Album Info
Artist: | U2 |
Album: | Rattle And Hum |
Released: | Europe, 2002 |
Tracklist:
A1 | Helter Skelter | 3:07 |
A2 | Van Diemen's Land | 3:06 |
Mixed By - Mark McKenna, Thom Panunzio | ||
Producer - Dave Meegan | ||
A3 | Desire | 2:58 |
Producer - Pat McCarthy, Paul Barrett | ||
A4 | Hawkmoon 269 | 6:22 |
Mixed By - David Tickle, Don Smith | ||
Organ [Hammond] - Bob Dylan | ||
Producer - David Tickle | ||
B1 | All Along The Watchtower | 4:24 |
Producer - Dave Hewitt | ||
B2 | I Still Haven't Found What I'm Looking For | 5:53 |
Producer - Dave Hewitt | ||
Vocals [Guest] - New Voices Of Freedom | ||
Vocals [Solo] - Dorothy Terrell, George Pendergrass | ||
B3 | Freedom For My People | 0:38 |
Harmonica - Adam Gussow | ||
B4 | Silver And Gold | 5:50 |
B5 | Pride (In The Name Of Love) | 4:27 |
C1 | Angel Of Harlem | 3:49 |
Horns - The Memphis Horns | ||
Organ - Joey Miskulin | ||
Producer - Dave Ferguson, Cowboy Jack Clement | ||
C2 | Love Rescue Me | 6:23 |
Backing Vocals - Bob Dylan | ||
Mixed By - Thom Panunzio | ||
Producer - Dave Ferguson, Cowboy Jack Clement | ||
C3 | When Love Comes To Town | 4:14 |
Backing Vocals - Helen Duncan, Phyllis Duncan, Rebecca Evans Russell | ||
Featuring - B.B. King | ||
Producer - Dave Ferguson, Cowboy Jack Clement | ||
C4 | Heartland | 5:02 |
Keyboards - Brian Eno | ||
Mixed By - Thom Panunzio | ||
Producer - Daniel Lanois, Kevin Killen | ||
D1 | God Part II | 3:15 |
Mixed By - David Tickle | ||
Producer - David Tickle | ||
D2 | The Star Spangled Banner | 0:43 |
Music By - John Stafford Smith | ||
D3 | Bullet The Blue Sky | 5:37 |
Mixed By - Brian Reeves | ||
D4 | All I Want Is You | 6:30 |
Arranged By [Strings] - Van Dyke Parks | ||
Keyboards - Benmont Tench | ||
Mixed By - David Tickle | ||
Producer - David Tickle |
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Description
U2's "Rattle and Hum" is a fascinating exploration of the band's evolution during the late 1980s, capturing their transition from the arena rock giants of the "Joshua Tree" era to a more introspective and experimental sound. Released in 1988, this double album serves as both a soundtrack to their concert film of the same name and a bold statement about their artistic ambitions. It’s a record that resonates with the spirit of its time, blending rock, blues, and gospel influences while reflecting on American culture and the band's own identity.
The album opens with the powerful anthem "Helter Skelter," a cover of The Beatles' classic that showcases U2's raw energy and willingness to take risks. Bono's impassioned vocals and The Edge's signature guitar work set the tone for what’s to come. This track is not just a cover; it’s a declaration of U2's intent to push boundaries and challenge themselves musically. The band’s interpretation of the song is both reverent and rebellious, embodying the chaotic spirit of the original while infusing it with their own unique flair.
One of the standout tracks, "I Still Haven't Found What I'm Looking For," is a spiritual journey that resonates deeply with listeners. The song's gospel influences are palpable, with a choir backing Bono's heartfelt search for meaning and connection. It’s a track that has become a fan favorite, often performed live with an intensity that elevates it to a near-religious experience. The juxtaposition of doubt and faith in the lyrics speaks to the universal human experience, making it a timeless piece in U2's catalog.
"Rattle and Hum" also features the iconic "Desire," which marked a shift towards a more rock-oriented sound. With its catchy riff and driving beat, it became one of U2's most commercially successful singles, earning them a Grammy Award for Best Rock Performance by a Duo or Group with Vocal. The song's infectious energy and memorable chorus make it a staple in their live performances, and it perfectly encapsulates the band's ability to blend introspection with anthemic rock.
The album is not without its more experimental moments. Tracks like "Angel of Harlem" pay homage to the legendary Billie Holiday, blending jazz and rock in a way that feels both fresh and nostalgic. The Edge's guitar work shines here, creating a lush soundscape that complements Bono's tribute to the city of New York and its cultural icons. This track, along with others like "When Love Comes to Town," which features blues legend B.B. King, showcases U2's willingness to collaborate and explore different musical genres, further solidifying their place in the rock pantheon.
Critically, "Rattle and Hum" received a mixed reception upon its release, with some praising its ambition and others critiquing it for being overly self-indulgent. However, over the years, it has gained a reputation as a bold and essential part of U2's discography. The album's exploration of American music and culture, combined with its raw, live sound, has made it a significant work that reflects the band's journey and their quest for authenticity.
The production of "Rattle and Hum" is noteworthy as well, with the band working closely with producer Jimmy Iovine. The decision to record live performances and incorporate studio tracks creates a unique listening experience that captures the energy of U2's concerts while also allowing for polished studio craftsmanship. This blend of live and studio recordings gives the album a dynamic feel, making it a compelling listen from start to finish.
In retrospect, "Rattle and Hum" stands as a testament to U2's artistic vision and their desire to connect with their audience on a deeper level. It’s an album that invites listeners to reflect on their own journeys while celebrating the power of music to inspire and uplift. As U2 continues to evolve, this album remains a crucial chapter in their story, one that showcases their willingness to take risks and explore new musical landscapes.