Album Info
Artist: | Pink Floyd |
Album: | The Endless River |
Released: | US, 10 Nov 2014 |
Tracklist:
A1 | Things Left Unsaid | |
E-Bow, Guitar [Other Guitars] - David Gilmour | ||
Keyboards [Additional Keyboards] - Bob Ezrin | ||
Organ [Hammond Organ], Synthesizer, Keyboards - Richard Wright | ||
Written-By - David Gilmour, Richard Wright | ||
A2 | It's What We Do | |
Drums - Nick Mason | ||
Guitar [Guitars], Bass Guitar - David Gilmour | ||
Keyboards, Synthesizer [Synthesizers], Strings - Richard Wright | ||
Written-By - David Gilmour, Richard Wright | ||
A3 | Ebb And Flow | |
E-Bow - David Gilmour | ||
Electric Piano - Richard Wright | ||
Written-By - David Gilmour, Richard Wright | ||
B1 | Sum | |
Drums - Nick Mason | ||
Guitar [Guitars], Bass Guitar, Synthesizer [VCS3 Synthesizer] - David Gilmour | ||
Keyboards [Additional Keyboards] - Damon Iddins | ||
Organ [Farfisa Organ], Piano - Richard Wright | ||
Written-By - David Gilmour, Nick Mason, Richard Wright | ||
B2 | Skins | |
Bass Guitar - Andy Jackson | ||
Drums, Rototoms, Gong - Nick Mason | ||
Effects - Youth | ||
Guitar [Guitars] - David Gilmour | ||
Keyboards - Richard Wright | ||
Written-By - David Gilmour, Nick Mason, Richard Wright | ||
B3 | Unsung | |
Guitar, Piano, Synthesizer [VCS3] - David Gilmour | ||
Organ [Farfisa Organ], Piano - Richard Wright | ||
Written-By - Richard Wright | ||
B4 | Anisina | |
Drums - Nick Mason | ||
Piano, Keyboards, Guitar [Guitars], Bass Guitar, Backing Vocals - David Gilmour | ||
Tenor Saxophone, Clarinet - Gilad Atzmon | ||
Written-By - David Gilmour | ||
C1 | The Lost Art Of Conversation | |
Guitar [Guitars], Percussion - David Gilmour | ||
Piano, Synthesizer - Richard Wright | ||
Written-By - Richard Wright | ||
C2 | On Noodle Street | |
Bass Guitar - Guy Pratt | ||
Drums - Nick Mason | ||
Electric Piano [Fender Rhodes] - Richard Wright | ||
Guitar - David Gilmour | ||
Synthesizer [Synthesizers] - Jon Carin | ||
Written-By - David Gilmour, Richard Wright | ||
C3 | Night Light | |
E-Bow, Guitar [Other Guitars] - David Gilmour | ||
Synthesizer [Synthesizers] - Richard Wright | ||
Written-By - David Gilmour, Richard Wright | ||
C4 | Allons-y | |
Bass Guitar - Bob Ezrin | ||
Drums - Nick Mason | ||
Guitar [Guitars] - David Gilmour | ||
Organ [Hammond Organ] - Richard Wright | ||
Synthesizer, Loops [Percussion Loop] - Jon Carin | ||
Written-By - David Gilmour | ||
C5 | Autumn '68 | |
Gong - Nick Mason | ||
Guitar - David Gilmour | ||
Keyboards [Additional Keyboards] - Damon Iddins | ||
Organ [Royal Albert Hall Pipe Organ] - Richard Wright | ||
Written-By - Richard Wright | ||
C6 | Allons-y | |
Bass Guitar - Bob Ezrin | ||
Drums - Nick Mason | ||
Guitar [Guitars] - David Gilmour | ||
Organ [Hammond Organ] - Richard Wright | ||
Synthesizer, Loops [Percussion Loop] - Jon Carin | ||
Written-By - David Gilmour | ||
C7 | Talkin' Hawkin' | |
Backing Vocals - Durga McBroom | ||
Bass Guitar - Guy Pratt | ||
Drums - Nick Mason | ||
Guitar [Guitars], Backing Vocals - David Gilmour | ||
Piano, Organ [Farfisa Organ], Synthesizer [Synthesizers] - Richard Wright | ||
Voice [Electronic Voice Sample] - Stephen Hawking | ||
Written-By - David Gilmour, Richard Wright | ||
D1 | Calling | |
Effects - Andy Jackson | ||
Keyboards - Anthony Moore | ||
Keyboards, Guitar - David Gilmour | ||
Percussion - Nick Mason | ||
Written-By - Anthony Moore, David Gilmour | ||
D2 | Eyes To Pearls | |
Bass Guitar - Andy Jackson | ||
Drums, Gong - Nick Mason | ||
Guitar [Guitars], Keyboards [Additional Keyboards], Effects - David Gilmour | ||
Organ [Farfisa And Hammond], Keyboards - Richard Wright | ||
Written-By - David Gilmour | ||
D3 | Surfacing | |
Backing Vocals - Durga McBroom | ||
Drums - Nick Mason | ||
Guitar [Guitars], Bass Guitar, Backing Vocals - David Gilmour | ||
Synthesizer [Synthesizers], Keyboards - Richard Wright | ||
Written-By - David Gilmour | ||
D4 | Louder Than Words | |
Backing Vocals - Durga McBroom, Louise Marshall, Sarah Brown | ||
Bass Guitar - Bob Ezrin | ||
Drums, Percussion - Nick Mason | ||
Electric Piano [Fender Rhodes], Piano, Synthesizer - Richard Wright | ||
Strings - Chantal Leverton, Escala, Helen Nash, Honor Watson, Victoria Lyon | ||
Vocals, Guitar [Guitars], Organ [Hammond], Effects - David Gilmour | ||
