Pretenders - Alone (LP)

The Pretenders’ latest album, *Alone*, is a remarkable addition to their storied discography, showcasing a band that has not only endured but evolved over the decades. Released in 2016, this album marks a significant moment for the band, as it is their first studio album since the passing of founding member and guitarist James Honeyman-Scott. The emotional weight of this loss is palpable throughout the record, yet it is also infused with a sense of resilience and renewal that is quintessentially Pretenders.

Produced by the legendary Dan Auerbach of The Black Keys, *Alone* carries a fresh yet familiar sound that feels both contemporary and rooted in the band’s classic rock origins. Auerbach’s production shines, bringing out the raw energy of Chrissie Hynde’s vocals while layering in rich instrumentation that complements the band’s signature style. The album opens with the title track, “Alone,” which sets the tone with its haunting melody and introspective lyrics. Hynde’s voice, as powerful as ever, conveys a sense of vulnerability that resonates deeply with listeners. The song’s themes of isolation and longing are universal, making it an instant fan favorite.

One of the standout tracks on the album is “Gotta Wait,” which features a driving beat and catchy hooks that harken back to the band’s early days. The song encapsulates the essence of The Pretenders—blending rock, punk, and pop sensibilities into a sound that is uniquely their own. Critics have praised this track for its infectious energy and lyrical depth, highlighting Hynde’s ability to weave personal narratives into broader themes of love and loss.

Another notable moment on *Alone* is “I Hate Myself,” a track that showcases the band’s ability to balance humor with introspection. The song’s tongue-in-cheek lyrics and upbeat tempo create a juxtaposition that is both entertaining and thought-provoking. It’s a reminder of Hynde’s sharp wit and her knack for storytelling, which has always been a hallmark of The Pretenders’ music.

The album also features contributions from a variety of talented musicians, including drummer and longtime collaborator Martin Chambers, who brings a sense of familiarity and continuity to the project. The chemistry between the band members is evident, and it’s clear that despite the changes over the years, the heart of The Pretenders remains intact. The inclusion of new members, such as guitarist James Walbourne and bassist Nick Wilkinson, adds a fresh dynamic to the band’s sound, allowing them to explore new musical territories while staying true to their roots.

Critically, *Alone* has been well-received, with many publications lauding it as one of the band’s strongest efforts in years. Rolling Stone highlighted the album’s emotional depth and praised Hynde’s vocal performance, calling it a testament to her enduring talent. The Guardian noted the album’s blend of classic rock influences with modern production techniques, emphasizing how Auerbach’s touch revitalizes the band’s sound without losing its essence.

What makes *Alone* particularly special is its ability to resonate with both longtime fans and new listeners. The themes of love, loss, and resilience are timeless, and Hynde’s storytelling continues to captivate audiences. The album feels like a conversation between the past and the present, a reflection on the journey of a band that has weathered the storms of time and emerged stronger.

In conclusion, *Alone* is not just an album; it’s a celebration of The Pretenders’ legacy and a testament to their ability to adapt and grow. With its standout tracks, emotional depth, and masterful production, it’s a record that deserves a place in any music lover’s collection. Whether you’re a die-hard fan or just discovering their music, *Alone* offers a rich listening experience that showcases the enduring power of rock and roll.