head Injuries" contains the seeds of that future direction.
The album's cover art, featuring a striking image of a man with a bandaged head, complements the album's title and themes. It reflects the band's interest in confronting uncomfortable truths and challenging the status quo.
Overall, "Head Injuries" is an essential listen for fans of Midnight Oil and those interested in the evolution of Australian rock music. It captures a band on the brink of greatness, with all the raw energy and passion that would later make them famous. While it may not have the polished production or widespread acclaim of their later albums, it remains a vital part of their discography and a testament to their early promise.