Album Info
Artist: | Morrissey |
Album: | Viva Hate |
Gatefold: | Yes |
Released: | UK & Europe, 2 Apr 2012 |
Tracklist:
A1 | Alsatian Cousin | 3:12 |
A2 | Little Man, What Now? | 1:47 |
A3 | Everyday Is Like Sunday | 3:35 |
A4 | Bengali In Platforms | 3:53 |
A5 | Angel, Angel, Down We Go Together | 1:40 |
A6 | Late Night, Maudlin Street | 6:54 |
B1 | Suedehead | 3:55 |
B2 | Break Up The Family | 3:55 |
B3 | Treat Me Like A Human Being | 2:26 |
B4 | I Don't Mind If You Forget Me | 3:17 |
B5 | Dial-A-Cliché | 2:28 |
B6 | Margaret On The Guillotine | 3:41 |
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Description
Morrissey’s debut solo album, "Viva Hate," was released on March 14, 1988, and it marked a significant moment in music history, especially for fans of alternative rock and post-punk. Following his departure from The Smiths, Morrissey stepped into the spotlight with a collection of songs that not only showcased his distinctive voice and lyrical prowess but also set the tone for his solo career. The album was well-received, both critically and commercially, and it remains a beloved classic in Morrissey’s discography.
"Viva Hate" is often celebrated for its raw emotional honesty and its exploration of themes such as love, loss, and alienation. The opening track, "I Want the One I Can’t Have," is a perfect example of Morrissey’s knack for blending melancholy with catchy melodies. The song’s jangly guitars and Morrissey’s signature vocal delivery create an infectious energy that draws listeners in. Another standout track is "Everyday Is Like Sunday," which has become one of Morrissey’s most iconic songs. Its haunting lyrics and somber tone resonate deeply, painting a vivid picture of ennui and longing.
The album was produced by Stephen Street, who had previously worked with The Smiths, and his influence is evident throughout the record. The production is polished yet retains a certain rawness that complements Morrissey’s lyrical themes. Street’s ability to craft a sound that balances both the upbeat and the introspective is a testament to his skill as a producer. The collaboration between Morrissey and Street proved to be a fruitful one, as they would work together on several subsequent projects.
Critically, "Viva Hate" was met with positive reviews. Major publications like NME and Rolling Stone praised the album for its lyrical depth and Morrissey’s unique vocal style. NME even named it the Album of the Year in 1988, a significant accolade that underscored its impact on the music scene. The album also reached number one on the UK Albums Chart, solidifying Morrissey’s status as a solo artist and proving that he could thrive outside of The Smiths’ shadow.
One of the interesting aspects of "Viva Hate" is its cultural significance. Released during a time when the UK was experiencing a cultural shift, the album captured the spirit of disillusionment that many felt in the late 1980s. Morrissey’s lyrics often reflect a sense of isolation and critique of societal norms, which resonated with a generation that was grappling with issues of identity and belonging. His ability to articulate these feelings in such a poignant way has led to a lasting legacy, influencing countless artists in the years that followed.
In terms of awards, while "Viva Hate" itself did not win any major awards, it has been nominated for various accolades over the years and is frequently included in lists of the greatest albums of all time. Its enduring popularity is a testament to Morrissey’s artistry and the album’s timeless appeal.
Personal anecdotes from Morrissey and those involved in the making of the album reveal a fascinating behind-the-scenes look at its creation. Morrissey has often spoken about the emotional turmoil he experienced during the transition from The Smiths to his solo career, and how that influenced the songwriting on "Viva Hate." He has described the album as a cathartic release, a way to channel his feelings into something tangible and relatable.
Fun fact: the album cover, featuring a striking image of a young woman, was designed by Morrissey himself, showcasing his artistic vision beyond just music. The cover art has become iconic in its own right, often associated with the themes of longing and introspection that permeate the album.
In conclusion, "Viva Hate" is not just an album; it’s a cultural artifact that captures a moment in time while also showcasing Morrissey’s unique voice and perspective. Its blend of catchy melodies and profound lyrics continues to resonate with listeners, making it a must-listen for anyone interested in the evolution of alternative music. Whether you’re a long-time fan or new to Morrissey’s work, "Viva Hate" is an essential part of the musical landscape that deserves a place in your collection.