Album Info
Artist: | U2 |
Album: | Songs Of Innocence |
Released: | Europe |
Tracklist:
A1 | The Miracle (Of Joey Ramone) | |
Acoustic Guitar - Declan Gaffney, Ryan Tedder | ||
Choir - Ada Dyer, Bobby Harden, Carlos Ricketts, Everett Bradley, Greg Clark , Kim Hill, Nicki Richards, Quiona McCollum, Tabitha Fair | ||
Guitar [Additional] - Bono | ||
Keyboards - Bono, Brian Burton, Paul Epworth, Ryan Tedder, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Percussion [Additional] - Paul Epworth | ||
Programmed By - Paul Epworth, Ryan Tedder | ||
A2 | Every Breaking Wave | |
Dulcimer - Bono | ||
Keyboards - Brian Burton, Declan Gaffney, Ryan Tedder, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
A3 | California (There Is No End To Love) | |
Backing Vocals - Declan Gaffney, Larry Mullen Jr | ||
Keyboards - Bono, Declan Gaffney, Paul Epworth, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Programmed By - Declan Gaffney | ||
A4 | Song For Someone | |
Keyboards - Bono, Declan Gaffney, Flood, Ryan Tedder, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
B1 | Iris (Hold Me Close) | |
Keyboards - Adam Clayton, Bono, Declan Gaffney, Ryan Tedder, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Programmed By - The Edge | ||
B2 | Volcano | |
Acoustic Guitar [Additional] - Declan Gaffney | ||
Arranged By [Choral] - Danger Mouse | ||
Choir - Ada Dyer, Bobby Harden, Carlos Ricketts, Everett Bradley, Greg Clark , Kim Hill, Nicki Richards, Quiona McCollum, Tabitha Fair | ||
Guitar [Additional] - Bono | ||
Handclaps [Claps] - Declan Gaffney, "Classy" Joe Visciano, Paul Epworth | ||
Keyboards - Declan Gaffney, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
B3 | Raised By Wolves | |
Effects [Vocal] - Declan Gaffney | ||
Keyboards - Bono, Brian Burton, Declan Gaffney, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Percussion [Additional] - Declan Gaffney | ||
Programmed By - Brian Burton, Declan Gaffney | ||
B4 | Cedarwood Road | |
Keyboards - Brian Burton, Declan Gaffney, Paul Epworth, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Slide Guitar [Additional] - Paul Epworth | ||
C1 | Sleep Like A Baby Tonight | |
Guitar [Additional] - Bono | ||
Keyboards - Bono, Brian Burton, Leo Pearson | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Programmed By - Declan Gaffney | ||
C2 | This Is Where You Can Reach Me Now | |
Backing Vocals - Declan Gaffney, "Classy" Joe Visciano, Larry Mullen Jr | ||
Keyboards - Bono, Brian Burton, Declan Gaffney, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Percussion [Additional] - Brian Burton | ||
C3 | The Troubles | |
Arranged By [Strings] - Caroline Dale | ||
Cello - Caroline Dale | ||
Featuring - Lykke Li | ||
Keyboards - Bono, Brian Burton, Declan Gaffney, The Edge | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 | ||
Violin - Natalia Bonner | ||
D1 | The Crystal Ballroom 12" Mix | |
Backing Vocals - Angel Deradoorian, Joseph Elmhirst | ||
Guitar [Additional] - Bono | ||
Keyboards - Brian Burton, Declan Gaffney | ||
Lyrics By - Bono, The Edge | ||
Music By - U2 |
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Description
U2’s *Songs of Innocence* is a fascinating exploration of the band’s roots, both musically and personally, and it’s hard to overstate the impact it had upon its release in September 2014. The album, which was famously delivered for free to all iTunes users, sparked a whirlwind of conversation about music distribution in the digital age, but beyond the controversy, it stands as a significant entry in U2’s discography, rich with nostalgia and reflection.
From the opening track, "The Miracle (Of Joey Ramone)," it’s clear that U2 is tapping into their youthful influences while simultaneously looking back at their own beginnings. The song is a tribute to the power of music and the way it shapes our identities, echoing the band’s early days in Dublin. The jangly guitars and anthemic chorus are reminiscent of their classic sound, yet there’s a fresh energy that suggests they are still very much in touch with the present. Bono’s lyrics are heartfelt, capturing the essence of youthful exuberance and the transformative power of rock and roll.
One of the standout tracks, "Every Breaking Wave," showcases the band’s ability to blend personal storytelling with universal themes. The song’s haunting melody and poignant lyrics reflect on love and loss, and it’s a testament to U2’s knack for creating songs that resonate deeply with listeners. The production, handled by the legendary Danger Mouse and Paul Epworth, adds a polished yet organic feel to the album, allowing the emotional weight of the lyrics to shine through.
The album also features "Iris (Hold Me Close)," a deeply personal song for Bono, inspired by his late mother. This track is particularly striking, as it delves into themes of memory and longing, with Bono’s vocal delivery conveying a raw vulnerability that is both touching and powerful. The instrumentation builds gradually, creating an atmosphere that feels both intimate and expansive, a hallmark of U2’s best work.
Critics were generally favorable towards *Songs of Innocence*, with many praising its introspective nature and the band’s willingness to explore their past. Rolling Stone highlighted the album as a return to form, noting that it captures the essence of what made U2 great in the first place. The Guardian also commended the album for its emotional depth, calling it a "brave and beautiful" work that reflects the band’s journey through the years.
However, the album was not without its detractors. Some critics felt that the free release overshadowed the music itself, and there were discussions about the ethics of forcing an album into users’ libraries without consent. Yet, this controversy also sparked a larger conversation about the future of music consumption, making *Songs of Innocence* a cultural touchstone in its own right.
The album’s closing track, "The Troubles," featuring Lykke Li, is a haunting meditation on conflict and personal strife. It encapsulates the album’s themes of innocence lost and the complexities of life. The collaboration with Li adds a fresh dynamic, and her ethereal vocals complement Bono’s perfectly, creating a poignant conclusion to the album.
In terms of cultural significance, *Songs of Innocence* serves as a reminder of U2’s enduring relevance in the music landscape. The band has always been known for their ability to evolve while staying true to their roots, and this album is no exception. It’s a reflection on their past, a celebration of their influences, and a testament to their ability to connect with listeners on a deeply emotional level.
Overall, *Songs of Innocence* is a rich tapestry of sound and sentiment, showcasing U2’s ability to blend personal narrative with broader themes of love, loss, and the power of music. It’s an album that invites listeners to reflect on their own experiences while also celebrating the band’s storied legacy. Whether you’re a long-time fan or a newcomer to their music, this album offers something for everyone, making it a significant chapter in U2’s ongoing story.