The Jam - Setting Sons (LP)

The Jam’s "Setting Sons" is a remarkable album that stands as a testament to the band’s evolution and the socio-political landscape of late 1970s Britain. Released on November 16, 1979, this third studio album marked a significant turning point for Paul Weller and his bandmates, as they began to explore deeper themes and more complex musical arrangements, moving beyond the straightforward punk and mod revival sound that initially defined their early work.

From the opening track, "Girl on the Phone," it’s clear that Weller is not just writing catchy hooks; he’s weaving narratives that reflect the struggles and aspirations of the working class. The song sets the tone for the album, blending jangly guitars with a sense of urgency that captures the essence of youth disillusionment. The production, handled by Weller himself alongside the band, showcases a more polished sound compared to their previous albums, yet it retains the raw energy that fans had come to love.

One of the standout tracks, "The Eton Rifles," is a sharp critique of class disparity and the British class system, delivered with a punchy rhythm and an infectious chorus. It’s a song that resonates with listeners even today, as Weller’s lyrics encapsulate the frustrations of a generation feeling left behind. The track was a commercial success, reaching number 3 on the UK Singles Chart, and it remains a fan favorite, often cited as one of The Jam’s defining moments.

The album’s title track, "Setting Sons," is another highlight, showcasing Weller’s lyrical prowess and ability to tell a story. The song reflects on themes of friendship, loss, and the passage of time, all wrapped in a melodic structure that is both haunting and beautiful. The instrumentation here is particularly noteworthy, with the band experimenting with strings and harmonies that elevate the emotional weight of the song. It’s a clear indication that The Jam was not afraid to push boundaries and explore new musical territories.

Critics at the time praised "Setting Sons" for its ambitious scope and lyrical depth. Publications like NME and Melody Maker lauded the album, with many noting that it marked a maturation in Weller’s songwriting. The album was also nominated for the prestigious Best British Album at the 1980 BRIT Awards, further solidifying its impact in the music scene.

Another track that deserves mention is "Wasteland," which dives into the feelings of despair and hopelessness that many young people felt during that era. The song’s driving beat and Weller’s impassioned delivery create a sense of urgency that is palpable. It’s a track that showcases the band’s ability to blend punk energy with thoughtful commentary, a hallmark of their style.

The production of "Setting Sons" is noteworthy for its time, as Weller and the band utilized various studio techniques to create a fuller sound. The use of layered guitars, combined with Bruce Foxton’s dynamic bass lines and Rick Buckler’s powerful drumming, results in a rich sonic landscape that complements Weller’s incisive lyrics. The album was recorded at the legendary RAK Studios in London, a place known for its high-quality production and the ability to capture the raw essence of a band.

As the album progresses, tracks like "Burning Sky" and "The Place I Love" continue to explore themes of nostalgia and longing, showcasing Weller’s ability to connect with listeners on a personal level. The latter, in particular, is a poignant reflection on home and identity, resonating deeply with fans who have followed the band’s journey.

In retrospect, "Setting Sons" is not just an album; it’s a cultural artifact that encapsulates a moment in time. It reflects the struggles of a generation and the complexities of growing up in a rapidly changing society. The Jam’s ability to blend catchy melodies with profound social commentary is what sets this album apart, making it a timeless piece of art that continues to inspire new generations of musicians and fans alike. It’s a must-listen for anyone looking to understand the evolution of British music in the late 20th century.