Album Info
| Artist: | Fear Factory |
| Album: | Soul Of A New Machine |
| Released: | Worldwide, 2022 |
Tracklist:
| A1 | Martyr | |
| A2 | Leechmaster | |
| A3 | Scapegoat | |
| B1 | Crisis | |
| B2 | Crash Test | |
| B3 | Flesh Hold | |
| B4 | Life Blind | |
| C1 | Scumgrief | |
| C2 | Natividad | |
| C3 | Big God/Raped Souls | |
| C4 | Arise Above Oppression | |
| C5 | Self Immolation | |
| C6 | Suffer Age | |
| D1 | W.O.E. | |
| D2 | Desecrate | |
| D3 | Escape Confusion | |
| D4 | Manipulation | |
| E1 | Martyr (Suffer Bastard Mix) | |
| E2 | Self Immolation (Vein Tap Mix) | |
| E3 | Scapegoat (Pigfuck Mix) | |
| F1 | Scumgrief (Deep Dub Trauma Mix) | |
| F2 | Self Immolation (Liquid Sky Mix) | |
| F3 | Scapegoat (Pigfuck Mix) (Instrumental) | |
| F4 | Scumgrief (Deep Dub Trauma Mix) (Instrumental) |
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Description
"Soul of a New Machine" is the debut studio album by American industrial metal band Fear Factory, released on August 25, 1992, by Roadrunner Records. The album is notable for its pioneering blend of death metal, grindcore, and industrial music, which would later become a defining characteristic of the band's sound.
The lineup for this album includes Burton C. Bell on vocals, Dino Cazares on guitar, Raymond Herrera on drums, and Andrew Shives on bass, although Shives did not perform on the album; the bass parts were played by Cazares. The album was produced by Colin Richardson, a well-known figure in the metal community who has worked with bands such as Carcass and Napalm Death.
"Soul of a New Machine" is often cited as a groundbreaking release in the metal genre, primarily due to its innovative use of industrial elements and its thematic focus on the relationship between man and machine. The album's title and many of its lyrics are inspired by the science fiction novel "When HARLIE Was One" by David Gerrold, which explores themes of artificial intelligence and human consciousness.
The album opens with "Martyr," a track that immediately sets the tone with its aggressive guitar riffs, rapid drumming, and Bell's distinctive vocal style, which alternates between guttural growls and clean, melodic singing. This dual vocal approach would become one of Fear Factory's trademarks.
"Leechmaster" and "Scapegoat" continue the assault with their relentless pace and intricate guitar work. The industrial influence is particularly evident in tracks like "Crash Test" and "Big God/Raped Souls," which incorporate samples, electronic effects, and mechanical rhythms to create a cold, dystopian atmosphere.
One of the standout tracks on the album is "Self Immolation," which features a memorable chorus and showcases the band's ability to blend melody with brutality. The song's lyrics delve into themes of self-destruction and rebirth, reflecting the album's overarching narrative of transformation and evolution.
"Scumgrief" is another highlight, with its haunting intro and dynamic shifts between slow, crushing riffs and faster, more chaotic sections. The track exemplifies the band's skill in creating tension and contrast within their music.
The album closes with "Natividad," an instrumental piece that serves as a haunting, atmospheric outro. Its eerie soundscapes and mechanical noises leave the listener with a sense of unease, fitting for an album that explores the darker aspects of technology and humanity.
"Soul of a New Machine" received positive reviews from critics upon its release and has since been regarded as a seminal work in the industrial metal genre. The album's innovative sound and thematic depth have influenced countless bands and helped to establish Fear Factory as a major force in the metal scene.
In conclusion, "Soul of a New Machine" is a landmark album that showcases Fear Factory's unique blend of death metal, grindcore, and industrial music. Its aggressive yet melodic approach, combined with its thought-provoking themes, make it a must-listen for fans of heavy music. The album's influence can still be felt today, and it remains a testament to Fear Factory's pioneering spirit and creative vision.
