Album Info
Artist: | Gerry Rafferty |
Album: | Night Owl |
Released: | Europe, 25 Aug 2023 |
Tracklist:
A1 | Days Gone Down | 6:33 |
Backing Vocals - Barbara Dickson, Betsy Cooke, Linda Thompson | ||
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Guitar - Hugh Burns, Richard Brunton | ||
Organ - Pete Wingfield | ||
Percussion - Frank Ricotti | ||
Piano - Graham Preskett | ||
Rhythm Guitar, Guitar [Solo] - Hugh Burns | ||
Slide Guitar [Lap] - Richard Brunton | ||
Vocals - Gerry Rafferty | ||
A2 | Night Owl | 6:09 |
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Piano, Synthesizer [String Machine] - Graham Preskett | ||
Guitar - Hugh Burns | ||
Lyricon [Solo] - Raphael Ravenscroft | ||
Organ - Pete Wingfield | ||
Percussion - Frank Ricotti | ||
Vocals, Piano, Synthesizer [Polymoog] - Gerry Rafferty | ||
A3 | The Way That You Do It | 5:06 |
Acoustic Guitar - Richard Brunton | ||
Backing Vocals - Barbara Dickson, Betsy Cooke, Linda Thompson | ||
Bass - Gary Taylor | ||
Drums - Liam Genockey | ||
Electric Guitar - Richard Brunton | ||
Engineer - Nick Patrick | ||
Organ - Pete Wingfield | ||
Piano - Tommy Eyre | ||
Tambourine - Frank Ricotti | ||
Vocals, Acoustic Guitar - Gerry Rafferty | ||
A4 | Why Won't You Talk To Me | 4:01 |
Accordion - John Kirkpatrick | ||
Acoustic Guitar - Richard Brunton | ||
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Guitar - Hugh Burns | ||
Mandolin - Richard Thompson | ||
Piano - Graham Preskett | ||
Slide Guitar [Lap] - Richard Brunton | ||
Vocals, Acoustic Guitar - Gerry Rafferty | ||
A5 | Get It Right Next Time | 4:44 |
Bass - Gary Taylor | ||
Drums - Liam Genockey | ||
Electric Piano, Synth - Tommy Eyre | ||
Engineer - Nick Patrick | ||
Guitar - Hugh Burns | ||
Percussion - Frank Ricotti | ||
Saxophone - Raphael Ravenscroft | ||
Vocals, Acoustic Guitar - Gerry Rafferty | ||
B1 | Take The Money And Run | 5:51 |
Accordion - John Kirkpatrick | ||
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Guitar - Richard Brunton | ||
Keyboards, Fiddle - Graham Preskett | ||
Percussion - Frank Ricotti | ||
Saxophone - Raphael Ravenscroft | ||
Vocals, Acoustic Guitar - Gerry Rafferty | ||
Whistle [Penny Whistle] - Richard Harvey | ||
B2 | Family Tree | 5:55 |
Accordion - John Kirkpatrick | ||
Acoustic Guitar - Richard Brunton | ||
Backing Vocals - Barbara Dickson | ||
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Guitar - Richard Thompson | ||
Guitar [Solo] - Richard Brunton | ||
Keyboards, Fiddle - Graham Preskett | ||
Recorder, Organ [Pipe] - Richard Harvey | ||
Vocals, Acoustic Guitar - Gerry Rafferty | ||
B3 | Already Gone | 4:52 |
Acoustic Guitar - Richard Brunton | ||
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Guitar - Richard Thompson | ||
Percussion - Frank Ricotti | ||
Synthesizer - Richard Harvey | ||
Vocals, Acoustic Guitar - Gerry Rafferty | ||
B4 | The Tourist | 4:14 |
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Electric Guitar - Richard Brunton | ||
Percussion - Frank Ricotti | ||
Rhythm Guitar, Guitar [Solo] - Hugh Burns | ||
Saxophone - Raphael Ravenscroft | ||
Synthesizer - Richard Harvey | ||
Vocals, Piano - Gerry Rafferty | ||
B5 | It's Gonna Be A Long Night | 4:22 |
Bass - Mo Foster | ||
Drums - Liam Genockey | ||
Guitar - Hugh Burns, Richard Brunton | ||
Mandolin - Graham Preskett | ||
Piano - Graham Preskett | ||
Saxophone - Raphael Ravenscroft | ||
Slide Guitar [Lap] - Richard Brunton | ||
Tambourine - Frank Ricotti | ||
Vocals, Acoustic Guitar - Gerry Rafferty |
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Description
Gerry Rafferty's "Night Owl," released on November 1, 1979, is an album that beautifully encapsulates the singer-songwriter's unique blend of soft rock and folk influences. Following the success of his previous works, particularly the iconic "City to City," Rafferty continued to explore themes of introspection and the human experience, and "Night Owl" is no exception. This album is often celebrated for its lush arrangements and Rafferty's smooth, soulful voice, which draws listeners into a world of reflective storytelling.
