Album Info
Artist: | The Kinks |
Album: | The Kink Kontroversy |
Released: | Worldwide, 7 Oct 2022 |
Tracklist:
A1 | Milk Cow Blues | |
Written-By - John Estes | ||
A2 | Ring The Bells | |
Written-By - Ray Davies | ||
A3 | Gotta Get The First Plane Home | |
Written-By - Ray Davies | ||
A4 | When I See That Girl Of Mine | |
Written-By - Ray Davies | ||
A5 | I Am Free | |
Written-By - Dave Davies | ||
A6 | Till The End Of The Day | |
Written-By - Ray Davies | ||
B1 | The World Keeps Going Round | |
Written-By - Ray Davies | ||
B2 | I'm On An Island | |
Written-By - Ray Davies | ||
B3 | Where Have All The Good Times Gone | |
Written-By - Ray Davies | ||
B4 | It's Too Late | |
Written-By - Ray Davies | ||
B5 | What's In Store For Me | |
Written-By - Ray Davies | ||
B6 | You Can't Win | |
Written-By - Ray Davies |
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Description
"The Kink Kontroversy," released in 1965, marks a pivotal moment in the career of The Kinks, showcasing their transition from a band known for their raw, energetic rock sound to one that began to explore more sophisticated and varied musical landscapes. This album is often seen as a bridge between their early hits and the more introspective and conceptually ambitious work that would follow.
The album opens with "Milk Cow Blues," a cover that sets the tone with its bluesy rock energy, highlighting the band's roots in rhythm and blues. However, it's the original compositions by Ray Davies that truly define the album. "Till the End of the Day" is a standout track, capturing the quintessential Kinks sound with its driving guitar riff and catchy chorus. This song, along with "Where Have All the Good Times Gone," reflects the band's ability to craft memorable rock tunes that resonate with the youthful spirit of the 1960s.
One of the most significant tracks on the album is "The World Keeps Going Round," which hints at the more reflective and socially aware songwriting that Ray Davies would become known for. This song, along with "I'm on an Island," showcases Davies' growing interest in themes of alienation and introspection, setting the stage for future works like "Face to Face" and "Something Else by The Kinks."
"The Kink Kontroversy" was well-received by critics at the time of its release, praised for its blend of rock and more nuanced songwriting. It demonstrated the band's ability to evolve beyond the straightforward rock and roll of their earlier hits like "You Really Got Me" and "All Day and All of the Night." The album's title itself is a nod to the controversies that surrounded the band, including their infamous ban from performing in the United States, which added a layer of intrigue and rebelliousness to their image.
Culturally, "The Kink Kontroversy" is significant as it captures the mid-60s British rock scene's shift towards more complex and varied musical expressions. The Kinks, alongside bands like The Beatles and The Rolling Stones, were at the forefront of this movement, influencing countless artists and shaping the sound of rock music for years to come.
While "The Kink Kontroversy" did not win any major awards, its impact is evident in the way it paved the way for the band's subsequent albums. It is often regarded as an underrated gem in The Kinks' discography, overshadowed by their later, more celebrated works. However, for fans and music historians, it remains a crucial piece of the puzzle in understanding the evolution of The Kinks and the broader rock genre.
In summary, "The Kink Kontroversy" is a testament to The Kinks' ability to innovate and adapt, blending their raw rock roots with more sophisticated songwriting. It stands as a key moment in their career, marking the beginning of a new phase that would see them explore deeper themes and more varied musical styles. For anyone interested in the history of rock music, this album is an essential listen, offering a glimpse into the transitional period of one of the genre's most influential bands.