Album Info
Artist: | Kate Bush |
Album: | Lionheart |
Gatefold: | Yes |
Released: | Europe, 16 Nov 2018 |
Tracklist:
A1 | Symphony In Blue | |
Bass - David Paton | ||
Drums, Percussion - Stuart Elliot | ||
Electric Guitar [Electric Guitars] - Ian Bairnson | ||
Electric Piano [Fender Rhodes] - Duncan Mackay | ||
Piano - Kate Bush | ||
A2 | In Search Of Peter Pan | |
Acoustic Guitar, Electric Guitar - Ian Bairnson | ||
Bass - David Paton | ||
Drums - Stuart Elliot | ||
Electric Piano [Fender Rhodes] - Duncan Mackay | ||
Piano - Kate Bush | ||
Written-By [When You Wish Upon A Star] - Harline, Washington | ||
A3 | Wow | |
Bass - Del Palmer | ||
Drums - Charlie Morgan | ||
Electric Guitar - Ian Bairnson | ||
Guitar [Guitars] - Brian Bath | ||
Mandolin [Mandolins] - Paddy Bush | ||
Piano - Kate Bush | ||
Synthesizer - 4B, Duncan Mackay | ||
A4 | Don't Push Your Foot On The Heartbrake | |
Bass - David Paton | ||
Drums - Stuart Elliot | ||
Electric Piano [Fender Rhodes] - Duncan Mackay | ||
Guitar [Guitars] - Ian Bairnson | ||
Harmony Vocals [Harmonies] - Kate, Paddy Bush | ||
Organ [Hammond] - Francis Monkman | ||
Piano - Kate Bush | ||
Slide Guitar - Paddy Bush | ||
A5 | Oh England My Lionheart | |
Harmony Vocals [Harmonies] - Kate, Paddy Bush | ||
Harpsichord - Francis Monkman | ||
Piano - Kate Bush | ||
Recorder [Recorders] - Richard Harvey | ||
B1 | Fullhouse | |
Bass - David Paton | ||
Drums - Stuart Elliot | ||
Electric Guitar - Ian Bairnson | ||
Organ [Hammond] - Francis Monkman | ||
Piano - Kate Bush | ||
B2 | In The Warm Room | |
B3 | Kashka From Baghdad | |
Bass - Del Palmer | ||
Drums - Charlie Morgan | ||
Harmony Vocals [Harmonies], Psaltery [Strumento Da Porco], Mandocello, Panpipes - Paddy Bush | ||
Percussion - Stuart Elliot | ||
Performer [Joanna Strumentum] - Andrew Powell | ||
Piano - Kate Bush | ||
B4 | Coffee Homeground | |
Bass - David Paton | ||
Drums, Percussion - Stuart Elliot | ||
Piano - Kate Bush | ||
Rhythm Guitar - Ian Bairnson | ||
Synthesizer - Duncan Mackay | ||
B5 | Hammer Horror | |
Bass - Del Palmer | ||
Drums - Stuart Elliot | ||
Electric Guitar, Acoustic Guitar - Ian Bairnson | ||
Harmonium - Andrew Powell | ||
Piano - Kate Bush | ||
Synthesizer - Duncan Mackay |
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Description
Kate Bush's album "Lionheart," released on November 13, 1978, is a fascinating piece of work that showcases her unique artistry and musical vision. Following the success of her debut album, "The Kick Inside," which featured the iconic hit "Wuthering Heights," Bush was under considerable pressure to deliver a follow-up that could match or exceed the expectations set by her first release. "Lionheart" is often seen as a transitional album in her career, and it certainly has its own distinct charm and character.
From the very first track, "Running Up That Hill (A Deal with God)," which would later become one of her most celebrated songs, the album sets a tone that is both ethereal and grounded. However, it’s important to note that this particular track is not on "Lionheart" but rather on her subsequent album, "Hounds of Love." Instead, "Lionheart" opens with "In Search of Peter Pan," a whimsical and imaginative song that reflects Bush's penchant for storytelling and her ability to weave narratives into her music. The lush instrumentation and her soaring vocals create an enchanting atmosphere that draws listeners in.
One of the standout tracks on the album is undoubtedly "Hammer Horror," which showcases Bush's theatrical flair. The song tells a story of love and longing, set against a backdrop of horror film imagery, which is a recurring theme in her work. The dramatic production, complete with orchestral elements, highlights her ability to blend pop sensibilities with more avant-garde influences. Critics at the time noted her unique approach to songwriting, and "Hammer Horror" is a perfect example of her ability to create a cinematic experience through music.
Another notable track is "Wow," which became a hit single and is often remembered for its catchy chorus and infectious energy. The song's playful lyrics and upbeat tempo make it a fan favorite, and it showcases Bush's ability to craft pop songs that are both accessible and artistically rich. The song's success helped solidify her status as a leading figure in the music scene of the late 1970s.
"Lionheart" received a mixed to positive reception from critics upon its release. While some praised Bush's innovative style and vocal prowess, others felt that the album did not quite reach the heights of her debut. Publications like NME and Rolling Stone acknowledged her talent but noted that the album felt somewhat uneven in places. However, over the years, "Lionheart" has gained a more appreciative audience, with many fans celebrating its unique qualities and the way it captures a specific moment in Bush's artistic evolution.
In terms of production, "Lionheart" was recorded with Bush's long-time collaborator, Andrew Powell, who helped to shape the lush soundscapes that characterize the album. The production is rich and layered, with a mix of traditional rock instrumentation and orchestral elements that create a distinctive sound. Bush's artistic vision is evident in every track, and her willingness to experiment with different styles and sounds is part of what makes this album so compelling.
Culturally, "Lionheart" holds a special place in the hearts of many fans, as it represents a time when female artists were beginning to carve out their own space in a male-dominated industry. Bush's boldness and creativity paved the way for future generations of female musicians, and her influence can still be felt today. The album has been re-evaluated in recent years, with many critics and fans recognizing its significance in the context of her overall discography.
In conclusion, while "Lionheart" may not have achieved the same level of commercial success as some of Bush's later works, it remains a vital part of her artistic journey. The album is a testament to her creativity, her storytelling ability, and her willingness to push boundaries. For those who appreciate music that is both innovative and deeply personal, "Lionheart" is definitely worth a listen. It captures a moment in time when Kate Bush was still finding her voice, and it offers a glimpse into the genius that would soon fully blossom in her subsequent albums.