Album Info
Artist: | David Byrne |
Album: | The Complete Score From The Broadway Production Of "The Catherine Wheel" |
Released: | Europe, 22 Apr 2023 |
Tracklist:
A1 | Light Bath | 1:12 |
Flute [Triggered] - David Byrne | ||
Percussion - John Chernoff | ||
A2 | His Wife Refused | 4:32 |
Drums - Yogi Horton | ||
Guitar [Steel Drum] - Adrian Belew | ||
Percussion [Gung Gong] - John Chernoff | ||
Synthesizer [Mini-moog], Piano - Bernie Worrell | ||
Vocals, Bass, Guitar - David Byrne | ||
A3 | Adé | 3:23 |
Bass, Guitar - Brian Eno | ||
Congas - John Chernoff | ||
Guitar - David Byrne | ||
A4 | Walking | 0:54 |
Bass, Guitar - David Byrne | ||
Percussion - John Chernoff | ||
A5 | Two Soldiers | 3:31 |
Bass, Guitar, Synthesizer [Obx], Performer [Primetime] - David Byrne | ||
Bass, Piano - Brian Eno | ||
Congas - John Chernoff | ||
Drums - Yogi Horton | ||
Guitar - Adrian Belew | ||
A6 | Under The Mountain | 0:53 |
Drums - Yogi Horton | ||
Noises [Beasts] - Adrian Belew | ||
Synthesizer [Deep] - David Byrne | ||
A7 | Dinosaur | |
Clavinet, Guitar, Piano, Synthesizer [Prophet] - David Byrne | ||
Percussion - John Chernoff | ||
A8 | The Red House | 3:17 |
Bass, Guitar, Synthesizer [Prophet] - David Byrne | ||
Drums - Yogi Horton | ||
Synthesizer [Prophet Scream] - Brian Eno | ||
B1 | Wheezing | 3:12 |
Bass, Guitar, Synthesizer [Prophet] - David Byrne | ||
Drums - Yogi Horton | ||
Guitar [End] - Adrian Belew | ||
B2 | Eggs In A Briar Patch | 3:32 |
Bass, Vibraphone [Vibes] - Brian Eno | ||
Clavinet - Jerry Harrison | ||
Drums - Yogi Horton | ||
Guitar [Floating] - Adrian Belew | ||
Guitar, Noises [Horses] - David Byrne | ||
Percussion [Gung Gong] - John Chernoff | ||
B3 | Poison | 2:32 |
Vocals - Dolette McDonald | ||
Vocals, Bass, Guitar, Synthesizer [Mini, Prophet Strings] - David Byrne | ||
B4 | Cloud Chamber | 2:50 |
Drum [Large] - Jerry Harrison | ||
Percussion [Kitchen Metals] - David Byrne | ||
Percussion [Water Pot] - Twyla Tharp | ||
B5 | Black Flag | 2:30 |
Bass, Guitar, Organ [Triggered Calliope], Vibraphone [Vibes] - David Byrne | ||
C1 | My Big Hands (Fall Through The Cracks) | 2:45 |
Drums - Yogi Horton | ||
Vocals, Bass, Guitar, Percussion, Synthesizer [Prophet] - David Byrne | ||
C2 | Combat | 2:45 |
Bass, Guitar, Synthesizer [Prophet] - David Byrne | ||
Drums - Yogi Horton | ||
Piano - Bernie Worrell, John Chernoff | ||
C3 | Leg Bells | 2:41 |
Percussion - John Chernoff | ||
Vocals, Guitar [Floating], Piano - David Byrne | ||
C4 | The Blue Flame | 3:25 |
Bass, Percussion, Synthesizer [Prophet Drone] - David Byrne | ||
Ney [Nez] - Richard Horowitz | ||
Synthesizer [Prophet Scream] - Brian Eno | ||
C5 | Big Business | 5:06 |
Clavinet - Bernie Worrell | ||
Guitar [Galloping] - John Chernoff | ||
Vocals, Bass, Guitar [Fierce, High] - David Byrne | ||
D1 | Dense Beasts | 3:12 |
Bass, Effects [Beasts], Percussion, Piano, Synthesizer [Prophet Bells], Organ [Second] - David Byrne | ||
Drums - Yogi Horton | ||
Organ [First] - Jerry Harrison | ||
D2 | Five Golden Sections | 2:54 |
Bass, Guitar, Organ [Triggered Calliope], Vibraphone [Vibes] - David Byrne | ||
Drums - Yogi Horton | ||
Euphonium [Double Belled] - Douglas Gray | ||
Percussion [Gung Gong] - John Chernoff | ||
D3 | What A Day That Was | 5:32 |
Bass, Guitar, Synthesizer, Vocals [Uncredited] - David Byrne | ||
Congas - Steve Scales | ||
Drums - John Cooksey | ||
D4 | Big Blue Plymouth (Eyes Wide Open) | 4:44 |
Drums, Tom Tom [Concert Toms] - Yogi Horton | ||
Vocals - Susan Halloran | ||
Vocals, Guitar - David Byrne | ||
D5 | Light Bath | 1:10 |
Flute [Triggered] - David Byrne | ||
Percussion - John Chernoff |
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Description
