The Stone Roses - Second Coming (2LP)

The Stone Roses’ second studio album, *Second Coming*, released in 1994, is a fascinating and often polarizing entry in the band's discography. Following the monumental success of their self-titled debut in 1989, expectations were sky-high for this follow-up. The long wait—five years—had built a considerable amount of anticipation, and the band faced the daunting task of not only recapturing the magic of their first album but also evolving their sound in a rapidly changing musical landscape.

From the opening track, "I Wanna Be Adored," the album sets a different tone compared to its predecessor. The song is a slow-burning anthem that builds with a hypnotic bassline and ethereal guitar work, showcasing the band’s willingness to experiment with a more expansive sound. The production, helmed by the band themselves alongside producer John Leckie, is rich and layered, creating an atmospheric backdrop that feels both grand and intimate. This track, along with others on the album, reflects a shift towards a more psychedelic and rock-oriented sound, moving away from the jangly guitars and dance beats that characterized their debut.

One of the standout tracks, "Love Spreads," is a powerful statement of intent. With its driving rhythm and infectious chorus, it became a fan favorite and a staple of their live performances. The lyrics, infused with themes of love and unity, resonate deeply, and the song's energy captures the essence of the band's live prowess. The interplay between Ian Brown's distinctive vocals and John Squire's soaring guitar work is nothing short of electrifying, making it a highlight of the album.

However, *Second Coming* is not without its criticisms. Some fans and critics felt that the album lacked the cohesive brilliance of the debut. The sprawling nature of tracks like "Ten Storey Love Song" and "Daybreak" can feel indulgent, with some listeners arguing that they meander without the tight songwriting that defined their earlier work. Yet, there’s a certain charm in this ambition; the band was clearly trying to push boundaries and explore new musical territories, even if it didn’t always land perfectly.

The album's production is noteworthy for its time, as it embraced a more polished sound that contrasted sharply with the rawness of the first album. The use of studio techniques, such as layering and effects, gives *Second Coming* a lush quality that enhances its more psychedelic elements. The band’s willingness to experiment is evident, and while some may argue that it strays too far from their roots, it undeniably showcases their growth as musicians.

Critically, *Second Coming* received a mixed reception upon its release. While some praised its ambition and the evolution of the band's sound, others lamented that it didn’t live up to the legacy of the debut. Notably, *NME* gave it a lukewarm review, suggesting that the album felt disjointed at times. However, over the years, it has gained a more favorable reassessment, with many fans appreciating its depth and the risks it took.

The cultural significance of *Second Coming* cannot be understated. It arrived at a time when Britpop was on the rise, and while it didn’t fit neatly into that movement, it influenced many bands that followed. The Stone Roses’ blend of rock, psychedelia, and dance music paved the way for a generation of artists who sought to merge genres and create something new.

In retrospect, *Second Coming* stands as a testament to The Stone Roses’ artistic ambition. It may not have achieved the same iconic status as their debut, but it remains a crucial part of their legacy. The album captures a moment of transition, both for the band and the music scene of the early '90s. For fans willing to embrace its imperfections and sprawling nature, *Second Coming* offers a rewarding listening experience that reflects the complexities of growth and change in music.