The album opens with the title track, "Night Owl," which sets the tone with its jazzy undertones and catchy melody. The song is a perfect example of Rafferty's ability to weave complex emotions into accessible music. The lyrics reflect a sense of longing and the struggles of finding one's place in the world, a theme that resonates throughout the album. Critics have praised this track for its sophisticated production and the way it showcases Rafferty's vocal prowess.
One of the standout tracks on the album is "The Royal Mile," which features a more traditional folk sound, complete with acoustic guitar and a haunting melody. This song transports listeners to the streets of Edinburgh, where Rafferty's Scottish roots shine through. The imagery in the lyrics is vivid, painting a picture of nostalgia and a deep connection to his homeland. It's a testament to Rafferty's storytelling ability, and many fans consider it one of his best works.
"Night Owl" also includes the track "Get It Right Next Time," which became a hit single and is often remembered for its upbeat tempo and catchy chorus. This song showcases Rafferty's knack for blending pop sensibilities with deeper lyrical content. The juxtaposition of the lively music with the more serious themes of regret and redemption creates a compelling listening experience. The song's success on the charts further solidified Rafferty's status as a prominent figure in the music scene of the late '70s.
The production of "Night Owl" is noteworthy, with Rafferty collaborating with producer Hugh Murphy, who had worked with him on previous albums. The lush instrumentation, featuring strings and horns, adds a rich texture to the songs, elevating them beyond simple acoustic arrangements. This attention to detail in production is part of what makes the album feel timeless, as it blends various musical styles seamlessly.
Critically, "Night Owl" received a warm reception, with many reviewers highlighting Rafferty's growth as an artist. Publications like Rolling Stone and Billboard praised the album for its mature sound and lyrical depth. While it may not have reached the same iconic status as "City to City," it is often regarded as a strong follow-up that showcases Rafferty's versatility and artistic vision.
Interestingly, Rafferty's personal struggles during the late '70s, including battles with alcoholism, influenced the themes of the album. In interviews, he has mentioned how these experiences shaped his songwriting, leading to a more introspective and sometimes darker tone in his music. This authenticity resonates with listeners, making the album feel relatable and genuine.
"Night Owl" has also held a place in popular culture, with its songs being featured in various films and television shows over the years. The enduring appeal of Rafferty's music is a testament to his talent and the emotional weight of his lyrics. Fans of soft rock and singer-songwriter genres often cite this album as a must-listen, and it continues to attract new listeners even decades after its release.
In conclusion, Gerry Rafferty's "Night Owl" is a beautifully crafted album that showcases his unique voice and songwriting skills. With standout tracks that blend catchy melodies with profound lyrics, it remains a significant work in his discography. The album's production quality and emotional depth make it a timeless piece that resonates with both old fans and new listeners alike. If you haven't yet explored this gem, it's definitely worth a listen.