Album Info
| Artist: | Rob Zombie |
| Album: | The Lunar Injection Kool Aid Eclipse Conspiracy |
| Released: | USA, 2023 |
Tracklist:
| A1 | Expanding The Head Of Zed | |
| A2 | The Triumph Of King Freak (A Crypt Of Preservation And Superstition) | |
| A3 | The Ballad Of Sleazy Rider | |
| A4 | Hovering Over The Dull Earth | |
| A5 | Shadow Of The Cemetery Man | |
| A6 | A Brief Static Hum And Then The Radio Blared | |
| A7 | 18th Century Cannibals, Excitable Morlocks And A One-Way Ticket On The Ghost Train | |
| A8 | The Eternal Struggles Of The Howling Man | |
| A9 | The Much Talked Of Metamorphosis | |
| B1 | The Satanic Rites Of Blacula | |
| B2 | Shower of Stones | |
| B3 | Shake Your Ass-Smoke Your Grass | |
| B4 | Boom-Boom-Boom | |
| B5 | What You Gonna Do With That Gun Mamma? | |
| B6 | Get Loose | |
| B7 | The Serenity Of Witches | |
| B8 | Crow Killer Blues |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Rob Zombie’s seventh studio album, The Lunar Injection Kool Aid Eclipse Conspiracy, landed on 12 March 2021 through Nuclear Blast, and it feels like a funhouse built from scrap metal and midnight TV. It’s the most Rob Zombie title imaginable, but the music matches the promise. This is a tight, nasty, candy-coloured juggernaut that leans into everything he and his band do well, then trims the fat so it never overstates the joke.
The rollout set the tone. “The Triumph of King Freak (A Crypt of Preservation and Superstition)” arrived in 2020 with a cut-and-paste video directed by Zombie himself, all switchblade edits and occult pulp. On record it’s driven by John 5’s serrated riff and Ginger Fish’s steady stomp, with samples bubbling at the edges like a late-night transmission bleeding into the mix. The follow-up single, “The Eternal Struggles of the Howling Man,” doubles down with a chorus that feels built for festival fists, the kind of chant you can hear from the back of the paddock at a summer show.
One of the pleasures here is the band chemistry. John 5’s guitar lines slash and curl, sometimes greasy, sometimes almost surfy, while Piggy D keeps the low end thick and unshakeable. Zombie rides above it all with that sandpaper bark, tossing out grindhouse imagery like a carnival caller. The album’s short instrumental asides act like scene changes, and they actually bind the record rather than interrupt it. It plays like a midnight radio program that keeps getting hijacked by a travelling freak show.
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