Album Info
Artist: | Cat Stevens |
Album: | Izitso |
Gatefold: | Yes |
Released: | Europe, 2024 |
Tracklist:
A1 | (Remember The Days Of The) Old Schoolyard | 2:44 |
A2 | Life | 4:54 |
A3 | Killin' Time | 3:30 |
A4 | Kypros | 3:07 |
A5 | Bonfire | 4:07 |
B1 | (I Never Wanted) To Be A Star | 3:01 |
B2 | Crazy | 3:31 |
B3 | Sweet Jamaica | 3:27 |
B4 | Was Dog A Doughnut | 4:14 |
B5 | Child For A Day | 4:25 |
Info About Buying Vinyl From Our Record Store
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Description
Cat Stevens' "Izitso," released in 1977, marks a period of significant experimentation and transition in the artist's career. This album showcases Stevens' exploration of electronic instruments and synthesizers, blending them with his folk-rock roots to create a sound that was both contemporary to the late '70s and distinctly his own. "Izitso" reflects Stevens' diverse musical influences, ranging from pop and rock to more introspective ballads, demonstrating his versatility as a songwriter and musician.
The album opens with "(Remember the Days of the) Old Schoolyard," an upbeat track featuring a duet with Elkie Brooks. This song introduces the album's broader palette of sounds, incorporating synthesizers and a more pop-oriented approach, while still retaining the melodic sensibility that characterized Stevens' earlier work.
"Life," another standout track, showcases Stevens' foray into more electronic textures, with synthesizers playing a central role in the arrangement. The song's reflective lyrics, combined with its innovative production, highlight Stevens' ability to adapt and evolve as an artist, exploring new sonic landscapes while maintaining his signature lyrical depth.
The production on "Izitso" is notable for its embrace of modern technology, with Stevens utilizing synthesizers and electronic instrumentation to expand his sound. This approach results in an album that feels both of its time and timeless, with Stevens' songwriting and vocal delivery providing a consistent thread throughout the diverse arrangements.
"Was Dog a Doughnut?" is one of the album's most experimental tracks, an instrumental piece that ventures into electronic and ambient territory. This track underscores Stevens' willingness to experiment and push the boundaries of his music, showcasing a side of his artistry that was less prevalent in his earlier acoustic work.
Lyrically, "Izitso" covers a range of themes, from the nostalgic reflections of "(Remember the Days of the) Old Schoolyard" to the introspective musings of "Child for a Day." Stevens' thoughtful and poetic songwriting remains a key strength, even as he ventures into new musical directions.
"Child for a Day" concludes the album on a reflective note, with Stevens contemplating the passage of time and the innocence of youth. The track's gentle arrangement and emotive lyrics encapsulate the album's blend of innovation and introspection, showcasing Stevens' enduring talent for crafting songs that resonate on a deeply personal level.
In retrospect, "Izitso" is seen as a significant album in Cat Stevens' discography, marking a period of creative exploration and growth. The album's blend of electronic elements with Stevens' folk-rock sensibilities makes it a unique and compelling listen, reflecting the artist's adaptability and his continuous search for new modes of musical expression.
Overall, "Izitso" stands as a testament to Cat Stevens' artistry and his impact on the singer-songwriter genre. The album's innovative production, combined with Stevens' evocative songwriting and distinctive voice, make it a noteworthy entry in his catalog and a fascinating snapshot of a transitional moment in his career.