Album Info
Artist: | The Cure |
Album: | Greatest Hits |
Released: | US, 30 Jun 2017 |
Tracklist:
A1 | Boys Don't Cry | |
Music By, Bass - Dempsey | ||
Music By, Drums - Tolhurst | ||
Producer, Mixed By - Parry | ||
Words By, Music By, Voice, Guitar - Smith | ||
A2 | A Forest | |
Music By, Bass - Gallup | ||
Music By, Drums - Tolhurst | ||
Music By, Keyboards - Hartley | ||
Producer, Mixed By - Hedges, Smith | ||
Words By, Music By, Voice, Guitar - Smith | ||
A3 | Let's Go To Bed | |
Drums - Goulding | ||
Music By, Keyboards - Tolhurst | ||
Producer, Mixed By - Parry | ||
Words By, Music By, Voice, Guitar, Bass, Keyboards - Smith | ||
A4 | The Walk | |
A5 | The Lovecats | |
Bass - Thornalley | ||
Drums - Anderson | ||
Producer, Mixed By - Parry, Thornalley, Smith | ||
Vibraphone [Vibes] - Tolhurst | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith | ||
B1 | Inbetween Days | |
Bass - Gallup | ||
Drums - Williams | ||
Guitar, Keyboards - Thompson | ||
Keyboards - Tolhurst | ||
Producer, Mixed By - Allen, Smith | ||
Words By, Music By, Voice, Guitar, Bass [6 String], Keyboards - Smith | ||
B2 | Close To Me | |
Bass - Gallup | ||
Drums - Williams | ||
Guitar, Keyboards - Thompson | ||
Keyboards - Tolhurst | ||
Producer, Mixed By - Allen, Smith | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith | ||
B3 | Why Can't I Be You? | |
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar, Keyboards - Thompson | ||
Music By, Keyboards - Tolhurst | ||
Producer, Mixed By - Allen, Smith | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith | ||
B4 | Just Like Heaven | |
Mixed By - Clearmountain | ||
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar, Keyboards - Thompson | ||
Music By, Keyboards - Tolhurst | ||
Producer - Allen, Smith | ||
Words By, Music By, Voice, Guitar, Bass [6 String], Keyboards - Smith | ||
B5 | Lullaby | |
Mixed By - Parry, Saunders, Smith | ||
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar - Thompson | ||
Music By, Instruments [Other] - Tolhurst | ||
Music By, Keyboards - O'Donnell | ||
Producer - Allen, Smith | ||
Words By, Music By, Voice, Guitar, Bass [6 String], Keyboards - Smith | ||
C1 | Lovesong | |
Mixed By - Parry, Saunders, Smith | ||
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar - Thompson | ||
Music By, Instruments [Other] - Tolhurst | ||
Music By, Keyboards - O'Donnell | ||
Producer - Allen, Smith | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith | ||
C2 | Never Enough | |
Mixed By - Saunders | ||
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar - Thompson | ||
Producer - Saunders, Smith | ||
Words By, Music By, Voice, Guitar - Smith | ||
C3 | High | |
Mixed By - Saunders | ||
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar - Thompson | ||
Music By, Keyboards - Bamonte | ||
Producer - Allen, The Cure | ||
Words By, Music By, Voice, Guitar, Bass [6 String], Keyboards - Smith | ||
C4 | Friday I'm In Love | |
Mixed By - Saunders | ||
Music By, Bass - Gallup | ||
Music By, Drums - Williams | ||
Music By, Guitar - Thompson | ||
Music By, Keyboards - Bamonte | ||
Producer - Allen, The Cure | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith | ||
D1 | Mint Car | |
Mixed By - Corkett | ||
Music By, Bass - Gallup | ||
Music By, Drums - Cooper | ||
Music By, Guitar - Bamonte | ||
Music By, Keyboards - O'Donnell | ||
Producer - Smith, Lyon | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith | ||
D2 | Wrong Number | |
Drums - Cooper | ||
Guitar - Gabrels | ||
Mixed By - Plati | ||
Producer - Plati, Saunders, Smith | ||
Words By, Music By, Voice, Guitar, Bass, Keyboards - Smith | ||
D3 | Cut Here | |
Mixed By - Moulder | ||
Music By, Bass - Gallup | ||
Music By, Drums - Cooper | ||
Music By, Guitar - Bamonte | ||
Music By, Keyboards - O'Donnell | ||
Producer - Plati, Smith | ||
Words By, Music By, Voice, Guitar, Bass [6 String], Keyboards - Smith | ||
D4 | Just Say Yes | |
