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The Libertines - All Quiet On The Eastern Esplanade (LP)

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$55.00
The Libertines - All Quiet On The Eastern Esplanade Vinyl Record Album Art
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Genre(s):
Rock, Indie Rock
Format:
Vinyl Record LP
Label:
EMI
$55.00

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Album Info

Artist: The Libertines
Album: All Quiet On The Eastern Esplanade
Released: Europe, 5 Apr 2024

Tracklist:

A1Run Run Run
Backing Vocals - Gary Powell, John Cory Hassall, Pete Doherty
Drums - John Cory Hassall
Guitar - Carl Barât, Pete Doherty
Percussion [Spring] - Richie Kennedy
Percussion, Electric Piano [Wurlitzer] - Dimitri Tikovoi
Vocals - Carl Barât
A2Mustangs
Backing Vocals - Gary Powell, John Cory Hassall, Julie Gay, Pascale Mason, Pete Doherty
Bass - John Cory Hassall
Drums - Gary Powell
Guitar - Carl Barât, Pete Doherty
Percussion, Piano, Organ - Dimitri Tikovoi
Vocals - Carl Barât
A3Have A Friend
Bass - John Cory Hassall
Drums - Gary Powell
Guitar - Carl Barât, Pete Doherty
Organ - Dimitri Tikovoi
Vocals - Pete Doherty
A4Merry Old England
Arranged By [Strings] - Fiona Brice
Backing Vocals - Julie Gay, Pascale Mason
Bass - John Cory Hassall
Cello - Alice Allen
Drums - Gary Powell
Engineer [Strings] - Matthew Boyle
Guitar - Carl Barât, Pete Doherty
Percussion, Piano, Keyboards - Dimitri Tikovoi
Viola - Liam Brolly
Violin [Violin 1] - Fiona Brice
Violin [Violin 2] - Katrina Lee
Vocals - Pete Doherty
A5Man With The Melody
Arranged By [Strings] - Fiona Brice, Gary Powell
Bass - John Cory Hassall
Cello - Alice Allen
Drums - Gary Powell
Engineer [Strings] - Matthew Boyle
Guitar - Carl Barât, John Cory Hassall
Omnichord - John Cory Hassall
Piano - Carl Barât
Timpani - Dimitri Tikovoi
Viola - Liam Brolly
Violin [Violin 1] - Fiona Brice
Violin [Violin 2] - Katrina Lee
Vocals - Carl Barât, Gary Powell, John Cory Hassall, Pete Doherty
B1Oh Shit
Backing Vocals - Dimitri Tikovoi, Gary Powell, John Cory Hassall, Pete Doherty, Richie Kennedy
Bass - John Cory Hassall
Drums - Gary Powell
Guitar - Carl Barât, Pete Doherty
Percussion - Dimitri Tikovoi
Vocals - Carl Barât
B2Night Of The Hunter
Arranged By [Strings] - Fiona Brice, Gary Powell
Bass - John Cory Hassall
Cello - Alice Allen
Drums, Percussion, Whistle - Gary Powell
Engineer [Strings] - Matthew Boyle
Piano, Keyboards, Percussion - Dimitri Tikovoi
Theremin - Claude-Samuel Lévine
Viola - Liam Brolly
Violin [Violin 1] - Fiona Brice
Violin [Violin 2] - Katrina Lee
Vocals, Guitar - Carl Barât, Pete Doherty
B3Baron’s Claw
Arranged By [Brass Arrangement], Brass [Brass Performance] - The Haggis Horns
Bass - John Cory Hassall
Drums - Gary Powell
Engineer [Brass] - Ben Barker
Guitar - Carl Barât, Pete Doherty
Percussion - Dimitri Tikovoi
Piano - Carl Barât, John Cory Hassall
Tenor Saxophone - Atholl Ransome
Trumpet, Valve Trombone - Malcolm Strachan
Vocals - Pete Doherty
B4Shiver
Backing Vocals - Carl Barât, John Cory Hassall
Bass - John Cory Hassall
Drums - Gary Powell
Handclaps - Richie Kennedy
Piano, Keyboards, Percussion - Dimitri Tikovoi
Vocals, Guitar - Carl Barât, Pete Doherty
B5Be Young
Backing Vocals - Gary Powell, John Cory Hassall
Bass - John Cory Hassall
Drums - Gary Powell
Keyboards, Percussion - Dimitri Tikovoi
Vocals, Guitar - Carl Barât, Pete Doherty
B6Songs They Never Play On The Radio
Arranged By [Strings] - Fiona Brice
Backing Vocals - Carl Barât, Gary Powell, John Cory Hassall, Julie Gay, Pascale Mason, Pete Doherty
Bass - John Cory Hassall
Cello - Alice Allen
Drums - Gary Powell
Engineer [Strings] - Matthew Boyle
Keyboards - Dimitri Tikovoi
Piano - Carl Barât, Dimitri Tikovoi
Viola - Liam Brolly
Violin [Violin 1] - Fiona Brice
Violin [Violin 2] - Katrina Lee
Vocals, Guitar - Carl Barât, Pete Doherty


