Album Info
| Artist: | The Doors |
| Album: | Live At The Matrix 1967: The Original Masters |
| Released: | Worldwide, 2023 |
Tracklist:
| March 7, 1967 - First Set | ||
| A1 | Back Door Man | |
| A2 | My Eyes Have Seen You | |
| A3 | Soul Kitchen | |
| A4 | All Blues (Instrumental) | |
| B1 | Get Off My Life | |
| B2 | When The Music's Over | |
| March 7, 1967 - Second Set | ||
| C1 | Close To You | |
| C2 | Crawling King Snake | |
| C3 | I Can't See Your Face In My Mind | |
| C4 | People Are Strange | |
| C5 | Alabama Song (Whisky Bar) | |
| D1 | The Crystal Ship | |
| D2 | Twentieth Century Fox | |
| March 7, 1967 - Third Set | ||
| D3 | Moonlight Drive | |
| D4 | Summer's Almost Gone | |
| D5 | Unhappy Girl | |
| E1 | Woman Is A Devil / Rock Me Baby | |
| E2 | Break On Through (To The Other Side) | |
| E3 | Light My Fire | |
| F1 | The End | |
| March 8 Or 9, 1967 | ||
| F2 | The End (Partial) / Let's Feed Ice Cream To The Rats | |
| March 10, 1967 - First Set | ||
| G1 | My Eyes Have Seen You | |
| G2 | Soul Kitchen | |
| G3 | I Can't See Your Face In My Mind | |
| G4 | People Are Strange | |
| H1 | When The Music's Over | |
| H2 | Money | |
| March 10, 1967 - Second Set | ||
| H3 | Who Do You Love | |
| I1 | Moonlight Drive | |
| I2 | Summer's Almost Gone | |
| I3 | I’m A King Bee | |
| I4 | Gloria | |
| J1 | Break On Through | |
| March 10, 1967 - Third Set | ||
| J2 | Summertime (Instrumental) | |
| J3 | Back Door Man | |
| J4 | Alabama Song (Whisky Bar) | |
| 7'' Single - March 7, 1967 - First Set | ||
| K1 | Bag's Groove (Instrumental) |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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- Happy Listening!
Description
Cut at San Francisco’s tiny Matrix in March ’67, taped straight off the board by co-owner Peter Abram and now pulled from the original masters, The Doors’ Live At The Matrix 1967: The Original Masters (5LP) catches the band before theatre swallowed them. You can feel the room in Break On Through, Krieger slipping a sly bend before the first chorus, and the way Light My Fire uncoils rather than explodes. The End creeps forward with eerie patience; Morrison is working the tale, not just riding it. Compared with earlier issues, the space finally opens up and imaging snaps into place, so Ray’s keyboard bass and Densmore’s cymbals sit in their own air. It’s the set to file beside early Jefferson Airplane tapes for a living picture of 1967 club electricity. If you’d rather order online, you can buy The Doors records online with us. They play loose yet locked. Five slabs mean you get the full sweep of those March nights, from taut album cuts to exploratory stretches that show a band still reshaping its own songs. For anyone who rates the debut but wants the unvarnished club band, this is the window. Available to order online or in our Melbourne record store, your crate needs this one.
