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Jethro Tull - WarChild II (LP)

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$55.00
Jethro Tull - WarChild II Vinyl Record Album Art
Picture of WarChild II Vinyl Record
Condition:
New
Availability:
Available At Supplier. Ships in 2 - 4 weeks
Current Stock:
Original Release Year:
1974
Genre(s):
Rock, Prog Rock
Format:
Vinyl Record LP
Label:
Chrysalis
$55.00

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Jethro Tull - WarChild II Vinyl Record Album Art
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Ex. GST

Album Info

Artist: Jethro Tull
Album: WarChild II
Released: Worldwide, Jan 2022

Tracklist:

A1Paradise Steakhouse4:01
A2SeaLion II3:20
Lead Vocals, Written-By - Jeffrey Hammond-Hammond
A3Saturation4:20
A4Quartet2:43
A5Good Godmother4:27
B1WarChild II3:14
B2Tomorrow Was Today3:54
B3Glory Row3:35
B4March, The Mad Scientist1:49
B5Pan Dance3:37
B6Rainbow Blues3:38

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Description

LP - Black Vinyl.  

Warchild II is released on vinyl for the first time. WarChild II is a collection of a number of tracks recorded during the War Child sessions from late 1973 and early 1974. Mixed by Steven Wilson, all were included on CD2 of the War Child 40th Anniversary Theatre Edition in 2014. These tracks are on vinyl for the very first time with the running order chosen by Ian Anderson. The album features Ian Anderson (vocals, flute, acoustic guitar, saxophones), Martin Barre (guitars), John Evan (keys), Jeffrey Hammond-Hammond (bass) and Barriemore Barlow (drums and percussion).Reflecting on 1974, the year of release, Ian Anderson says “Verging uncomfortably on Glam Rock - at least in terms of stage clothes - JT was on the rebound from the excessively proggy A Passion Play of 1973. Still having not quite got over my brief flirtation with the alto saxophone, I warbled through a few choruses and riffs with the wretched thing in an album of nice and mostly brief tunes. But looking back, the music and performances were no disappointment in hearing it all again - especially in its remixed form - and the fine musicality puts it up in the top few albums of the years with the Martin Barre, John Evan, Barrie Barlow and Jeffrey Hammond-Hammond line-up. David (as he then was) Palmer provided wonderful orchestrations for several tracks. I kissed goodbye to the saxophone after the final sessions and returned, to the relief of all, to the flute as my principal wind instrument of choice. Of course, my flute did feature on several of the WarChild tracks, but I always saw the album as representing the best of my sax-playing and being an important part of the instrumentation, especially in the slightly sleazy, clubby material of the title track. Dear old Alto sax - RIP.”

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