Living Colour - Vivid (LP)

**Album Review: Living Colour - Vivid**

Living Colour's debut album, "Vivid," released on May 3, 1988, is a landmark record that boldly defies genre boundaries and delivers a powerful social message. The band, consisting of Vernon Reid (guitar), Corey Glover (vocals), Muzz Skillings (bass), and Will Calhoun (drums), emerged from the vibrant New York City music scene with a sound that fused rock, funk, jazz, and metal, creating a unique and dynamic musical experience.

"Vivid" opens with the explosive track "Cult of Personality," which became the band's signature song and a massive hit. The song's iconic riff, combined with Glover's commanding vocals and politically charged lyrics, critiques the blind adoration of charismatic leaders. The track won a Grammy Award for Best Hard Rock Performance and remains a staple in rock music.

The album continues with "I Want to Know," a song that showcases the band's ability to blend catchy melodies with thought-provoking lyrics. The track's upbeat tempo and infectious chorus make it a standout on the album. "Middle Man" follows, addressing themes of identity and societal pressure with a driving rhythm and Reid's intricate guitar work.

"Desperate People" highlights the band's funk influences, with Skillings' bass lines and Calhoun's drumming providing a groovy foundation for Glover's soulful vocals. The song's lyrics explore themes of alienation and the search for meaning in a chaotic world.

"Open Letter (To a Landlord)" is a poignant critique of urban displacement and gentrification. Glover's emotive delivery and Reid's expressive guitar solos convey the song's message with urgency and passion. The track exemplifies Living Colour's commitment to addressing social issues through their music.

The album's diversity is further demonstrated in "Funny Vibe," which features guest appearances by Public Enemy's Chuck D and Flavor Flav. The song blends rock and hip-hop elements, addressing racial stereotypes and the absurdity of prejudice. This collaboration highlights the band's willingness to experiment and push musical boundaries.

"Memories Can't Wait," a cover of a Talking Heads song, showcases Living Colour's ability to reinterpret and infuse their style into existing material. The band's version is heavier and more intense, with Reid's guitar adding a new dimension to the track.

"Broken Hearts" slows the pace with a soulful ballad that explores themes of love and loss. Glover's vocal performance is heartfelt and sincere, supported by Reid's melodic guitar lines and a subtle rhythm section.

The album closes with "Glamour Boys," a satirical take on the superficiality of fame and materialism. The song's upbeat tempo and catchy chorus contrast with its critical lyrics, creating a memorable and thought-provoking finale.

"Vivid" was produced by Ed Stasium, known for his work with artists like The Ramones and Talking Heads. The album's production captures the energy and intensity of Living Colour's live performances while highlighting the band's technical proficiency and musical versatility.

Upon its release, "Vivid" received critical acclaim and commercial success, reaching No. 6 on the Billboard 200 chart and achieving double platinum status. The album's success helped pave the way for greater diversity in the rock genre, challenging the predominantly white landscape of the late 1980s rock scene.

Living Colour's "Vivid" is more than just a collection of songs; it's a bold statement that addresses social and political issues while showcasing the band's exceptional musicianship. The album remains a powerful and relevant work, continuing to inspire new generations of listeners with its message and musical innovation.