Album Info
| Artist: | Flowers |
| Album: | Icehouse |
| Gatefold: | Yes |
| Released: | Australia, 3 Feb 2017 |
Tracklist:
| A1 | Icehouse | |
| A2 | We Can Get Together | |
| A3 | Fatman | |
| A4 | Sister | |
| A5 | Walls | |
| B1 | Can't Help Myself | |
| Recorded By - David Cafe | ||
| B2 | Skin | |
| Guitar [Solo Guitar], Soloist [Solo Guitar] - Ian Moss | ||
| B3 | Sons | |
| Keyboards [Additional Keyboards], Piano [Solo Piano], Soloist [Solo Piano] - Michael Hoste | ||
| Saxophone - Geoff Oakes | ||
| B4 | Boulevarde | |
| B5 | Nothing To Do | |
| B6 | Not My Kind |
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Description
"Flowers" is the debut studio album by Australian rock band Icehouse, released in 1980. With its unique blend of new wave, post-punk, and synth-pop, this album showcases the band's early sound and sets the foundation for their future success. Clocking in at just over 40 minutes, "Flowers" offers a diverse range of tracks that captivate listeners with their catchy melodies, atmospheric production, and thought-provoking lyrics.
The album opens with the energetic and infectious "Icehouse," which immediately grabs your attention with its pulsating bassline and driving rhythm. This track sets the tone for the rest of the album, showcasing the band's ability to create memorable hooks and deliver powerful performances. The following track, "We Can Get Together," continues the momentum with its upbeat tempo and anthemic chorus, making it a standout on the album.
One of the highlights of "Flowers" is the hauntingly beautiful ballad, "Sister." With its atmospheric synths and emotionally charged vocals from lead singer Iva Davies, this track showcases the band's ability to create a sense of intimacy and vulnerability. The lyrics delve into themes of longing and loss, adding depth to the album's overall narrative.
Another standout track on the album is "Walls," which features a driving rhythm section and infectious guitar riffs. The song's lyrics explore the concept of emotional barriers and the struggle to break free from them. This track perfectly encapsulates the band's ability to combine catchy pop sensibilities with thought-provoking themes.
"Flowers" also includes the band's breakthrough single, "Can't Help Myself." This track became a chart-topping hit in Australia and showcased Icehouse's ability to create radio-friendly pop songs without sacrificing their artistic integrity. The song's infectious chorus and memorable guitar riff make it an undeniable classic.
Throughout the album, Icehouse demonstrates their versatility by incorporating different musical elements. Tracks like "Fatman" and "Skin" showcase the band's post-punk influences, with their edgier guitar-driven sound and darker lyrical themes. On the other hand, songs like "Sons" and "Boulevarde" lean more towards the synth-pop side, with their atmospheric synths and catchy melodies.
The production on "Flowers" is top-notch, with Iva Davies and Keith Forsey co-producing the album. The sound is crisp and polished, allowing each instrument to shine while maintaining a cohesive sonic palette. The album's production perfectly complements the band's musical style, enhancing the atmospheric and ethereal qualities of their sound.
In conclusion, "Flowers" is a remarkable debut album that showcases Icehouse's talent for crafting infectious pop songs with depth and substance. With its diverse range of tracks, the album takes listeners on a journey through different musical styles while maintaining a cohesive sound. From the energetic and catchy hooks to the introspective and thought-provoking lyrics, "Flowers" is a testament to the band's songwriting prowess and their ability to create music that resonates with audiences. If you're a fan of new wave, post-punk, or synth-pop, this album is a must-listen and a great introduction to the early sound of Icehouse.
