Album Info
| Artist: | Bryan Ferry |
| Album: | Let's Stick Together |
| Released: | Europe, 30 Jul 2021 |
Tracklist:
| A1 | Let's Stick Together | 3:00 |
| A2 | Casanova | 2:45 |
| Arranged By [Strings] - Ann O'Dell | ||
| Guitar [Lead] - Neil Hubbard | ||
| A3 | Sea Breezes | 6:10 |
| Bass - Rick Wills | ||
| A4 | Shame, Shame, Shame | 3:15 |
| A5 | 2 HB | 3:50 |
| Bass - John Porter | ||
| B1 | The Price Of Love | 3:25 |
| B2 | Chance Meeting | 3:35 |
| Guitar [Lead] - David O'List | ||
| B3 | It's Only Love | 3:45 |
| B4 | You Go To My Head | 2:50 |
| B5 | Re-Make/Re-Model | 2:40 |
| Guitar [Lead] - Phil Manzanera | ||
| B6 | Heart On My Sleeve | 3:30 |
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Description
Bryan Ferry's 1976 album Let's Stick Together is a fascinating piece of work that showcases his unique ability to reinterpret and reimagine music. Released during a period when Ferry was balancing his solo career with his role as the frontman of Roxy Music, this album stands out as a collection of covers and reworkings that highlight his distinctive style and artistic vision.
The title track, "Let's Stick Together", is perhaps the most iconic song on the album. Originally written and recorded by Wilbert Harrison, Ferry's version transforms it into a sleek, sultry anthem. The driving rhythm, the saxophone flourishes, and Ferry's unmistakable vocal delivery make it a standout track that has endured as one of his signature songs. It's a perfect example of how Ferry can take a song and make it entirely his own, infusing it with his characteristic blend of sophistication and edge.
The album also features reworkings of several Roxy Music tracks, including "Casanova", "Sea Breezes", and "Re-Make/Re-Model." These versions are stripped down and reinterpreted, offering a fresh perspective on familiar material. It's interesting to hear how Ferry approaches these songs outside the context of Roxy Music, giving them a more personal and intimate feel. His ability to revisit his own work and present it in a new light is a testament to his creativity and willingness to experiment.
Ferry's choice of covers on this album is eclectic and inspired. From the bluesy "Shame, Shame, Shame" to the soulful "You Go to My Head", he demonstrates his wide-ranging musical influences and his talent for bringing out the emotional core of a song. His rendition of "The Price of Love", originally by the Everly Brothers, is another highlight, with its driving beat and Ferry's emotive performance.
The production on Let's Stick Together is polished yet retains a raw energy that keeps the music engaging. The musicianship is top-notch, with contributions from a stellar lineup of players, including Chris Spedding on guitar and Mel Collins on saxophone. The arrangements are sophisticated but never overdone, allowing the songs to breathe and Ferry's voice to take centre stage.
Let's Stick Together was well-received upon its release, reaching the top 20 on the UK Albums Chart. It solidified Ferry's reputation as a solo artist and demonstrated his ability to bridge the worlds of pop, rock, and art music. The album's mix of covers and reworkings might have seemed unconventional at the time, but it works beautifully, showcasing Ferry's versatility and his deep appreciation for the music that inspires him.
Listening to Let's Stick Together today, it's clear that the album has aged remarkably well. Ferry's interpretations feel timeless, and the energy and passion he brings to each track are palpable. It's a record that invites repeated listens, revealing new layers and nuances with each spin. For fans of Bryan Ferry and Roxy Music, it's an essential part of his discography, and for newcomers, it's a great introduction to his unique style and artistry.
