Rush - Moving Pictures (LP)

sh: Geddy Lee (vocals, bass, synthesizer); Alex Lifeson (acoustic & electric guitars); Neil Peart (drums, timbales, bells, percussion). Additional personnel: Hugh Syme (keyboards). Recorded at Le Studio, Quebec, Canada in October & November 1980. Rush: Geddy Lee (vocals, bass, synthesizer); Alex Lifeson (acoustic & electric guitars); Neil Peart (drums, timbales, bells, percussion). Additional personnel: Hugh Syme (keyboards). Recorded at Le Studio, Quebec, Canada in October & November 1980. MOVING PICTURES is the intersection between Rush's '70s art-rock style and their sequencer-laced '80s efforts. An incredible stylistic leap for the band, the songs here incorporate reggae, percolating synth and even a new wave-tinged early '80s pop sensibility. "Tom Sawyer," the ultimate alienated-teen saga, is the album's best known song. "Red Barchetta" picks up where 2112 left off with futuristic, sci fi-oriented lyrics. The instrumental "YYZ" is as far into straight-up progressive rock as the band had ever ventured. Things get socio-political on the ominous "Witch Hunt," and a Jamaican flavor enlivens "Vital Signs." The increased reliance on synthesizers and sequencers would later become irksome to old school Rush fans, but on MOVING PICTURES, electronics are tastefully applied to further the group's musical vision, making for what just might be their finest batch of songs.

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"Moving Pictures" by Rush is one of those albums that has not only stood the test of time but has also become a cornerstone in the world of progressive rock. Released on February 12, 1981, this album marked a significant moment in Rush's career, both commercially and artistically. It was their eighth studio album and arguably their most successful, reaching number three on the Billboard 200 chart and eventually being certified quadruple platinum in the United States.

The album opens with "Tom Sawyer," a track that has become synonymous with Rush itself. With its iconic synthesizer riff and Neil Peart's intricate drumming, "Tom Sawyer" is a perfect example of the band's ability to blend complex musicianship with catchy hooks. The song's lyrics, co-written by Peart and Pye Dubois, explore themes of individuality and rebellion, resonating with listeners across generations.

Another standout track is "Red Barchetta," which tells a vivid story inspired by Richard S. Foster's short story "A Nice Morning Drive." The song's narrative, combined with Geddy Lee's dynamic bass lines and Alex Lifeson's soaring guitar work, creates a cinematic experience that showcases the band's storytelling prowess.

"YYZ," an instrumental track named after the Toronto Pearson International Airport's IATA code, is a testament to Rush's technical skill. The song's complex time signatures and intricate interplay between the band members make it a favorite among musicians and fans alike. It was even nominated for a Grammy Award for Best Rock Instrumental Performance, highlighting the band's virtuosity.

The album also features "Limelight," a song that delves into the pressures of fame and the desire for privacy. Peart's introspective lyrics, combined with the band's tight musicianship, create a poignant reflection on the band's own experiences with stardom.

Critically, "Moving Pictures" was well-received upon its release and continues to be praised by music critics. Rolling Stone magazine has included it in their list of "The 500 Greatest Albums of All Time," and it is often cited as a quintessential album in the progressive rock genre. The album's blend of rock, synthesizers, and complex arrangements helped to define the sound of the early 1980s and influenced countless bands that followed.

The production of "Moving Pictures" was handled by Rush and Terry Brown, who had worked with the band on several previous albums. Recorded at Le Studio in Morin-Heights, Quebec, the album benefited from the studio's state-of-the-art equipment and serene environment, which allowed the band to experiment and refine their sound.

In interviews, the band members have often spoken about the creative process behind "Moving Pictures." Geddy Lee has mentioned how the album was a turning point for the band, as they began to incorporate more synthesizers and explore new musical directions. Neil Peart's lyrics on the album reflect his interest in literature and philosophy, adding depth to the band's already complex compositions.

Overall, "Moving Pictures" is a masterpiece that captures Rush at the height of their creative powers. Its blend of technical proficiency, lyrical depth, and memorable melodies has ensured its place in the pantheon of great rock albums. Whether you're a longtime fan or a newcomer to Rush's music, "Moving Pictures" is an album that deserves to be listened to and appreciated for its artistry and innovation.