Album Info
Artist: | The Beatles |
Album: | Revolver |
Released: | Worldwide, 28 Oct 2022 |
Tracklist:
- | New Stereo Mix | |
A1 | Taxman | |
Written-By - Harrison | ||
A2 | Eleanor Rigby | |
Written-By - Lennon-McCartney | ||
A3 | I'm Only Sleeping | |
Written-By - Lennon-McCartney | ||
A4 | Love You To | |
Written-By - Harrison | ||
A5 | Here, There And Everywhere | |
Written-By - Lennon-McCartney | ||
A6 | Yellow Submarine | |
Written-By - Lennon-McCartney | ||
A7 | She Said She Said | |
Written-By - Lennon-McCartney | ||
B1 | Good Day Sunshine | |
Written-By - Lennon-McCartney | ||
B2 | And Your Bird Can Sing | |
Written-By - Lennon-McCartney | ||
B3 | For No One | |
Written-By - Lennon-McCartney | ||
B4 | Doctor Robert | |
Written-By - Lennon-McCartney | ||
B5 | I Want To Tell You | |
Written-By - Harrison | ||
B6 | Got To Get You Into My Life | |
Written-By - Lennon-McCartney | ||
B7 | Tomorrow Never Knows | |
Written-By - Lennon-McCartney | ||
- | Revolver Sessions | |
C1 | Tomorrow Never Knows (Take 1) | |
Written-By - Lennon-McCartney | ||
C2 | Tomorrow Never Knows (Mono Mix RM 11) | |
Written-By - Lennon-McCartney | ||
C3 | Got To Get You Into My Life (First Version - Take 5) | |
Written-By - Lennon-McCartney | ||
C4 | Got To Get You Into My Life (Second Version Unnumbered Mix) | |
Written-By - Lennon-McCartney | ||
C5 | Got To Get You Into My Life (Second Version - Take 8) | |
Written-By - Lennon-McCartney | ||
C6 | Love You To (Take 1) | |
Written-By - Harrison | ||
C7 | Love You To (Unnumbered Rehearsal) | |
Written-By - Harrison | ||
D1 | Love You To (Take 7) | |
Written-By - Harrison | ||
D2 | Paperback Writer (Takes 1 And 2 - Backing Track) | |
Written-By - Lennon-McCartney | ||
D3 | Rain (Take 5 - Actual Speed) | |
Written-By - Lennon-McCartney | ||
D4 | Rain (Take 5 - Slowed Down For Master Tape) | |
Written-By - Lennon-McCartney | ||
D5 | Doctor Robert (Take 7) | |
Written-By - Lennon-McCartney | ||
D6 | And Your Bird Can Sing (First Version - Take 2) | |
Written-By - Lennon-McCartney | ||
D7 | And Your Bird Can Sing (First Version - Take 2) (Giggling) | |
Written-By - Lennon-McCartney | ||
E1 | And Your Bird Can Sing (Second Version - Take 5) | |
Written-By - Lennon-McCartney | ||
E2 | Taxman (Take 1) | |
Written-By - Harrison | ||
E3 | I'm Only Sleeping (Rehearsal Fragment) | |
Written-By - Lennon-McCartney | ||
E4 | I'm Only Sleeping (Take 2) | |
Written-By - Lennon-McCartney | ||
E5 | I'm Only Sleeping (Take 5) | |
Written-By - Lennon-McCartney | ||
E6 | I'm Only Sleeping (Mono Mix RM1) | |
Written-By - Lennon-McCartney | ||
E7 | Eleanor Rigby (Speech Before Take 2) | |
Written-By - Lennon-McCartney | ||
E8 | Eleanor Rigby (Take 2) | |
Written-By - Lennon-McCartney | ||
F1 | For No One Take (10 Backing Track) | |
Written-By - Lennon-McCartney | ||
F2 | Yellow Submarine (Songwriting Work Tape Part 1) | |
Written-By - Lennon-McCartney | ||
F3 | Yellow Submarine (Songwriting Work Tape Part 2) | |
Written-By - Lennon-McCartney | ||
F4 | Yellow Submarine (Take 4 Before Sound Effects) | |
Written-By - Lennon-McCartney | ||
F5 | Yellow Submarine (Highlighted Sound Effects) | |
Written-By - Lennon-McCartney | ||
F6 | I Want To Tell You (Speech And Take 4) | |
Written-By - Harrison | ||
F7 | Here, There And Everywhere (Take 6) | |
Written-By - Lennon-McCartney | ||
F8 | She Said She Said (John's Demo) | |
Written-By - Lennon-McCartney | ||
F9 | She Said She Said (Take 15 - Backing Track Rehearsal) | |
Written-By - Lennon-McCartney | ||
- | Original Mono Master | |
G1 | Taxman | |
Written-By - Harrison | ||
G2 | Eleanor Rigby | |
Written-By - Lennon-McCartney | ||
G3 | I'm Only Sleeping | |
Written-By - Lennon-McCartney | ||
G4 | Love You To | |
Written-By - Harrison | ||
G5 | Here, There And Everywhere | |
Written-By - Lennon-McCartney | ||
G6 | Yellow Submarine | |
Written-By - Lennon-McCartney | ||
G7 | She Said She Said | |
Written-By - Lennon-McCartney | ||
H1 | Good Day Sunshine | |
Written-By - Lennon-McCartney | ||
H2 | And Your Bird Can Sing | |
Written-By - Lennon-McCartney | ||
H3 | For No One | |
Written-By - Lennon-McCartney | ||
H4 | Doctor Robert | |
Written-By - Lennon-McCartney | ||
