Album Info
| Artist: | John Fogerty |
| Album: | Eye Of The Zombie |
| Released: | US, 20 Jul 2018 |
Tracklist:
| A1 | Goin' Back Home | 3:25 |
| A2 | Eye Of The Zombie | 4:35 |
| A3 | Headlines | 4:30 |
| A4 | Knockin' On Your Door | 4:35 |
| A5 | Change In The Weather | 6:50 |
| B1 | Violence Is Golden | 5:21 |
| B2 | Wasn't That A Woman | 4:13 |
| B3 | Soda Pop | 5:53 |
| B4 | Sail Away | 4:45 |
Info About Buying Vinyl From Our Record Store
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Description
John Fogerty's 1986 album Eye of the Zombie marked a significant departure from the sound that had defined his earlier work, both as the frontman of Creedence Clearwater Revival and as a solo artist. Coming off the success of his 1985 album Centerfield, which was a triumphant return to form after a long hiatus, Eye of the Zombie took a darker, more experimental turn, reflecting the turbulent times and Fogerty's own evolving artistic vision.
The album opens with the title track, "Eye of the Zombie", a brooding and atmospheric piece that sets the tone for the record. The song's lyrics delve into themes of deception and societal decay, with Fogerty's signature growl delivering the message with conviction. The production is more layered and polished compared to his earlier, more stripped-down work, incorporating synthesizers and a heavier use of percussion, which gives the album a distinctly '80s feel.
One of the standout tracks is "Change in the Weather", a song that showcases Fogerty's ability to blend social commentary with a driving, bluesy rhythm. The track's lyrics address environmental and political concerns, topics that remain relevant today, and the music is both urgent and infectious. Another highlight is "Violence Is Golden", a biting critique of the glorification of violence in media and society, delivered with a sharp edge and a funky groove.
While Eye of the Zombie received mixed reviews upon its release, with some critics and fans finding the shift in style jarring, it has since been re-evaluated by many as an ambitious and underrated work in Fogerty's discography. The album's production, handled by Fogerty himself, is meticulous and innovative, showcasing his willingness to experiment and push his sound in new directions. The use of synthesizers and electronic elements, while a departure from the swamp rock sound of Creedence Clearwater Revival, adds a unique texture to the album and reflects the musical trends of the mid-1980s.
Lyrically, the album is darker and more introspective than much of Fogerty's previous work. Songs like "Soda Pop" and "Knockin' on Your Door" explore themes of disillusionment and personal struggle, while "Wasn't That a Woman" and "Sail Away" offer moments of reflection and longing. Fogerty's songwriting remains sharp and evocative, and his voice, as always, is a powerful instrument, capable of conveying a wide range of emotions.
Despite its initial lukewarm reception, Eye of the Zombie is an album that deserves a closer listen. It captures a moment in Fogerty's career where he was willing to take risks and explore new territory, both musically and thematically. While it may not have the immediate appeal of his earlier work, it is a deeply rewarding album for those willing to engage with its complexities and appreciate its boldness.
In the years since its release, Eye of the Zombie has gained a cult following among fans and has been recognized as an important chapter in Fogerty's career. It stands as a testament to his artistic integrity and his refusal to rest on his laurels, always striving to evolve and challenge himself as a musician. For those who may have overlooked it at the time, it is well worth revisiting, as it offers a fascinating glimpse into the mind of one of rock's most enduring and innovative artists.