David Byrne's "The Complete Score From The Broadway Production Of 'The Catherine Wheel'" is a fascinating exploration of the intersection between theater and music, showcasing Byrne's unique artistic vision. Released in 1981, this album serves as a soundtrack to the theatrical production of the same name, which was co-created with choreographer Twyla Tharp. The collaboration between Byrne and Tharp is a significant cultural moment, as it blends avant-garde music with innovative dance, pushing the boundaries of both art forms.
The album is a rich tapestry of sounds that reflects Byrne's eclectic style, drawing from various genres including rock, world music, and avant-garde. It features a mix of instrumental pieces and songs that highlight Byrne's distinctive voice and lyrical prowess. The score is notable for its experimental nature, which was a hallmark of Byrne's work during this period, especially following his success with the Talking Heads. The music captures the essence of the theatrical experience, with each track designed to complement the choreography and narrative of the production.
One of the standout tracks from the album is "The Catherine Wheel," which encapsulates the themes of transformation and introspection that are central to the production. The song's haunting melodies and intricate arrangements showcase Byrne's ability to create emotionally resonant music that transcends traditional boundaries. Another notable track is "The Forest," which features a blend of rhythmic complexity and lyrical depth, inviting listeners to immerse themselves in the world Byrne has crafted.
Critically, the album received a warm reception, with many reviewers praising its innovative approach and the seamless integration of music and dance. Major publications like Rolling Stone and The New York Times highlighted Byrne's ability to convey complex emotions through his music, noting that the score stands on its own as a compelling listening experience, even outside the context of the stage production. The album has been recognized for its artistic merit, contributing to Byrne's reputation as a pioneering figure in contemporary music and theater.
Interestingly, "The Catherine Wheel" was not just a musical endeavor; it was also a significant cultural event. The production premiered at the 1981 New York Theatre Workshop and was later staged at the Baryshnikov Arts Center. It was a groundbreaking moment in the world of dance and theater, as it combined elements of rock music with modern dance, a relatively novel concept at the time. Byrne's collaboration with Tharp was particularly noteworthy, as it brought together two distinct artistic visions, resulting in a production that was both visually stunning and sonically rich.
In terms of production details, Byrne worked closely with a talented team of musicians and collaborators to bring his vision to life. The album features contributions from various artists, including members of the Talking Heads, which adds a familiar yet fresh sound to the score. The production quality is top-notch, reflecting Byrne's meticulous attention to detail and his desire to create a cohesive auditory experience.
As for personal anecdotes, Byrne has often spoken about the creative process behind "The Catherine Wheel," describing it as a journey of exploration and experimentation. He has mentioned how the collaboration with Tharp pushed him to think outside the box and to embrace the unexpected, which is evident in the album's diverse soundscapes.
In conclusion, "The Complete Score From The Broadway Production Of 'The Catherine Wheel'" is more than just an album; it is a landmark work that showcases David Byrne's innovative spirit and his ability to blend different artistic forms. Its historical significance in the realm of theater and music cannot be overstated, and it remains a testament to Byrne's enduring influence as a creative force. Whether you're a fan of theater, music, or simply appreciate artistic innovation, this album is definitely worth a listen.