Album Info
Artist: | Vienna Radio Symphony Orchestra Conducted By Dennis Russell Davies, Marianne Faithfull, Kurt Weill |
Album: | The Seven Deadly Sins = Die Sieben Todsünden = Les Sept Peches Capitaux |
Released: | Europe, 2021 |
Tracklist:
- | The Seven Deadly Sins | |
A1 | Prolog | 3:51 |
A2 | Faulheit | 3:57 |
A3 | Stolz | 4:50 |
B1 | Zorn | 4:53 |
B2 | Völlerei | 3:32 |
B3 | Unzucht | 5:22 |
C1 | Habsucht | 3:02 |
C2 | Neid | 4:32 |
C3 | Epilog | 1:30 |
- | Kurt Weill Songs | |
C4 | Alabama Song (from "The Rise And The Fall Of The City Of Mahagonny") | 2:54 |
D1 | The Ballad Of Sexual Dependency (from "The Threepenny Opera") | 2:37 |
D2 | Bilbao Song (from "Happy End") | 5:04 |
D3 | Pirate Jenny (from "The Threepenny Opera") | 4:47 |
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Description
"The Seven Deadly Sins" by the Vienna Radio Symphony Orchestra, conducted by Dennis Russell Davies and featuring Marianne Faithfull, is a fascinating exploration of Kurt Weill's classic work. Released in 1998, this album brings together a unique blend of orchestral prowess and vocal storytelling, with Faithfull's distinctive voice adding a new dimension to Weill's music.
Kurt Weill originally composed "The Seven Deadly Sins" in 1933, with lyrics by Bertolt Brecht. The piece is a satirical ballet chanté, or sung ballet, that tells the story of two sisters, both named Anna, who embark on a journey across America to earn money for their family. Each city they visit represents one of the seven deadly sins, and through this journey, Weill and Brecht critique the moral and economic values of society.
Marianne Faithfull, known for her deep, husky voice and her storied career in music and acting, brings a raw and emotional interpretation to the role of Anna. Her performance is both haunting and compelling, capturing the essence of Weill's music and Brecht's biting lyrics. Faithfull's involvement in this project adds a layer of historical and cultural significance, as she has long been associated with the countercultural movements of the 1960s and 70s, much like Weill and Brecht were in their time.
The Vienna Radio Symphony Orchestra, under the baton of Dennis Russell Davies, delivers a powerful and precise performance. Davies, known for his work with contemporary and 20th-century music, brings out the sharp contrasts and intricate details of Weill's score. The orchestra's interpretation is both faithful to the original composition and infused with a modern sensibility, making the music accessible to contemporary audiences.
Critically, the album was well-received, with reviewers praising the synergy between Faithfull's vocal delivery and the orchestra's performance. The Guardian highlighted Faithfull's ability to convey the complex emotions of the character, while The New York Times noted the clarity and energy of the orchestral accompaniment.
One of the standout tracks is "Pride," where Faithfull's voice captures the arrogance and self-assuredness of the character, while the orchestra underscores the tension and drama of the scene. Another highlight is "Sloth," where the languid tempo and Faithfull's weary delivery perfectly encapsulate the sin's essence.
In terms of production, the album benefits from high-quality recording techniques that capture the nuances of both the vocal and orchestral performances. The collaboration between Faithfull, Davies, and the Vienna Radio Symphony Orchestra is seamless, resulting in a cohesive and engaging listening experience.
Overall, "The Seven Deadly Sins" is a remarkable album that showcases the enduring power of Kurt Weill's music and the timeless relevance of Brecht's social commentary. Marianne Faithfull's interpretation adds a unique voice to the work, making it a must-listen for fans of Weill, Faithfull, or anyone interested in the intersection of music and theater. Whether you're a long-time admirer of Weill's compositions or new to his work, this album offers a fresh and captivating take on a classic piece.