Written-By - David Gilmour, Polly Samson |
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Description
Released on November 10, 2014, "The Endless River" is a unique and poignant farewell from the legendary British rock band Pink Floyd. This album, which serves as a tribute to the late keyboardist Richard Wright, is a collection of instrumental pieces that were primarily recorded during the sessions for their previous album, "The Division Bell," in 1993. It’s fascinating to think that this album, which feels so fresh and ethereal, is rooted in recordings from over two decades ago.
The album is a sonic journey, divided into four main parts, and it flows seamlessly from one track to the next, creating an immersive experience that feels almost like a dream. The opening track, "Things Left Unsaid," sets the tone with its ambient soundscapes and reflective mood. It’s a beautiful homage to Wright, whose contributions to the band were often overshadowed by the more prominent figures of Roger Waters and David Gilmour. Here, his spirit is palpable, and the music feels like a conversation with the past.
One of the standout tracks is "Ebb and Flow," which features a delicate piano melody that evokes a sense of nostalgia and longing. The interplay between Gilmour’s guitar and the lush keyboards creates a sound that is unmistakably Pink Floyd, yet it also feels like a departure from their earlier work. The album is not about lyrics or traditional song structures; instead, it’s about mood and atmosphere, which is a bold choice for a band known for their conceptual storytelling.
Critically, "The Endless River" received a mixed reception. Some praised it for its serene beauty and the way it encapsulated the essence of Pink Floyd, while others felt it lacked the lyrical depth and narrative that characterized their earlier masterpieces. Major publications like Rolling Stone and The Guardian offered varied perspectives, with Rolling Stone noting that the album is "a fitting farewell" and The Guardian highlighting its "meditative quality." Despite the mixed reviews, the album debuted at number one in several countries, including the UK and the US, and it was nominated for a Grammy Award for Best Surround Sound Album.
What’s particularly interesting about "The Endless River" is its production. The album was produced by David Gilmour, Nick Mason, and the late Richard Wright, with contributions from other musicians who had worked with Pink Floyd over the years. The production process involved revisiting old tapes and reimagining them into a cohesive work, which speaks to the band’s commitment to honoring their past while also exploring new sonic territories. The use of ambient sounds and effects creates a lush soundscape that invites listeners to lose themselves in the music.
Personal anecdotes from Gilmour and Mason reveal that the album was a labor of love, a way to celebrate their friendship with Wright and to reflect on their journey as a band. Gilmour has mentioned in interviews that the process of putting the album together was both cathartic and emotional, as it allowed them to reconnect with the music they had created together. This sense of nostalgia permeates the album, making it feel like a heartfelt farewell rather than just another release.
In terms of cultural significance, "The Endless River" stands as a testament to Pink Floyd’s enduring legacy. It’s a reminder of the band’s innovative spirit and their ability to push the boundaries of music. While it may not have the same impact as classics like "The Dark Side of the Moon" or "The Wall," it serves as a beautiful epilogue to their storied career. The album resonates with fans who have followed the band through the years, offering a sense of closure while also inviting new listeners to explore the depths of Pink Floyd’s sound.
In conclusion, "The Endless River" is more than just an album; it’s an experience that encapsulates the essence of Pink Floyd. It’s a reflective journey through sound that honors the past while looking towards the future. Whether you’re a lifelong fan or a newcomer to their music, this album is worth a listen, as it captures the magic of Pink Floyd in a way that is both nostalgic and fresh.