Album Info
Artist: | Stephen Schwartz |
Album: | Wicked (Original Broadway Cast Recording) |
Released: | Worldwide, 2023 |
Tracklist:
A1 | Kristin Chenoweth, Sean McCourt, Cristy Candler, Jan Neuberger And Citizens Of Oz - No One Mourns The Wicked | |
A2 | Students - Dear Old Shiz | |
A3 | Carole Shelley, Idina Menzel - The Wizard And I | |
A4 | Kristin Chenoweth, Idina Menzel And Students - What Is This Feeling? | |
A5 | William Youmans, Idina Menzel And Students - Something Bad | |
B1 | Norbert Leo Butz, Kristin Chenoweth, Christopher Fitzgerald, Michelle Federer, Idina Menzel And Students - Dancing Through Life | |
B2 | Kristin Chenoweth - Popular | |
B3 | Idina Menzel - I'm Not That Girl | |
B4 | Idina Menzel, Kristin Chenoweth And Denizens Of The Emerald City - One Short Day | |
B5 | Joel Grey - A Sentimental Man | |
C1 | Kristin Chenoweth, Idina Menzel, Guards Of Oz And Citizens Of Oz - Defying Gravity | |
C2 | Kristin Chenoweth, Carole Shelley And Citizens Of Oz - Thank Goodness | |
C3 | Joel Grey And Idina Menzel - Wonderful | |
D1 | Kristin Chenoweth - I'm Not That Girl (Reprise) | |
D2 | Idina Menzel And Norbert Leo Butz - As Long As You're Mine | |
D3 | Idina Menzel - No Good Deed | |
D4 | Christopher Fitzgerald And Citizens Of Oz - March Of The Witch Hunters | |
D5 | Idina Menzel And Kristin Chenoweth - For Good | |
D6 | Kristin Chenoweth, Idina Menzel And Citizens Of Oz - Finale |
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Description
Stephen Schwartz’s *Wicked (Original Broadway Cast Recording)* is not just a soundtrack; it’s a cultural phenomenon that has enchanted audiences since its debut in 2003. Based on Gregory Maguire’s novel *Wicked: The Life and Times of the Wicked Witch of the West*, this musical reimagines the story of the witches from *The Wizard of Oz*, offering a fresh perspective on the characters we thought we knew. Schwartz’s masterful score, combined with a compelling narrative, has made this album a staple in musical theatre and a beloved favorite among fans.
From the very first notes of the overture, listeners are transported to the vibrant world of Oz, where the lush orchestration sets the stage for the emotional journey ahead. The album features a stellar cast, led by Idina Menzel as Elphaba and Kristin Chenoweth as Glinda, whose performances are nothing short of iconic. Menzel’s powerful voice shines in “Defying Gravity,” a show-stopping anthem that has become synonymous with the character of Elphaba. The song captures her struggle for identity and freedom, and Menzel’s soaring vocals deliver a sense of empowerment that resonates deeply with audiences.
On the other hand, Chenoweth’s portrayal of Glinda is equally captivating. Her performance in “Popular” is a delightful mix of humor and charm, showcasing Glinda’s bubbly personality while also hinting at deeper themes of friendship and acceptance. The dynamic between Elphaba and Glinda is at the heart of *Wicked*, and their contrasting personalities create a rich tapestry of emotions that Schwartz expertly weaves throughout the score.
The album also features standout tracks like “For Good,” a poignant duet that encapsulates the essence of their friendship and the impact they have on each other’s lives. The lyrics, co-written by Schwartz and the book’s author Winnie Holzman, are heartfelt and reflective, making it a favorite among fans who often cite it as a highlight of the musical. The emotional weight of this song is palpable, and it’s a testament to Schwartz’s ability to craft songs that resonate on a personal level.
Critically, *Wicked* has received numerous accolades, including three Tony Awards, and the Original Broadway Cast Recording won a Grammy Award for Best Musical Show Album. The album has been praised by publications like *The New York Times* and *Rolling Stone*, which have lauded Schwartz’s ability to blend pop sensibilities with traditional musical theatre elements. The production quality is top-notch, with the lush orchestration and vocal arrangements creating a rich listening experience that captures the magic of the live performances.
One of the most interesting aspects of the album is the way it challenges the traditional narrative of good versus evil. Schwartz’s music and lyrics invite listeners to reconsider their perceptions of the characters, particularly Elphaba, who is often vilified in the original *Wizard of Oz* story. This recontextualization has sparked discussions about morality, friendship, and the complexities of human nature, making *Wicked* not just a musical, but a cultural commentary.
The recording also features a talented ensemble cast, whose harmonies and performances add depth to the overall sound. Songs like “What Is This Feeling?” and “I’m Not That Girl” showcase the ensemble’s vocal prowess and contribute to the rich storytelling that defines the musical. The production, helmed by director Joe Mantello and choreographer Wayne Cilento, is a visual feast, and while the album can’t capture the full spectacle of the stage show, it does an admirable job of conveying the energy and emotion of the performances.
In the years since its release, *Wicked* has become a defining work in the landscape of modern musical theatre. Its themes of friendship, acceptance, and the questioning of societal norms continue to resonate with audiences of all ages. The Original Broadway Cast Recording remains a beloved collection of songs that not only entertains but also inspires, making it a must-have for any musical theatre enthusiast. Whether you’re a longtime fan or a newcomer to the world of *Wicked*, this album is sure to leave a lasting impression, reminding us all of the power of love, friendship, and the courage to be ourselves.