Mixed By - Walton, Smith | ||
Music By, Bass - Gallup | ||
Music By, Drums - Cooper | ||
Music By, Guitar - Bamonte | ||
Music By, Keyboards - O'Donnell | ||
Producer - Plati, Smith | ||
Voice [Other] - Saffron | ||
Words By, Music By, Voice, Guitar, Keyboards - Smith |
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Description
Released on March 14, 2001, "Greatest Hits" by The Cure is a compilation album that serves as a fantastic introduction to one of the most influential bands in the post-punk and alternative rock scenes. This collection spans the band's extensive career, showcasing their evolution from the early days of moody, atmospheric sounds to the more polished pop sensibilities of their later work. The album is a treasure trove for both longtime fans and newcomers alike, encapsulating the essence of The Cure's unique sound.
The album features 19 tracks, including some of their most iconic songs like "Boys Don't Cry," "Just Like Heaven," and "Lovesong." Each track is a testament to the band's ability to blend melancholy with catchy melodies, a hallmark of their style. The inclusion of these hits not only highlights their commercial success but also their cultural impact, as many of these songs have become anthems for generations. The Cure's music often explores themes of love, loss, and existential angst, resonating deeply with listeners.
Critically, "Greatest Hits" was well-received, with many reviewers praising its comprehensive nature. Major publications like Rolling Stone and NME recognized the album as a solid representation of The Cure's career, noting how it captures the band's ability to evolve while maintaining their distinctive sound. The album also received a nomination for Best Alternative Music Album at the 2002 Grammy Awards, which speaks to its recognition within the industry.
One of the standout tracks, "Just Like Heaven," is often cited as one of the greatest love songs of all time. Its ethereal sound and Robert Smith's haunting vocals create a dreamlike quality that has captivated listeners since its release in 1987. Another highlight, "Lovesong," showcases the band's knack for crafting deeply emotional ballads, and it remains a staple at weddings and romantic gatherings.
Interestingly, the album also includes a new track, "Cut Here," which was recorded specifically for this compilation. This song fits seamlessly alongside the classics, demonstrating that The Cure still had the creative spark that made them famous. The production on this track, like the rest of the album, is polished yet retains the raw emotionality that fans love.
The Cure's influence on music and culture cannot be overstated. They have inspired countless artists across various genres, from goth rock to pop. Their aesthetic, characterized by Robert Smith's iconic hair and makeup, has left a lasting mark on fashion and youth culture. The band's ability to connect with listeners on an emotional level has solidified their place in music history.
In terms of personal anecdotes, Robert Smith has often spoken about the band's journey and the significance of their music. He has mentioned how the songs on this album reflect different periods of his life, making the compilation not just a collection of hits but a personal narrative. This connection adds a layer of depth to the listening experience, as fans can feel the authenticity behind each track.
Overall, "Greatest Hits" is more than just a compilation; it's a celebration of The Cure's legacy. It encapsulates the band's journey through the music landscape, highlighting their ability to resonate with audiences across decades. Whether you're revisiting these classics or discovering them for the first time, this album is a must-listen. It serves as a reminder of why The Cure remains a beloved and enduring force in music, and it invites listeners to explore the rich catalog that lies beyond this collection.