Album Info
| Artist: | The Strokes |
| Album: | Comedown Machine |
| Released: | Europe, 4 Aug 2023 |
Tracklist:
| A1 | Tap Out | 3:41 |
| A2 | All The Time | 3:01 |
| A3 | One Way Trigger | 4:02 |
| A4 | Welcome To Japan | 3:50 |
| A5 | 80s Comedown Machine | 4:48 |
| B1 | 50/50 | 2:43 |
| B2 | Slow Animals | 4:20 |
| B3 | Partners In Crime | 3:33 |
| B4 | Chances | 3:24 |
| B5 | Happy Ending | 2:53 |
| B6 | Call It Fate, Call It Karma | 3:24 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
The Strokes' fifth studio album, "Comedown Machine," was released on March 25, 2013, and it marked a significant moment in the band's evolution. After the critical and commercial success of their earlier albums, fans were eager to see how the band would continue to develop their sound. "Comedown Machine" is often seen as a departure from the raw, garage rock sound that initially defined The Strokes, leaning more into synth-pop and new wave influences, which makes it a fascinating listen.
From the very first track, "Tap Out," you can sense a shift. The song opens with a dreamy synth line that sets a different tone compared to the gritty guitar riffs of their debut. Julian Casablancas' vocals are as distinctive as ever, but there's a certain ethereal quality to them here that feels fresh. The production, handled by the band themselves, showcases a more polished sound, which some fans embraced while others felt it strayed too far from their roots.
One of the standout tracks on the album is undoubtedly "All the Time." This song encapsulates the essence of The Strokes while incorporating the new wave elements that permeate the album. The catchy chorus and driving beat make it a quintessential Strokes track, and it’s no surprise that it was one of the singles released from the album. Another highlight is "One Way Trigger," which features a soaring synth line and a more upbeat tempo, showcasing the band's willingness to experiment with their sound. The song has a nostalgic feel, reminiscent of 80s pop, and it’s hard not to get swept up in its infectious energy.
Critically, "Comedown Machine" received a mixed to positive reception. Major publications like Pitchfork and Rolling Stone praised the album for its adventurous spirit and the band's willingness to explore new musical territories. Pitchfork noted that the album felt like a "sophisticated pop record" and appreciated the blend of styles. However, some long-time fans expressed disappointment, feeling that the album lacked the raw energy that characterized earlier works like "Is This It" and "Room on Fire."
Despite the mixed reviews, "Comedown Machine" has gained a sort of cult status over the years. It’s often revisited by fans who appreciate its unique sound and the way it captures a moment in time for the band. The album's cover art, featuring a colorful, abstract design, also stands out and has become iconic in its own right, reflecting the album's experimental nature.
Interestingly, "Comedown Machine" was released without much fanfare or promotion, which was a departure from the band's previous marketing strategies. This low-key approach added to the album's mystique and allowed listeners to discover it on their own terms. The band later revealed that they had recorded the album during a period of uncertainty, which perhaps contributed to its introspective and sometimes melancholic tone.
In terms of awards, while "Comedown Machine" did not receive any major accolades, it was nominated for a few smaller awards and was included in various year-end lists, highlighting its impact despite the initial mixed reception. The album's significance lies in its role as a bridge between The Strokes' earlier sound and the more experimental directions they would take in subsequent projects.
Overall, "Comedown Machine" is an album that deserves a second listen, especially for those who may have dismissed it upon its release. It showcases The Strokes' growth as artists and their willingness to take risks. Whether you’re a die-hard fan or a casual listener, there’s something in this album that resonates, making it a noteworthy entry in their discography. So, if you haven’t revisited it in a while, grab your headphones and give it another spin—you might just find a new appreciation for it.
