Album Info
Artist: | MC5 |
Album: | High Time |
Gatefold: | Yes |
Released: | Worldwide, 6 Oct 2023 |
Tracklist:
A1 | Sister Anne | 7:15 |
Piano - Pete Kelly | ||
A2 | Baby Won't Ya | 5:41 |
A3 | Miss X | 5:07 |
A4 | Gotta Keep Movin' | 3:24 |
B1 | Future/Now | 6:18 |
B2 | Poison | 3:24 |
B3 | Over And Over | 5:12 |
B3 | Skunk (Sonicly Speaking) | 5:25 |
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Description
MC5's "High Time," released on September 10, 1971, is a landmark album that captures the raw energy and revolutionary spirit of the late 1960s and early 1970s. As the third studio album from the Detroit-based band, it followed their iconic debut, "Kick Out the Jams," and the more polished "Back in the USA." While it may not have achieved the same level of commercial success as its predecessors, "High Time" is often regarded as a crucial part of the MC5's legacy and a significant entry in the pantheon of rock music.
From the opening track, "Sister Anne," the album sets a tone that is both aggressive and melodic. The song features a driving rhythm and powerful guitar riffs that are characteristic of the MC5's sound. The lyrics reflect a sense of urgency and rebellion, themes that permeate the entire album. The production, handled by Bruce Botnick, captures the band's live energy while also allowing for a more nuanced sound than their earlier works. This balance between rawness and refinement is one of the standout features of "High Time."
One of the most notable aspects of "High Time" is its cultural significance. Released during a time of social upheaval in America, the album reflects the band's commitment to political activism and their connection to the counterculture movement. The MC5 were not just a band; they were a part of the White Panther Party, advocating for social change and using their music as a platform for their beliefs. This context adds depth to the listening experience, as each track resonates with the spirit of the times.
Standout tracks on the album include "High Time" and "Skunk (Sonicly Speaking)." The title track, "High Time," is a powerful anthem that showcases the band's signature sound, blending hard rock with a sense of urgency and purpose. "Skunk (Sonicly Speaking)" is another highlight, featuring a more experimental approach with its psychedelic influences and intricate guitar work. The interplay between Wayne Kramer and Fred "Sonic" Smith's guitars is particularly impressive, showcasing their musicianship and creativity.
Critical reception of "High Time" has evolved over the years. Initially, it received mixed reviews, with some critics feeling it didn't quite match the intensity of their earlier work. However, in retrospect, many have come to appreciate it as a mature and cohesive album that encapsulates the band's artistic vision. Publications like Rolling Stone have revisited the album, praising its raw energy and the band's fearless approach to music.
Interestingly, the album's cover art, designed by the legendary artist Gary Grimshaw, is a visual representation of the band's ethos. The vibrant colors and bold imagery reflect the psychedelic influences of the time, making it not just an auditory experience but a visual one as well. This attention to detail in both music and art is a testament to the band's commitment to their craft.
Despite not achieving the same commercial success as their earlier albums, "High Time" has garnered a cult following over the years. It has been cited as an influence by numerous bands and artists, particularly in the punk and alternative rock scenes. The MC5's raw sound and revolutionary spirit can be heard in the music of bands like The Stooges, The Ramones, and even modern acts like The White Stripes.
In conclusion, "High Time" is more than just an album; it's a snapshot of a moment in time when music and politics intertwined in powerful ways. The MC5's fearless approach to their art, combined with their commitment to social change, makes this album a significant piece of rock history. Whether you're a longtime fan or a newcomer to their music, "High Time" is an essential listen that captures the essence of a band that was ahead of its time.