Album Info
Artist: | David Bowie |
Album: | Lodger |
Gatefold: | Yes |
Released: | Worldwide, 23 Feb 2018 |
Tracklist:
A1 | Fantastic Voyage | |
Backing Vocals - Bowie, Tony Visconti | ||
Bass - George Murray | ||
Drone [Ambient] - Eno | ||
Drums - Dennis Davis | ||
Lyrics By - Bowie | ||
Mandolin - Adrian Belew, Simon House, Tony Visconti | ||
Music By - Eno, Bowie | ||
Piano - Bowie, Sean Mayes | ||
A2 | African Night Flight | |
Bass - George Murray | ||
Guitar - Carlos Alomar | ||
Lyrics By - Bowie | ||
Music By - Eno, Bowie | ||
Percussion - Dennis Davis | ||
Piano - Sean Mayes | ||
Piano [Prepared], Sounds [Cricket Menace] - Eno | ||
A3 | Move On | |
Backing Vocals - Bowie, Tony Visconti | ||
Bass - George Murray | ||
Lyrics By - Bowie | ||
Music By - Bowie | ||
Percussion - Dennis Davis | ||
Piano - Sean Mayes | ||
Rhythm Guitar - Adrian Belew, Carlos Alomar, Tony Visconti | ||
A4 | Yassassin (Turkish For: Long Live) | |
Backing Vocals - Carlos Alomar, Bowie, Dennis Davis, George Murray, Simon House, Tony Visconti | ||
Bass - George Murray | ||
Drums - Dennis Davis | ||
Guitar - Carlos Alomar, Tony Visconti | ||
Lyrics By - Bowie | ||
Music By - Bowie | ||
Synthesizer - Bowie | ||
Violin - Simon House | ||
A5 | Red Sails | |
Bass - George Murray | ||
Drums - Dennis Davis | ||
Guitar - Adrian Belew, Carlos Alomar | ||
Lyrics By - Bowie | ||
Music By - Eno, Bowie | ||
Piano - Sean Mayes | ||
Saxophone - Stan | ||
Synthesizer, Guitar [Treatments] - Eno | ||
Violin - Simon House | ||
B1 | D.J. | |
Bass - George Murray | ||
Drums - Dennis Davis | ||
Guitar - Adrian Belew, Carlos Alomar | ||
Lyrics By - Bowie | ||
Music By - Eno, Alomar, Bowie | ||
Piano, Chamberlin - Bowie | ||
B2 | Look Back In Anger | |
Backing Vocals - Bowie, Tony Visconti | ||
Bass - George Murray | ||
Guitar - Carlos Alomar | ||
Lyrics By - Bowie | ||
Music By - Eno, Bowie | ||
Percussion - Dennis Davis | ||
Piano - Sean Mayes | ||
Synthesizer, Trumpet [Horse], Horn [Eroica] - Eno | ||
B3 | Boys Keep Swinging | |
Backing Vocals - Bowie, Tony Visconti | ||
Bass - Dennis Davis, Tony Visconti | ||
Drums - Carlos Alomar | ||
Guitar - Adrian Belew, Bowie | ||
Lyrics By - Bowie | ||
Music By - Eno, Bowie | ||
Piano - Eno | ||
Violin - Simon House | ||
B4 | Repetition | |
Bass - George Murray | ||
Drums - Dennis Davis | ||
Guitar - Adrian Belew, Carlos Alomar | ||
Lyrics By - Bowie | ||
Music By - Bowie | ||
Synthesizer - Roger Powell | ||
Violin - Simon House | ||
B5 | Red Money | |
Backing Vocals - Bowie, Tony Visconti | ||
Bass - George Murray | ||
Drums - Dennis Davis | ||
Guitar - Adrian Belew, Alomar, Bowie | ||
Lyrics By - Bowie | ||
Music By - Alomar, Bowie | ||
Synthesizer - Roger Powell |
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Description
David Bowie's "Lodger," released on May 18, 1979, is the third installment in his Berlin Trilogy, following the critically acclaimed "Low" and "Heroes." This album marks a significant departure from the more ambient and experimental sounds of its predecessors, embracing a more eclectic and accessible style that blends rock, world music, and avant-garde influences. It’s fascinating to see how Bowie continued to evolve as an artist, and "Lodger" is a testament to his willingness to explore new musical territories.
Upon its release, "Lodger" received a mixed but generally positive reception from critics. Publications like Rolling Stone praised its adventurous spirit, while others were less enthusiastic, feeling it lacked the cohesion of Bowie's earlier works. However, over the years, it has gained a reputation as a hidden gem in Bowie's discography, often celebrated for its innovative approach and the way it captures the zeitgeist of the late 1970s.
One of the standout tracks on the album is "DJ," which features a catchy, almost danceable beat and lyrics that reflect Bowie's ambivalence towards fame and the music industry. The song's infectious energy is a highlight, showcasing Bowie's ability to blend introspective lyrics with a vibrant sound. Another notable track is "Look Back in Anger," which opens the album with a driving rhythm and a sense of urgency that sets the tone for the rest of the record. The song's themes of frustration and longing resonate deeply, making it a powerful opener.
"Lodger" also features the intriguing track "Boys Keep Swinging," which is notable for its playful lyrics and infectious groove. The song's exploration of gender and identity is particularly relevant, as Bowie often challenged societal norms through his music and persona. The playful yet poignant nature of this track exemplifies Bowie's unique ability to blend serious themes with a sense of fun.
The production of "Lodger" is another aspect worth mentioning. Produced by Bowie and Tony Visconti, the album was recorded in Switzerland and New York, and it features a variety of instruments and sounds that reflect Bowie's interest in world music. The incorporation of different musical styles, including African rhythms and Middle Eastern influences, adds a rich texture to the album that sets it apart from his earlier works. This global perspective is particularly evident in tracks like "African Night Flight," which showcases Bowie's adventurous spirit and willingness to experiment.
Interestingly, "Lodger" was nominated for a Grammy Award for Best Male Rock Vocal Performance for the song "Boys Keep Swinging," highlighting its impact and recognition within the music industry. While it may not have achieved the same level of commercial success as some of Bowie's other albums, its influence can be seen in the work of many artists who followed in his footsteps.
In terms of cultural significance, "Lodger" reflects a transitional period in Bowie's career. It was a time when he was moving away from the darker, more introspective sounds of the Berlin Trilogy and beginning to embrace a more mainstream rock sound. This shift would eventually lead to the creation of more commercially successful albums in the 1980s, such as "Let’s Dance."
Fans of Bowie often have personal anecdotes about their experiences with his music, and "Lodger" is no exception. Many listeners appreciate the album for its experimental nature and the way it challenges conventional song structures. It’s an album that invites repeated listens, revealing new layers and meanings with each spin.
In conclusion, David Bowie's "Lodger" is a fascinating and multifaceted album that showcases his artistic evolution during a pivotal time in his career. With its eclectic sound, standout tracks, and cultural significance, it remains a vital part of Bowie's legacy. Whether you're a longtime fan or new to his music, "Lodger" is definitely worth a listen, as it encapsulates the spirit of an artist who was always ahead of his time.