Album Info
Artist: | The Who |
Album: | The Who Sell Out |
Released: | Worldwide, 21 Apr 2021 |
Tracklist:
1 | The Original Album In Stereo | |
A1 | Armenia City In The Sky | 3:50 |
Written-By - John Keen | ||
A2 | Heinz Baked Beans | 1:00 |
Written-By - John Entwistle | ||
A3 | Mary Anne With The Shaky Hand | 2:34 |
Written-By - Pete Townshend | ||
A4 | Odorono | 2:35 |
Written-By - Pete Townshend | ||
A5 | Tattoo | 2:54 |
Written-By - Pete Townshend | ||
A6 | Our Love Was | 3:25 |
Written-By - Pete Townshend | ||
A7 | I Can See For Miles | 4:10 |
Written-By - Pete Townshend | ||
B1 | I Can't Reach You | 3:31 |
Written-By - Pete Townshend | ||
B2 | Medac | 0:57 |
Written-By - John Entwistle | ||
B3 | Relax | 2:40 |
Written-By - Pete Townshend | ||
B4 | Silas Stingy | 3:05 |
Written-By - John Entwistle | ||
B5 | Sunrise | 3:05 |
Written-By - Pete Townshend | ||
B6 | Rael (1 And 2) | 5:38 |
Written-By - Pete Townshend | ||
2 | Bonus Tracks In Stereo | |
C1 | Mary Anne With The Shaky Hand | 3:25 |
Written-By - Pete Townshend | ||
C2 | Someone's Coming | 2:32 |
Written-By - John Entwistle | ||
C3 | Summertime Blues | 2:38 |
Written-By - Eddie Cochran, Jerry Capehart | ||
C4 | Glittering Girl | 3:04 |
Written-By - Pete Townshend | ||
C5 | Early Morning Cold Taxi | 2:59 |
Written-By - David Langston, Roger Daltrey | ||
C6 | Girl's Eyes | 2:51 |
Written-By - Keith Moon | ||
D1 | Coke After Coke | 1:08 |
D2 | Sodding About | 2:51 |
Written-By - John Entwistle, Keith Moon, Pete Townshend | ||
D3 | Things Go Better With Coke | 0:31 |
Written-By - Pete Townshend | ||
D4 | In The Hall Of The Mountain King | 4:26 |
Arranged By - The Who | ||
Written-By - Edvard Grieg | ||
D5 | Jaguar | 2:54 |
Written-By - Pete Townshend | ||
D6 | Rael (IBC Remake) | 6:26 |
Written-By - Pete Townshend |
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Description
The Who’s 1967 album, "The Who Sell Out," is a fascinating artifact of its time, blending the band’s raw energy with a satirical take on commercialism and pop culture. This concept album, which cleverly masquerades as a radio broadcast, is a vibrant tapestry of rock, pop, and even a touch of psychedelia, showcasing the band’s innovative spirit and their knack for pushing boundaries.
From the very first track, "Armenia City in the Sky," listeners are thrust into a whimsical world that feels both familiar and surreal. The song’s jangly guitars and Roger Daltrey’s soaring vocals set the tone for what’s to come. The track is a perfect example of the band’s ability to merge catchy melodies with thought-provoking lyrics, a theme that runs throughout the album. The Who’s penchant for experimentation is evident here, as they incorporate sound effects and studio techniques that were groundbreaking for the time.
One of the standout features of "The Who Sell Out" is its interspersed radio jingles and advertisements, which serve as a clever commentary on the commercialization of music and culture. These snippets, such as the hilarious "Odorono" and the catchy "Heinz Baked Beans," not only break up the album’s flow but also enhance its narrative. They reflect the band’s playful yet critical stance on the music industry, making the album feel like a cohesive piece rather than just a collection of songs. It’s a bold move that adds layers to the listening experience, inviting fans to engage with the album on multiple levels.
Musically, the album is a showcase of The Who’s versatility. Tracks like "I Can See for Miles" stand out as anthems of the era, with its driving rhythm and explosive chorus. This song, which became one of the band’s biggest hits, is a testament to their ability to craft powerful rock songs that resonate with audiences. The production, helmed by the legendary Kit Lambert, is rich and dynamic, utilizing innovative techniques that were ahead of their time. The use of panning, layering, and effects creates a soundscape that feels both expansive and intimate, drawing listeners into the world of The Who.
The album also features the poignant "Our Love Was, Is," which showcases the softer side of the band. Daltrey’s emotive delivery, combined with Pete Townshend’s introspective lyrics, offers a glimpse into the personal struggles and relationships that often underpin their music. This balance between hard-hitting rock and tender balladry is part of what makes "The Who Sell Out" such a compelling listen.
Critically, the album was well-received upon its release, with many praising its ambitious concept and eclectic sound. It has since been recognized as one of The Who’s essential works, often cited in discussions about the greatest albums of the 1960s. Publications like Rolling Stone have lauded it for its creativity and influence, noting how it paved the way for future concept albums in rock music.
In interviews, Townshend has reflected on the album’s significance, emphasizing the band’s desire to challenge the status quo and explore new artistic avenues. He has described "The Who Sell Out" as a reflection of the times, capturing the spirit of a generation that was grappling with the rapid changes in society and culture. This context adds a layer of depth to the album, making it not just a collection of songs, but a cultural commentary that resonates even today.
As we revisit "The Who Sell Out" in the modern era, its themes of authenticity versus commercialism feel more relevant than ever. The album remains a testament to The Who’s innovative spirit and their ability to blend humor with serious commentary. It’s a wild ride through the psychedelic landscape of the late 1960s, filled with unforgettable melodies and sharp wit. For both longtime fans and new listeners, this album is a must-experience, a vibrant snapshot of a band at the height of their creative powers.