Album Info
Artist: | Green Day |
Album: | Dookie |
Released: | Worldwide, 29 Sept 2023 |
Tracklist:
- | Dookie | |
A1 | Burnout | |
A2 | Having A Blast | |
A3 | Chump | |
A4 | Longview | |
A5 | Welcome To Paradise | |
A6 | Pulling Teeth | |
A7 | Basket Case | |
B1 | She | |
B2 | Sassafras Roots | |
B3 | When I Come Around | |
B4 | Coming Clean | |
B5 | Emenius Sleepus | |
Written-By - Mike Dirnt | ||
B6 | In The End | |
B7 | F.O.D. | |
B8 | All By Myself | |
Written-By - Tre Cool | ||
- | 4-Track Demos | |
C1 | Burnout | |
C2 | Chump | |
C3 | Pulling Teeth | |
C4 | Basket Case | |
C5 | She | |
C6 | Sassafras Roots | |
C7 | When I Come Around | |
C8 | In The End | |
C9 | F.O.D. | |
C10 | When It's Time | |
- | Cassette Demos | |
D1 | When I Come Around | |
D2 | Basket Case | |
D3 | Longview | |
D4 | Burnout | |
D5 | Haushinka | |
D6 | J.A.R. (Jason Andrew Relva) | |
Written-By - Mike Dirnt | ||
D7 | Having A Blast | |
- | Outtakes | |
E1 | Christie Rd. | |
E2 | 409 In Your Coffeemaker | |
Written-By - Billie Joe Armstrong, John Kiffmeyer, Mike Dirnt | ||
E3 | J.A.R. | |
Written-By - Mike Dirnt | ||
E4 | On The Wagon | |
E5 | Tired Of Waiting For You | |
Written-By - Ray Davies | ||
E6 | Walking The Dog (Demo) | |
Written-By - Rufus Thomas | ||
- | Woodstock 1994 | |
G1 | Welcome To Paradise | |
G2 | One Of My Lies | |
G3 | Chump | |
G4 | Longview | |
G5 | Basket Case | |
H1 | When I Come Around | |
H2 | Burnout | |
H3 | F.O.D. | |
H4 | Paper Lanterns | |
Written-By - Billie Joe Armstrong, John Kiffmeyer, Mike Dirnt | ||
H5 | Shit Show | |
- | Live At Garatge Club Barcelona, Spain June 5 1994 | |
I1 | Welcome To Paradise | |
I2 | One Of My Lies | |
I3 | Chump | |
I4 | Longview | |
I5 | Burnout | |
J1 | Only Of You | |
Written-By - Billie Joe Armstrong, John Kiffmeyer, Mike Dirnt | ||
J2 | When I Come Around | |
J3 | 2000 Light Years Away | |
Written-By - Billie Joe Armstrong, Dave Henwood, Jesse Michaels, Pete Rypins, Tre Cool | ||
J4 | Going To Pasalacqua | |
Written-By - Billie Joe Armstrong, John Kiffmeyer, Mike Dirnt | ||
J5 | Knowledge | |
Written-By - Dave Mello, Jesse Michaels, Matt Freeman , Tim Armstrong | ||
K1 | Basket Case | |
K2 | Paper Lanterns | |
Written-By - Billie Joe Armstrong, John Kiffmeyer, Mike Dirnt | ||
K3 | Road To Acceptance | |
Written-By - Billie Joe Armstrong, John Kiffmeyer, Mike Dirnt | ||
K4 | Dominated Love Slave | |
Written-By - Tre Cool | ||
K5 | F.O.D. | |
L1 | Road To Acceptance | |
L2 | Christie Road | |
L3 | Disappearing Boy |
Info About Buying Vinyl From Our Record Store
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Description
Green Day's "Dookie," released on February 1, 1994, stands as a seminal work in the punk rock genre, marking a pivotal moment in the mainstream acceptance of punk music. The band's third studio album, "Dookie" was their major label debut with Reprise Records, and it catapulted Green Day into international stardom. The album's raw energy, catchy melodies, and relatable lyrics resonated with a wide audience, helping to define the sound of 1990s punk rock.
"Dookie" was both a commercial and critical success. It peaked at number two on the Billboard 200 chart and has sold over 20 million copies worldwide, making it one of the best-selling albums of all time. The album's success was bolstered by its hit singles, including "Longview," "Basket Case," and "When I Come Around," each of which received significant airplay on radio and MTV. These tracks, characterized by their infectious hooks and themes of boredom, anxiety, and disillusionment, became anthems for a generation of disaffected youth.
The album's production, handled by Rob Cavallo, played a crucial role in its success. Cavallo's polished yet powerful production style helped to maintain the raw edge of Green Day's punk roots while making the music accessible to a broader audience. The sound of "Dookie" is marked by its fast-paced, guitar-driven tracks, with Billie Joe Armstrong's distinctive vocals and sharp lyrics at the forefront. Mike Dirnt's bass lines and Tré Cool's dynamic drumming provide a tight and energetic rhythm section that drives the album forward.
"Dookie" received widespread critical acclaim upon its release. Critics praised the album for its energetic sound and catchy songwriting. It was seen as a refreshing return to the basics of punk rock, at a time when the music scene was dominated by grunge and alternative rock. The album's success helped to pave the way for a resurgence of punk music in the mainstream, influencing countless bands that followed.
In terms of accolades, "Dookie" won the Grammy Award for Best Alternative Music Album in 1995, cementing its status as a landmark release. The album's impact on the music industry and its role in popularizing punk rock cannot be overstated. It is often credited with bringing punk music to a new generation and helping to establish the pop-punk genre.
The cultural significance of "Dookie" extends beyond its commercial success. The album's themes of teenage angst, alienation, and rebellion resonated with listeners who felt disconnected from the mainstream culture of the time. Green Day's music provided a voice for those who felt marginalized or misunderstood, and "Dookie" became a soundtrack for the youth of the 1990s.
Standout tracks on the album include "Basket Case," with its frenetic pace and lyrics about anxiety and mental health, and "When I Come Around," a more laid-back track that explores themes of independence and self-discovery. "Longview," with its iconic bass line and lyrics about boredom and apathy, is another highlight that captures the essence of the album.
Overall, "Dookie" is a landmark album that not only defined Green Day's career but also left an indelible mark on the music industry. Its blend of punk energy, pop sensibility, and relatable themes made it a defining album of the 1990s and a classic in the punk rock genre. The album's enduring popularity and influence are a testament to its significance and the talent of Green Day as a band.