Album Info
Artist: | New Order |
Album: | Power Corruption And Lies |
Released: | Worldwide, 2 Oct 2020 |
Tracklist:
- | Power Corruption & Lies | |
A1 | Age Of Consent | |
A2 | We All Stand | |
A3 | The Village | |
A4 | 5 8 6 | |
B1 | Your Silent Face | |
B2 | Ultraviolence | |
B3 | Ecstasy | |
B4 | Leave Me Alone | |
CD1a | Age Of Consent | 5:16 |
CD1b | We All Stand | 5:15 |
CD1c | The Village | 4:37 |
CD1d | 5 8 6 | 7:32 |
CD1e | Your Silent Face | 5:57 |
CD1f | Ultraviolence | 4:52 |
CD1g | Ecstasy | 4:26 |
CD1h | Leave Me Alone | 4:42 |
- | Extras | |
CD2a | Age Of Consent (Writing Session Recording) | 4:40 |
CD2b | The Village (Writing Session Recording) | 3:14 |
CD2c | 5 8 6 (Writing Session Recording) | 3:25 |
CD2d | Your Silent Face (Writing Session Recording) | 5:02 |
CD2e | Ecstasy (Writing Session Recording) | 4:25 |
CD2f | Leave Me Alone (Writing Session Recording) | 4:09 |
CD2g | Turn The Heater On (John Peel Session) | 5:03 |
Engineer - Phil Ault | ||
Written-By - Keith Hudson | ||
CD2h | We All Stand (John Peel Session) | 5:25 |
Engineer - Phil Ault | ||
CD2i | Too Late (John Peel Session) | 3:38 |
Engineer - Phil Ault | ||
CD2j | 5 8 6 (John Peel Session) | 6:08 |
Engineer - Phil Ault | ||
CD2k | Too Late (Instrumental Rough Mix) | 3:41 |
CD2l | Thieves Like Us (New York Demo #1) | 6:42 |
Recorded By, Engineer - Fred Zarr | ||
Written-By - Arthur Baker, New Order | ||
CD2m | Thieves Like Us (Writing Session Recording) | 2:00 |
Written-By - Arthur Baker, New Order | ||
CD2n | Murder (Writing Session Recording) | 3:41 |
CD2o | Blue Monday (Writing Session Recording) | 2:10 |
CD2p | Blue Monday (Writing Session Recording) | 5:50 |
CD2q | Blue Monday (Instrumental Outtake) | 7:19 |
- | The Hacienda, Manchester 1982 | |
DVD1 | In A Lonely Place | 4:59 |
Written-By - Joy Division | ||
DVD2 | Ultraviolence | 3:37 |
DVD3 | Denial | 4:07 |
DVD4 | The Village | 4:19 |
DVD5 | We All Stand | 5:32 |
DVD6 | Senses | 4:07 |
DVD7 | Chosen Time | 3:20 |
DVD8 | 5 8 6 | 4:52 |
DVD9 | Temptation | 7:35 |
DVD10 | Everything's Gone Green | 5:21 |
Rosehill Hotel, Kilkenny, Ireland 1983 | ||
DVD11 | We All Stand | 5:18 |
DVD12 | Leave Me Alone | 4:07 |
DVD13 | Denial | 4:49 |
DVD14 | The Village | 5:10 |
DVD15 | Temptation | 9:20 |
DVD16 | Confusion | 6:11 |
Written-By - Arthur Baker, New Order | ||
DVD17 | Age Of Consent | 6:25 |
DVD18 | Blue Monday | 4:26 |
DVD19 | Everything's Gone Green | 7:13 |
DVD20 | Ceremony | 5:02 |
Written-By - Joy Division | ||
- | TV Sessions | |
DVD1 | Blue Monday (BBC Top Of The Pops, London 1983) | 3:57 |
DVD2 | Confusion (Countdown 1983) | 5:01 |
Written-By - Arthur Baker, New Order | ||
DVD3 | Age Of Consent (Switch 1983) | 4:35 |
DVD4 | Blue Monday (Switch 1983) | 5:23 |
DVD5 | Thieves Like Us (BBC Top Of The Pops 1984) | 3:25 |
Written-By - Arthur Baker, New Order | ||
Extras | ||
DVD6 | Your Silent Face (The Haçienda, Manchester) | 6:47 |
DVD7 | 5 8 6 (The Haçienda, Manchester) | 6:25 |
DVD8 | We All Stand (Recreation Centre, Tolworth) | 6:50 |
DVD9 | Leave Me Alone (Recreation Centre, Tolworth) | 4:11 |
DVD10 | Love Will Tear Us Apart (Tower Ballroom, Birmingham) | 3:39 |
Written-By - Joy Division | ||
DVD11 | Ultraviolence (First Avenue, Minneapolis) | 5:38 |
DVD12 | The Village (Uni-Mensa, Dusseldorf) | 5:01 |
DVD13 | Thieves Like Us (Alabamahalle, Munich) | 6:37 |
Written-By - Arthur Baker, New Order | ||
DVD14 | Blue Monday (Alabamahalle, Munich) | 7:43 |
DVD15 | Lonesome Tonight (Metropol, Berlin) | 5:30 |
DVD16 | Confusion (Metropol, Berlin) | 6:55 |
Written-By - Arthur Baker, New Order | ||
- | The Haçienda, Manchester 1983 | |
DVD1 | Blue Monday | 8:40 |
DVD2 | Age Of Consent | 5:03 |
DVD3 | Lonesome Tonight | 5:47 |
DVD4 | Your Silent Face | 8:06 |
DVD5 | Leave Me Alone | 4:42 |
DVD6 | 5 8 6 | 7:11 |
DVD7 | Denial | 5:28 |
