A Day To Remember - You're Welcome (LP)

A Day To Remember’s You’re Welcome arrived on March 5, 2021, the band’s first full-length with Fueled by Ramen after a long run of teasers and delays. That winding rollout turned into part of the record’s story, because this is the album where the Florida crew throws their arms around pop hooks and glossy textures while trying to keep a foot planted in the pit. The push and pull is the point. It doesn’t always land, but when it does, it’s catchy, heavy, and weirdly charming in that stubborn ADTR way.

“Brick Wall” sets the tone with a slow-burn build, coils of tension, then a sudden lurch into crunch. It feels like a mission statement, even if the abrupt ending left some fans puzzled. “Mindreader” is the clearest link to mainstream rock radio, built on a sly melody and Jeremy McKinnon’s polished vocal. The chorus sticks for days. “Resentment” is a better snapshot of the fusion they were chasing in this era, the song weaving chugging guitars with electronic splashes and a thudding groove. You can practically feel the producers nudging verses and bridges into place. McKinnon worked closely with Colin Brittain across the album, and that tight, modern bite shows up in the drum programming and vocal stacks.

If you go to ADTR for the pit-starters, “Last Chance to Dance (Bad Friend)” is the one you circle with a red pen. It’s fast, mean, and tailor-made for a room that smells like sweat and plywood. The breakdown hits like a thrown elbow. On the other side, “F.Y.M.” leans cheeky and pop, the kind of bounce that would fit on a summer playlist next to radio punk. “Only Money” dials the lights down and lets McKinnon get reflective, a reminder that this band has always been as comfortable with heart-on-sleeve melodies as they are with gang shouts. And then there’s “Everything We Need,” the closer that turns into a campfire singalong, a gentle send-off from a record that spends a lot of time trying on new clothes.

The backstory matters. After 2016’s Bad Vibrations, the group reemerged in 2019 with “Degenerates,” then followed with “Resentment” and “Mindreader” while the full album kept slipping down the calendar. Signing to Fueled by Ramen telegraphed a broader push, and You’re Welcome fulfills that promise. It’s brighter, cleaner, and sometimes unabashedly pop. That shift earned mixed reviews from outlets like Kerrang! and NME and split the fanbase a bit. But it also opened a door. You can hear future tour setlists taking shape here, toggling from the old haymakers to shiny new choruses without losing the crowd.

A few deep cuts deserve some love. “Viva La Mexico” is a rowdy postcard of a song, sunburnt and sing-ready. “Permanent” threads melancholy through a midtempo stomp. “Bloodsucker” rides a lean riff and comes off tougher than its title suggests. The sequencing smartly keeps you guessing, bouncing you between uplift and aggression so the pop turns don’t start to feel like one long sugar rush.

On vinyl, the production choices pop even more. Guitars have a glassy edge that sits on the outer groove nicely, and those stacked harmonies feel taller. If you’re browsing for You’re Welcome vinyl, keep an eye out for color variants that complement the gift-bag artwork. It’s a fun piece for the shelf next to the heavier early catalog, and it plays like a snapshot of a band testing its limits. Crate diggers hunting A Day To Remember vinyl will find this one a conversation starter, the kind of record you throw on to spark debate among friends who came in through Homesick versus Common Courtesy.

That debate is part of the thrill. A Day To Remember built a career on collisions, pop-punk rubbing shoulders with metalcore. You’re Welcome tilts that balance a few notches toward pop but keeps a steel beam through the middle. If you want to buy A Day To Remember records online, this is a title worth adding, especially if you collect A Day To Remember albums on vinyl to hear how the band’s production evolved. Whether you grab it at a Melbourne record store or sift through vinyl records Australia retailers, the album rewards a front-to-back spin. Start with “Resentment” and “Last Chance to Dance,” then let “Only Money” and “Everything We Need” soften the edges.

Not every experiment here works, yet the record has a living pulse. It’s messy in a human way, a snapshot of a veteran band listening hard to modern rock radio and their own roots. When that mix locks in, You’re Welcome feels less like a detour and more like a new lane.