Soft Machine - Third (2LP)

"Third" by Soft Machine, released in 1970, is a monumental album in the progressive rock and jazz fusion genres, marking a significant departure from the band's earlier work. This ambitious double album consists of four extended compositions that showcase the band's innovative approach to music, blending elements of rock, jazz, and avant-garde styles. "Third" is celebrated for its complexity, experimentalism, and the way it pushed the boundaries of what could be achieved within the framework of a rock album.

The album opens with "Facelift," a piece that encapsulates the band's experimental ethos. The track begins with a tape loop collage created by bassist Hugh Hopper, leading into an intricate ensemble playing that features fluctuating time signatures, dynamic shifts, and a seamless blend of improvised and composed sections. The use of tape loops and electronic effects was groundbreaking at the time and adds a unique texture to the album's sound.

"Slightly All the Time" is another standout track, showcasing the band's jazz influences more prominently. The piece is built around a series of themes that evolve and intertwine over its duration, featuring virtuosic performances from Mike Ratledge on organ and Elton Dean on saxophone. The track's fluid structure and the interplay between the musicians highlight Soft Machine's ability to blur the lines between rock and jazz, creating music that is both intellectually engaging and emotionally resonant.

"Moon in June" is the only track on the album to feature vocals, provided by drummer Robert Wyatt. The piece is a sprawling, semi-autobiographical song that showcases Wyatt's distinctive voice and whimsical lyrical style. "Moon in June" stands out for its more conventional song structure compared to the rest of the album, yet it still contains complex arrangements and shifts in mood that align with the album's overall experimental nature.

The album concludes with "Out-Bloody-Rageous," an instrumental piece that epitomizes the band's avant-garde approach. The track features a minimalist piano motif that serves as the foundation for a series of improvisations and explorations, showcasing the band's technical prowess and creative ambition. The use of electric piano and the intricate rhythms provided by Wyatt's drumming contribute to the track's mesmerizing quality.

The production of "Third," handled by the band along with producer Tom Wilson, captures the complexity and depth of the music. The album's sound is characterized by its clarity and precision, allowing each instrument's nuances to be heard and appreciated. The production plays a crucial role in conveying the album's expansive sonic landscapes and the intricate interplay between the musicians.

"Third" represents a defining moment in Soft Machine's career and a significant contribution to the progressive rock and jazz fusion genres. The album's ambitious scope, combined with the band's innovative approach to composition and improvisation, challenged conventional notions of rock music and paved the way for future explorations in progressive and experimental music.

In conclusion, "Third" by Soft Machine is a landmark album that remains influential for its bold experimentation and musical sophistication. Its fusion of rock, jazz, and avant-garde elements created a distinctive sound that continues to inspire musicians and listeners alike. "Third" stands as a testament to the creative spirit of Soft Machine and their enduring impact on the landscape of progressive and experimental music.