DVD8 | Confusion | 6:03 |
Written-By - Arthur Baker, New Order | ||
DVD9 | Temptation | 8:17 |
DVD10 | Thieves Like Us | 14:49 |
Written-By - Arthur Baker, New Order | ||
DVD11 | In A Lonely Place | 5:20 |
Written-By - Joy Division | ||
DVD12 | Everything's Gone Green | 6:02 |
Play At Home (Channel 4, 1984) | ||
DVD13 | "The Word Came Out Of L.A." | 16:00 |
DVD14 | The Five Year Plan. ... | 18:09 |
DVD15 | Seven Months, Three Days Later | 16:42 |
DVD16 | Untitled | 9:37 |
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Description
New Order's "Power, Corruption & Lies," released in 1983, is a seminal album that marked a significant turning point in the band's career and in the evolution of post-punk music. Emerging from the ashes of Joy Division after the tragic death of lead singer Ian Curtis, New Order was tasked with forging a new identity. With this album, they successfully transitioned from the dark, brooding sound of their previous incarnation to a more vibrant, electronic-infused style that would come to define much of the 1980s music landscape.
"Power, Corruption & Lies" is often celebrated for its innovative blend of rock and electronic music, a fusion that was relatively novel at the time. The album does not include the band's breakthrough single "Blue Monday," which was released around the same time, but it shares the same spirit of experimentation and danceability. The album opens with "Age of Consent," a track that immediately sets the tone with its upbeat tempo and melodic bassline, showcasing Peter Hook's distinctive playing style. The song's infectious energy and catchy hooks make it one of the standout tracks on the album.
Another highlight is "Your Silent Face," a track that exemplifies the band's ability to create lush, atmospheric soundscapes. The use of synthesizers and sequencers is prominent throughout the album, and "Your Silent Face" is a perfect example of how New Order was able to integrate these elements into their music without losing the emotional depth that characterized their earlier work. The song's serene and contemplative nature provides a contrast to the more energetic tracks, adding to the album's dynamic range.
The album's cover art, designed by Peter Saville, is also noteworthy. It features a color code instead of traditional text, which was a bold and unconventional choice at the time. The cover has since become iconic, reflecting the band's avant-garde approach to both music and visual presentation. This attention to aesthetic detail is part of what has helped "Power, Corruption & Lies" maintain its cultural significance over the years.
Critically, the album was well-received upon its release and has continued to garner praise in retrospective reviews. It is often cited as one of New Order's best works and a pivotal album in the development of electronic music. The album's influence can be seen in the work of countless artists who followed, as it helped pave the way for the synth-pop and dance-rock movements of the 1980s and beyond.
While "Power, Corruption & Lies" did not win any major awards at the time, its legacy is undeniable. It has been included in numerous "best of" lists, including Rolling Stone's list of the 500 Greatest Albums of All Time. The album's innovative sound and the band's successful reinvention have cemented its place in music history.
In summary, "Power, Corruption & Lies" is a landmark album that captures New Order at a critical juncture in their career. It showcases their ability to blend rock and electronic elements seamlessly, creating a sound that was both forward-thinking and accessible. The album's enduring appeal lies in its combination of catchy melodies, innovative production, and emotional depth, making it a timeless classic that continues to inspire new generations of musicians and fans alike.