Album Info
65th anniversary edition of the rare MONO mix of Bill Evans’ classic album on Riverside Records, featuring lacquers cut from the original tapes (AAA) by Kevin Gray, pressed on 180-gram black vinyl at RTI and housed in a tip-on jacket.
| Artist: | Bill Evans Trio |
| Album: | Everybody Digs Bill Evans (Mono Miz) |
| Released: | April 20, 2024 |
Tracklist:
| A1 | Minority | 5:20 |
| Written-By - Gigi Gryce | ||
| A2 | Young And Foolish | 5:48 |
| Written-By - Hague, Horwit | ||
| A3 | Lucky To Be Me | 3:35 |
| Written-By - Green, Comden, Bernstein | ||
| A4 | Night And Day | 7:12 |
| Written-By - Cole Porter | ||
| A5 | Epilogue | 0:38 |
| Written-By - Bill Evans | ||
| B1 | Tenderly | 3:29 |
| Written-By - Walter Gross | ||
| B2 | Peace Piece | 6:37 |
| Written-By - Bill Evans | ||
| B3 | What Is There To Say? | 4:49 |
| Written-By - Harburg, Duke | ||
| B4 | Oleo | 4:04 |
| Written-By - Sonny Rollins | ||
| B5 | Epilogue | 0:38 |
| Written-By - Bill Evans |
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Description
The Bill Evans Trio's "Everybody Digs Bill Evans," released in 1959, is a landmark album in the world of jazz, showcasing the pianist's innovative approach to harmony, rhythm, and ensemble interplay. This album, Evans's second as a leader, features bassist Sam Jones and drummer Philly Joe Jones, and it's celebrated for its lyrical, introspective approach to the piano trio format, which has influenced countless musicians and remains a touchstone in jazz history.
The album opens with "Minority," a track that immediately introduces listeners to Evans's delicate touch and intricate phrasing. The interplay between Evans and his bandmates is evident from the start, with each musician contributing to a cohesive and dynamic sound that is both complex and accessible.
"Peace Piece," one of the album's most revered tracks, is a solo piano improvisation that stands as a testament to Evans's profound musicality and creativity. The piece's gentle, cascading motifs and serene atmosphere have made it a defining moment in Evans's discography and a seminal work in the solo jazz piano genre.
The production on "Everybody Digs Bill Evans" captures the trio's sound with remarkable clarity and warmth, allowing each instrument's nuances to shine through. The recording quality contributes to the album's intimate feel, drawing listeners into the trio's musical conversations.
"Autumn Leaves," the only standard on the album, is given a fresh and invigorating interpretation by the trio. Evans's lyrical approach to the melody, combined with the rhythmic drive provided by Jones and Jones, showcases the trio's ability to breathe new life into familiar material, making it a highlight of the album.
Lyrically, the album is instrumental but tells profound stories through its melodies and harmonies. Evans's compositions and interpretations are deeply expressive, conveying a wide range of emotions without the need for words, from the introspective "Peace Piece" to the buoyant "Young and Foolish."
In retrospect, "Everybody Digs Bill Evans" is recognized not only as a pivotal album in Evans's career but also as a milestone in jazz history. The album's influence extends beyond the jazz piano trio format, impacting musicians across genres with its lyrical approach and harmonic sophistication.
Overall, "Everybody Digs Bill Evans" stands as a masterpiece of jazz, showcasing Bill Evans's unique voice as a pianist and composer. The album's blend of technical mastery, emotional depth, and musical innovation makes it an essential listen for jazz aficionados and a testament to Evans's enduring legacy in the world of music.
