Album Info
| Artist: | Creedence Clearwater Revival |
| Album: | Creedence Clearwater Revival |
| Released: | Europe, 2025 |
Tracklist:
| A1 | I Put A Spell On You | 4:30 |
| A2 | The Working Man | 3:05 |
| A3 | Suzie Q | 8:37 |
| B1 | Ninety-Nine And A Half (Won't Do) | 3:37 |
| B2 | Get Down Woman | 3:09 |
| B3 | Porterville | 2:25 |
| B4 | Gloomy | 3:50 |
| B5 | Walk On The Water | 4:39 |
Info About Buying Vinyl From Our Record Store
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Description
Creedence Clearwater Revival’s self-titled debut album, released in July 1968, marked the beginning of what would become one of the most iconic sounds in rock music. The band, hailing from El Cerrito, California, had been playing together in various forms since the late 1950s, but it was this album that truly introduced the world to their unique blend of swamp rock, blues, and Southern-inspired grooves, despite their West Coast origins.
The album opens with "I Put a Spell on You", a cover of the Screamin' Jay Hawkins classic. John Fogerty’s gritty, impassioned vocals and the band’s tight instrumentation breathe new life into the song, setting the tone for the rest of the record. It’s a bold choice for an opener, showcasing the band’s ability to reinterpret and energise existing material while making it distinctly their own.
One of the standout tracks is "Suzie Q", a nearly eight-and-a-half-minute rendition of the Dale Hawkins rockabilly hit. This track became the band’s first major hit, reaching the top 20 on the Billboard Hot 100. The extended jam session in the latter half of the song highlights the band’s musicianship, with Tom Fogerty’s rhythm guitar, Stu Cook’s bass, and Doug Clifford’s drums locking into a hypnotic groove while John Fogerty’s lead guitar soars above it all. It’s a track that feels both raw and polished, a testament to the band’s chemistry and John Fogerty’s vision as a producer.
The album also features original compositions like "Porterville" and "Walk on the Water", which hint at the socially conscious themes and storytelling that would become hallmarks of the band’s later work. "Porterville", in particular, stands out for its introspective lyrics and haunting melody, showcasing a depth that belies the band’s relative inexperience at the time.
What’s remarkable about this album is how fully formed the band’s sound is right from the start. While later albums like "Green River" and "Cosmo’s Factory" would refine and expand upon this foundation, the elements that define Creedence Clearwater Revival are all present here: the swampy, blues-infused rock, the tight arrangements, and John Fogerty’s unmistakable voice and guitar work. The production, handled by John Fogerty, is straightforward and unpretentious, allowing the songs to speak for themselves.
Critics at the time recognised the band’s potential, and the album’s success laid the groundwork for their meteoric rise over the next few years. Listening to it now, it’s easy to see why. There’s an authenticity and energy to these recordings that still resonates, a sense of a band discovering their identity and sharing it with the world.
While "Creedence Clearwater Revival" may not have the same level of recognition as some of the band’s later albums, it remains an essential part of their discography and a fascinating glimpse into the early days of one of rock’s most enduring bands. It’s an album that rewards repeated listens, revealing new layers and nuances each time. For fans of the band or anyone interested in the roots of American rock music, it’s a must-hear.
