Album Info
Artist: | Rolling Stones |
Album: | Hackney Diamonds |
Released: | Worldwide, 6 Dec 2024 |
Tracklist:
1 | Hackney Diamonds | |
A1 | Angry | |
Backing Vocals, Percussion - Andrew Watt | ||
Drums - Steve Jordan | ||
Engineer [Recording Engineer] - Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Joe Dougherty , Kelsey Porter , Tommy Turner | ||
Piano - Matt Clifford | ||
Technician [Studio Assistant] - Marc Van Gool, Pierre De Beauport | ||
Written-By - Andrew Watt , Keith Richards, Mick Jagger | ||
A2 | Get Close | |
Bass, Backing Vocals - Andrew Watt | ||
Drums - Steve Jordan | ||
Electric Piano [Wurlitzer Piano] - Matt Clifford | ||
Engineer [Recording Engineer] - Marco Sonzini, Paul LaMalfa, Pierre De Beauport | ||
Engineer [Recording Engineers Assisted By] - Ali Tamposi, Barnabas Poffley, Joe Brice, Joe Dougherty , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Featuring, Piano - Elton John | ||
Percussion - Karlos Edwards | ||
Saxophone - James King | ||
Technician [Studio Assistant] - Brendan Morawski, Joe Dougherty , Marc Van Gool, Pierre De Beauport | ||
Trumpet - Ron Blake | ||
Written-By - Andrew Watt , Keith Richards, Mick Jagger | ||
A3 | Depending On You | |
Arranged By [String Arrangement], Conductor [String Conductor] - David Campbell | ||
Bass, Guitar, Backing Vocals, Percussion, Arranged By [String Arrangement] - Andrew Watt | ||
Cello - Jacob Braun, Paula Hochhalter | ||
Contractor [String Contractor] - Suzie Katayama | ||
Copyist [Music Prep] - Bettie Ross, Caryn Rasmussen | ||
Drums - Steve Jordan | ||
Electric Organ [Hammond Organ] - Benmont Tench | ||
Engineer [Recording Engineer] - Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Ali Tamposi, Joe Dougherty , Kelsey Porter , Tommy Turner | ||
Piano - Matt Clifford | ||
Technician [Studio Assistant] - Marc Van Gool, Pierre De Beauport | ||
Viola - Luke Maurer, Tom Lea | ||
Violin - Alyssa Park, Charlie Bisharat, Jennifer Takamatsu, Michele Richards, Philip Vaiman, Sara Parkins, Songa Lee, Tereza Stanislav | ||
Written-By - Andrew Watt , Keith Richards, Mick Jagger | ||
A4 | Bite My Head Off | |
Drums - Steve Jordan | ||
Engineer [Recording Engineer] - Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Joe Brice, Joe Dougherty , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Featuring, Bass - Paul McCartney | ||
Piano - Matt Clifford | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
A5 | Whole Wide World | |
Bass, Backing Vocals, Percussion - Andrew Watt | ||
Drums - Steve Jordan | ||
Engineer [Recording Engineer] - Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Joe Brice, Joe Dougherty , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Piano, Electric Piano [Rhodes], Keyboards - Matt Clifford | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
A6 | Dreamy Skies | |
Drums - Steve Jordan | ||
Electric Organ [Hammond Organ] - Benmont Tench | ||
Engineer [Recording Engineer] - Dave O'Donnell, Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Carl Bespolka, Dani Perez , Joe Dougherty , John Rooney , Kelsey Porter , Lee Foster , Tommy Turner | ||
Piano, Electric Piano [Rhodes] - Matt Clifford | ||
Technician [Studio Assistant] - Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
B1 | Mess It Up | |
Bass, Guitar, Keyboards [Keys] - Andrew Watt | ||
Drums - Charlie Watts | ||
Engineer [Recording Engineer] - Krish Sharma, Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Cheno Wang, Joe Brice, Joe Dougherty , John Costello , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Percussion - Karlos Edwards | ||
Piano, Keyboards [Keys], Electric Piano [Wurlitzer Piano] - Matt Clifford | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
B2 | Live By The Sword | |
Bass - Bill Wyman | ||
Drums - Charlie Watts | ||
Engineer [Recording Engineer] - Krish Sharma, Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Joe Brice, Joe Dougherty , John Costello , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Engineer [Vocals Engineered By], Recorded By [Vocals Recorded By] - Matt Clifford | ||
Featuring, Piano - Elton John | ||
Recorded By [Drums Recorded By], Producer [Drums Produced By] - Don Was | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
B3 | Driving Me Too Hard | |
Backing Vocals, Percussion - Andrew Watt | ||
Drums - Steve Jordan | ||
Engineer [Recording Engineer] - Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Joe Brice, Joe Dougherty , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Piano, Organ, Electric Piano [Rhodes] - Matt Clifford | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
B4 | Tell Me Straight | |
Drums - Steve Jordan | ||
Electric Piano [Rhodes] - Matt Clifford | ||
Engineer [Recording Engineer] - Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Joe Brice, Joe Dougherty , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Written-By - Mick Jagger / Keith Richards | ||
B5 | Sweet Sounds Of Heaven | |
Bass, Backing Vocals - Andrew Watt | ||
Drums - Steve Jordan | ||
Electric Organ [B3 Organ] - Matt Clifford | ||
Engineer [Recording Engineer] - Lars Fox, Marco Sonzini, Paul LaMalfa | ||
Engineer [Recording Engineers Assisted By] - Barnabas Poffley, Joe Brice, Joe Dougherty , Kelsey Porter , Rich Evatt, Tommy Turner | ||
