Album Info
Artist: | Quinn Christopherson |
Album: | Write Your Name In Pink |
Released: | USA & Canada, 2022 |
Tracklist:
A1 | Thanks | |
A2 | Evelene | |
A4 | Bubblegum | |
A5 | Kids | |
A6 | True Friend | |
B1 | Simple | |
B2 | Neighborhood | |
B3 | Uptown | |
B4 | Celine | |
B5 | Take Your Time | |
B6 | Erase Me |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Quinn Christopherson’s debut, Write Your Name in Pink, landed in 2022 and feels like a long conversation that finally found the right room. If you first came across him after his 2019 NPR Tiny Desk Contest win with Erase Me, you’ll recognise the same clear-eyed writing and careful phrasing, but the album widens the lens. He’s from Anchorage and of Iñupiaq and Yup’ik heritage, and that sense of place and family sits inside these songs. They’re paced like memories and unearthed like keepsakes, with small details doing most of the heavy lifting.
The record plays close to the mic. Quinn’s voice stays upfront, no showboating, just a steady, lived-in tone that makes even the smallest line feel personal. Guitars are clean and lightly chorused, synths hover like low cloud, and the drums keep to warm, unfussy patterns. It’s pop adjacent, but the kind that leaves space for air and silence. You can tell he cares about words first. The structures give him room to land a thought, take a breath, then turn it slightly so you can see a new edge.
Three tracks anchor the album’s pull. Thanks is a standout, a soft confessional that circles gratitude without turning syrupy. He threads in the people who saw him as he is, and it hits even harder because the arrangement refuses to shout. Evol flips love backwards and forward again, teasing out the mess of attachment with a hook that lingers longer than you expect. Then there’s 2005, all glow and haze, looking back at teenage frames and early signals you only catch in hindsight. None of these chase big catharsis. They sit with it. The effect is disarming.
Identity runs through the writing, but he never lets the songs collapse into manifesto. You hear the push and pull of masculinity, transition, and belonging in small turns of phrase. That restraint is part of what makes Write Your Name in Pink feel durable. It’s not chasing a moment. It’s mapping a life. The title alone suggests the claim of a name and a colour often written off, and the music bears that out. There’s tenderness here that doesn’t flinch.
Production-wise, everything feels intentional. The mixes leave his voice unvarnished, which means the storytelling carries. Little synth flourishes glint at the edges, and a few tracks settle into a gentle pulse that recalls late night radio. I found myself thinking about how this would have sounded on community stations, the ones that still let a song breathe past the three-minute mark. On vinyl, you really notice the quiet confidence. The Write Your Name in Pink vinyl pressing suits a late listen, with the softer passages rounding nicely and the sibilants kept in check. If you spot it at a Melbourne record store, grab it, then take the long way home and let side A roll without skipping.
The context matters too. Quinn’s Tiny Desk win put him in the spotlight for Erase Me, a song about being seen and not seen. The album doesn’t rehash that moment. It moves forward, but you can hear the thread of self-knowledge that performance suggested. US outlets like NPR backed the release, and the buzz felt earned rather than engineered. Fans often point to Thanks and 2005 as favourites at shows, which tracks, because they’re the kind of songs that quietly gather people to them.
As a front-to-back listen, the pacing is thoughtful. Sequencing builds a gentle arc, with brighter textures arriving when your ear needs them, then slipping back to the small-voice intimacy that makes the record special. No gimmicks, no pro-forma bangers to juice a playlist. Just a writer who knows where he’s coming from and isn’t in a rush to convince you.
If you collect Quinn Christopherson vinyl, this is the one that will live on your turntable for a while. It’s a keeper, the sort of debut that makes you curious about what he’ll pare back or push forward on the next go. For folks looking to buy Quinn Christopherson records online, copies have been floating around, and shops that stock singer-songwriter corners should have it. People browsing Quinn Christopherson albums on vinyl will discover a document that rewards repeated spins. And if you’re digging through crates in Australia, ask around. A few stores that specialise in vinyl records Australia wide have been bringing in small runs, which feels right for an album that invites a slow approach.
Write Your Name in Pink is quiet in the way a good conversation is quiet. It listens as much as it speaks, then leaves you with a line or two to carry into the week.