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Description

The Libertines have always been a band that embodies the chaotic spirit of rock and roll, and their latest release, "All Quiet On The Eastern Esplanade," is no exception. This album, which dropped on September 29, 2023, marks a significant moment in the band's storied career, showcasing their evolution while still holding onto the raw energy that first captured fans' hearts in the early 2000s.

From the opening track, it’s clear that The Libertines are back with a vengeance. The album kicks off with "The Last of the English Roses," a song that feels like a love letter to their roots, blending jangly guitars with poetic lyrics that reflect on nostalgia and the passage of time. The production, handled by the band themselves, has a polished yet gritty feel, reminiscent of their earlier work but with a maturity that comes from years of experience. It’s a delicate balance that they manage to strike beautifully throughout the album.

One of the standout tracks is undoubtedly "The Eastern Esplanade," which serves as the album's title track. It’s a quintessential Libertines song, with a catchy chorus that begs to be sung along to. The interplay between Pete Doherty and Carl Barât’s vocals is as captivating as ever, showcasing their unique chemistry. The lyrics delve into themes of longing and the bittersweet nature of love, a recurring motif that fans have come to expect from the duo. The instrumentation is tight, with a driving rhythm section that propels the song forward, making it a highlight of the album.

Critics have been largely positive about this release, with many noting that The Libertines have managed to recapture the magic that made their debut, "Up the Bracket," such a landmark album. NME praised the album for its “unfiltered honesty” and described it as a “return to form” for the band. The Guardian echoed this sentiment, highlighting the lyrical depth and the band’s ability to reflect on their past while looking towards the future. It’s clear that the band has taken their time with this project, and the effort shows.

Another track that deserves mention is "A Thousand Miles Away," which features a more introspective sound. The acoustic guitar paired with Doherty’s haunting vocals creates a poignant atmosphere that contrasts sharply with the more upbeat tracks. It’s a moment of vulnerability that adds depth to the album, reminding listeners of the personal struggles that have often colored the band’s narrative. This track, in particular, showcases the growth of the band members as songwriters, as they explore more complex emotional landscapes.

The Libertines have always had a knack for storytelling, and this album is no different. Songs like "The Ghost of Albion" weave tales of love, loss, and the passage of time, all set against the backdrop of their beloved London. The band’s ability to paint vivid pictures with their lyrics is one of their strongest suits, and it’s on full display here. The production choices, including the use of layered harmonies and atmospheric sounds, enhance these narratives, making the listening experience immersive.

As the album progresses, it becomes evident that The Libertines are not just revisiting their past but are also forging a new path. Tracks like "Revolution in the Head" and "The Way We Were" hint at a more mature sound, incorporating elements of folk and even hints of orchestration that add a new dimension to their music. It’s a bold move that pays off, showing that the band is willing to experiment while still staying true to their roots.

In conclusion, "All Quiet On The Eastern Esplanade" is a triumphant return for The Libertines. It’s an album that captures the essence of who they are while also pushing boundaries and exploring new territory. With its blend of catchy hooks, poignant lyrics, and a raw, authentic sound, it’s sure to resonate with both long-time fans and newcomers alike. This album not only solidifies their place in the rock pantheon but also proves that The Libertines still have plenty to say. It’s a must-listen for anyone who appreciates the spirit of rock and roll.

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