Featuring, Piano, Electric Piano [Rhodes], Synthesizer [Moog] - Stevie Wonder | ||
Featuring, Vocals - Lady Gaga | ||
Saxophone - James King | ||
Technician [Studio Assistant] - Brendan Morawski, Marc Van Gool, Pierre De Beauport | ||
Trumpet - Ron Blake | ||
Written-By - Mick Jagger / Keith Richards | ||
B6 | Rolling Stone Blues | |
Engineer [Recording Engineer Assisted By] - Joe Dougherty , Kelsey Porter , Tommy Turner | ||
Engineer [Recording Engineer] - Paul LaMalfa | ||
Technician [Studio Assistant] - Marc Van Gool, Pierre De Beauport | ||
Written-By - Muddy Waters | ||
2 | Live At Racket, NYC 19/10/23 | |
C1 | Shattered | |
C2 | Angry | |
C3 | Whole Wide World | |
C4 | Tumbling Dice | |
D1 | Bite My Head Off | |
D2 | Jumpin' Jack Flash | |
D3 | Sweet Sounds Of Heaven | |
Featuring - Lady Gaga |
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Description
The Rolling Stones have always been a band that defies the passage of time, and with their latest release, "Hackney Diamonds," they prove once again that they are not just surviving but thriving in the modern music landscape. Released on October 20, 2023, this album marks their first collection of original material since 2005’s "A Bigger Bang," and it’s a triumphant return that showcases the band’s enduring vitality and creativity.
From the very first track, "Angry," you can feel the raw energy that has defined the Stones for decades. The song is a punchy, guitar-driven anthem that captures the essence of frustration and rebellion, themes that have always resonated with their audience. Mick Jagger’s vocals are as dynamic as ever, blending a sense of urgency with a playful swagger. The production, helmed by Andrew Watt, who has worked with a range of contemporary artists, brings a fresh yet familiar sound that feels both modern and classic. It’s a delicate balance that Watt manages to strike, allowing the band’s iconic sound to shine through while incorporating contemporary elements that keep it relevant.
One of the standout tracks on the album is "Sweet Sounds of Heaven," featuring the ethereal vocals of Lady Gaga. This collaboration is a beautiful juxtaposition of Jagger’s gritty rock style and Gaga’s soaring, emotive delivery. The song builds into a powerful crescendo, showcasing the band’s ability to blend genres and create something truly unique. It’s moments like these that remind us why the Stones have remained at the forefront of rock music for over half a century.
The album also features a track titled "Bite My Head Off," which is a nod to the band’s classic rock roots, complete with a catchy chorus and a driving beat that makes it impossible not to tap your feet along. It’s a song that feels like it could have easily fit into their earlier discography, yet it carries a freshness that speaks to their evolution as artists. The lyrics are sharp and witty, showcasing Jagger’s knack for storytelling and social commentary, a hallmark of the band’s songwriting.
Critics have been largely positive about "Hackney Diamonds," with many noting that it feels like a celebration of the band’s legacy while also looking forward. Rolling Stone magazine praised the album for its “vitality and relevance,” highlighting how the Stones manage to capture the spirit of rock and roll in a way that feels both nostalgic and new. The Guardian echoed this sentiment, calling it a “joyous return” that showcases the band’s ability to adapt without losing their essence.
What’s particularly fascinating about this album is the way it reflects the current cultural landscape. The Stones have always been a band that comments on society, and in tracks like "Get Close," they tackle themes of connection and disconnection in the digital age. It’s a poignant reminder that even as the world changes, the core human experiences of love, anger, and joy remain timeless.
The album’s title, "Hackney Diamonds," is a nod to the East London neighborhood of Hackney, where the band recorded much of the album. This choice of location adds an interesting layer to the album, as Hackney has become a cultural hub for creativity and innovation in recent years. It’s a fitting backdrop for a band that has always embraced change and reinvention.
As the album unfolds, it becomes clear that the Rolling Stones are not just resting on their laurels. They are actively engaging with the world around them, and their music reflects that engagement. The closing track, "Live by the Sword," is a powerful anthem that encapsulates the album’s themes of resilience and defiance, leaving listeners with a sense of hope and empowerment.
In a world where many legacy acts struggle to find their footing, "Hackney Diamonds" stands as a testament to the Rolling Stones’ enduring legacy. They have once again proven that they are not just rock icons but vital artists who continue to push boundaries and create music that resonates with both old fans and new. This album is a celebration of their past, a reflection of the present, and a promise of what’s to come. It’s a must-listen for anyone who loves rock and roll, and it solidifies the Stones’ place in the pantheon of music history.