H5 | I Want To Tell You | |
Written-By - Harrison | ||
H6 | Got To Get You Into My Life | |
Written-By - Lennon-McCartney | ||
H7 | Tomorrow Never Knows | |
Written-By - Lennon-McCartney | ||
- | Revolver EP | |
I1 | Paperback Writer (Stereo) | |
Written-By - Lennon-McCartney | ||
I2 | Rain (Stereo) | |
Written-By - Lennon-McCartney | ||
J1 | Paperback Writer (Mono) | |
Written-By - Lennon-McCartney | ||
J2 | Rain (Mono) | |
Written-By - Lennon-McCartney |
Info About Buying Vinyl From Our Record Store
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Description
Released in 1966, "Revolver" is widely regarded as one of The Beatles' most influential and groundbreaking albums. With its innovative production techniques, diverse musical styles, and thought-provoking lyrics, this album showcases the band's evolution and experimentation, solidifying their status as musical pioneers.
From the opening track, "Taxman," it becomes evident that "Revolver" is a departure from The Beatles' earlier sound. Written by George Harrison, the song features a catchy guitar riff and biting lyrics that criticize the high taxes imposed on the band's earnings. This track sets the tone for the album, which delves into a wide range of musical genres and themes.
One of the standout tracks on "Revolver" is "Eleanor Rigby," a haunting and melancholic song that showcases Paul McCartney's songwriting prowess. With its string arrangement and introspective lyrics, the song explores themes of loneliness and isolation, a departure from the band's earlier love-centric tunes. The combination of McCartney's emotive vocals and the poignant instrumentation makes this track a timeless classic.
Another notable song on the album is "Tomorrow Never Knows," which is often hailed as one of the most experimental and forward-thinking tracks of its time. John Lennon's mesmerizing vocals, combined with the innovative use of tape loops and psychedelic effects, create an otherworldly atmosphere. The lyrics, inspired by Timothy Leary's book "The Psychedelic Experience," delve into themes of enlightenment and transcendence, reflecting the band's exploration of new musical and philosophical territories.
"Revolver" also features some of The Beatles' most beloved hits, such as "Yellow Submarine" and "Here, There and Everywhere." "Yellow Submarine" is a whimsical and catchy tune that showcases the band's playful side, while "Here, There and Everywhere" is a beautiful love ballad written by McCartney. These songs demonstrate the band's ability to create diverse and memorable tracks that resonate with audiences of all ages.
In addition to the well-known hits, "Revolver" also includes lesser-known gems like "She Said She Said" and "And Your Bird Can Sing." "She Said She Said" features intricate guitar work and introspective lyrics, while "And Your Bird Can Sing" is a catchy and upbeat track with harmonies that showcase the band's vocal prowess. These songs highlight the depth and variety of The Beatles' songwriting abilities.
One of the defining aspects of "Revolver" is its innovative production techniques, which were ahead of their time. The album incorporates elements of Indian music, classical orchestration, and avant-garde experimentation, pushing the boundaries of what was considered mainstream at the time. The band's collaboration with producer George Martin resulted in a sonic landscape that was both groundbreaking and influential for future generations of musicians.
Overall, "Revolver" is a testament to The Beatles' musical genius and their willingness to push the boundaries of popular music. With its diverse range of musical styles, thought-provoking lyrics, and innovative production techniques, this album remains a timeless masterpiece. From the introspective ballads to the experimental tracks, "Revolver" showcases the band's evolution and sets the stage for their later groundbreaking works.
Whether you're a die-hard Beatles fan or a casual listener, "Revolver" is an essential album that deserves a place in any music collection. Its impact on popular music cannot be overstated, and its timeless appeal continues to captivate audiences to this day.