Album Info
Artist: | Lenny Kravitz |
Album: | Mama Said |
Gatefold: | Yes |
Released: | Europe, 21 Sept 2018 |
Tracklist:
A1 | Fields Of Joy | 4:03 |
Arranged By - Douglas Neslund, Lenny Kravitz | ||
Guitar [Solo] - Slash | ||
Vocals, Drums, Bass, Guitar, Mellotron - Lenny Kravitz | ||
Words By, Music By - Hal Fredericks, Michael Kamen | ||
A2 | Always On The Run | 3:57 |
Arranged By [Horn Arrangement] - Lenny Kravitz | ||
Guitar - Slash | ||
Music By - Lenny Kravitz, Slash | ||
Saxophone - Butch Thomas, Karl Denson | ||
trumpet - Mike Hunter | ||
Vocals, Drums, Bass, Guitar - Lenny Kravitz | ||
Words By - Lenny Kravitz | ||
A3 | Stand By My Woman | 4:16 |
Arranged By [Horn Arrangement] - Lenny Kravitz | ||
Arranged By [String Arrangement] - Henry Hirsch | ||
Music By - A. Krizan, Henry Hirsch, Lenny Kravitz, S. Pash | ||
Piano, Organ, Bass - Henry Hirsch | ||
Saxophone - Karl Denson | ||
Strings [Strings Contracted By] - Al Brown | ||
Vocals, Drums - Lenny Kravitz | ||
Words By - Lenny Kravitz | ||
B1 | It Ain't Over 'Til It's Over | 3:55 |
Arranged By [String and Horn Arrangements] - Lenny Kravitz | ||
Horns - The Phenix Horns | ||
Strings [Strings Contracted By] - Ad Brown | ||
Vocals, Drums, Bass, Guitar, Electric Piano [Fender Rhodes], Sitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
B2 | More Than Anything In This World | 3:43 |
Arranged By [String Arrangement] - Lenny Kravitz | ||
Strings [Strings Contracted By] - Al Brown | ||
Vocals, Drums, Organ - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
B3 | What Goes Around Comes Around | 4:40 |
Arranged By [Horn and String Arrangements] - Lenny Kravitz | ||
Bass - Lebron Scott | ||
Drums - Zoro | ||
Guitar - Adam Widoff | ||
Saxophone - Karl Denson | ||
Strings [String Machine] - Henry Hirsch | ||
Vocals, Guitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
C1 | The Difference Is Why | 4:48 |
Vocals, Drums, Bass, Guitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
C2 | Stop Draggin' Around | 2:37 |
Bass - Henry Hirsch | ||
Drums - David Domanich | ||
Vocals, Guitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
C3 | Flowers For Zoë | 2:45 |
Arranged By [String Arrangement] - Lenny Kravitz | ||
Bass - Henry Hirsch | ||
Cello - Nancy Ives | ||
Vocals, Drums, Guitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
C4 | Fields Of Joy (Reprise) | 3:57 |
Arranged By - Lenny Kravitz | ||
Bass, Mellotron - Henry Hirsch | ||
Vocals, Drums, Guitar, Mellotron - Lenny Kravitz | ||
Words By, Music By - Hal Fredericks, Michael Kamen | ||
D1 | All I Ever Wanted | 4:04 |
Bass - Henry Hirsch | ||
Music By - Lenny Kravitz, Sean Ono Lennon | ||
Piano - Sean Ono Lennon | ||
Vocals, Drums - Lenny Kravitz | ||
Words By - Lenny Kravitz | ||
D2 | When The Morning Turns To Night | 2:58 |
Bass, Organ - Henry Hirsch | ||
Vocals, Drums, Guitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz | ||
D3 | What The .... Are We Saying? | 5:10 |
Arranged By [String Arrangement] - Henry Hirsch | ||
Piano, Organ, Synthesizer [Mini-Moog], Strings [String Machine] - Henry Hirsch | ||
Saxophone - Karl Denson | ||
Vocals, Drums, Bass, Guitar, Synthesizer - Lenny Kravitz | ||
Words By, Lyrics By - Lenny Kravitz | ||
D4 | Butterfly | 1:45 |
Vocals, Guitar - Lenny Kravitz | ||
Words By, Music By - Lenny Kravitz |
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Description
Lenny Kravitz's second studio album, Mama Said, released on April 2, 1991, is a deeply personal and soulful exploration of love, heartbreak, and self-discovery. Following the success of his debut album, Let Love Rule, Kravitz delves into more introspective and emotionally charged territory with this record, showcasing his growth as both a songwriter and a musician.
The album is often regarded as a reflection of Kravitz's personal life at the time, particularly his separation from actress Lisa Bonet. This emotional backdrop gives Mama Said a raw and authentic quality, as Kravitz channels his feelings into the music. The result is a collection of songs that are both intimate and universally relatable, blending elements of rock, soul, funk, and psychedelia in a way that feels timeless.
One of the standout tracks on the album is "It Ain't Over 'Til It's Over", a lush, string-laden ballad that became one of Kravitz's biggest hits. Its smooth, Motown-inspired groove and heartfelt lyrics capture the essence of the album's themes of love and longing. The song's success helped solidify Kravitz's place in the music industry and remains a fan favourite to this day.
Another highlight is "Always on the Run", a collaboration with Guns N' Roses guitarist Slash. The track's funky, hard-hitting riff and energetic rhythm make it an instant classic, showcasing Kravitz's ability to seamlessly blend rock and funk influences. Slash's guitar work adds an extra layer of intensity, making it one of the album's most memorable moments.
Throughout Mama Said, Kravitz demonstrates his versatility as an artist, drawing inspiration from a wide range of musical styles and eras. Tracks like "Fields of Joy" and "What Goes Around Comes Around" evoke a sense of nostalgia with their vintage-inspired production and heartfelt lyrics, while songs like "Stand by My Woman" and "All I Ever Wanted" highlight Kravitz's knack for crafting deeply emotional and introspective ballads.
The production on Mama Said is another standout aspect of the album. Kravitz, who produced the record himself, creates a rich and textured sound that perfectly complements the emotional depth of the songs. The use of vintage instruments and recording techniques gives the album a warm, organic feel, while the intricate arrangements and attention to detail showcase Kravitz's talent as a producer.
Critically, Mama Said was well-received upon its release, with many praising Kravitz's ability to channel his personal experiences into his music. The album's blend of genres and heartfelt lyrics resonated with listeners, earning it a place among the standout records of the early '90s. Over the years, it has continued to be celebrated as one of Kravitz's finest works, cementing his reputation as a versatile and innovative artist.
In conclusion, Mama Said is a testament to Lenny Kravitz's artistry and emotional depth. Its timeless sound and relatable themes make it a standout album in his discography, and its impact can still be felt more than three decades after its release. Whether you're a longtime fan or new to Kravitz's music, Mama Said is an album that deserves to be revisited and appreciated for its honesty, creativity, and enduring appeal.