Album Info
Artist: | Paul Simon |
Album: | Paul Simon |
Released: | US, 1990 |
Tracklist:
A1 | Mother And Child Reunion | 3:05 |
Bass - Jackie Jackson | ||
Drums - Winston Grennan | ||
Lead Guitar - Huks Brown | ||
Organ - Neville Hinds | ||
Percussion - Denzil Laing | ||
Piano - Larry Knechtel | ||
Rhythm Guitar - Wallace Wilson | ||
Vocals - Cissy Houston, Deirdre Tuck, Renelle Stafford, Von Eva Sims | ||
A2 | Duncan | 4:39 |
Charango, Flute, Percussion - Los Incas | ||
Engineer - Bernard Estardy | ||
Guitar - Paul Simon | ||
A3 | Everything Put Together Falls Apart | 1:59 |
Guitar - Paul Simon | ||
Harmonium, Electric Piano - Larry Knechtel | ||
A4 | Run That Body Down | 3:52 |
Bass - Ron Carter | ||
Drums - Hal Blaine | ||
Electric Guitar - Jerry Hahn | ||
Guitar - David Spinoza, Paul Simon | ||
Vibraphone - Mike Manieri | ||
A5 | Armistice Day | 3:55 |
Electric Guitar - Jerry Hahn | ||
Guitar - Paul Simon | ||
Horns - Fred Lipsius, John Schroer | ||
Percussion - Airto Moreira | ||
B1 | Me And Julio Down By The Schoolyard | 2:42 |
Bass - Russel George | ||
Engineer - Phil Ramone | ||
Guitar - David Spinoza, Paul Simon | ||
Percussion - Airto Moreira | ||
Remix - Roy Halee | ||
B2 | Peace Like A River | 3:20 |
Bass - Joe Osborn | ||
Drums - Victor Montanez | ||
Guitar - Paul Simon | ||
B3 | Papa Hobo | 2:34 |
Bass Harmonica - Charlie McCoy | ||
Guitar - Paul Simon | ||
Harmonium - Larry Knechtel | ||
B4 | Hobo's Blues | 1:21 |
Guitar - Paul Simon | ||
Violin - Stephane Grappelli | ||
B5 | Paranoia Blues | 2:54 |
Drums - Hal Blaine | ||
Engineer - Roy Halee, Rudy Hill | ||
Horns - John Schroer, Steven Turre | ||
Percussion - Paul Simon | ||
Slide Guitar [Bottleneck Guitar] - Stefan Grossman | ||
B6 | Congratulations | 3:42 |
Bass - Joe Osborn | ||
Drums - Hal Blaine | ||
Guitar - Paul Simon | ||
Piano, Organ - Larry Knechtel |
Info About Buying Vinyl From Our Record Store
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Description
Paul Simon's self-titled album, released on April 13, 1972, marks a significant moment in the artist's career, showcasing his evolution as a solo musician after the breakup of Simon & Garfunkel. This album is often celebrated for its introspective lyrics and diverse musical influences, blending folk, rock, and world music elements that would come to define much of Simon's solo work.
Upon its release, the album received critical acclaim and commercial success, peaking at number 4 on the Billboard 200 chart. It features some standout tracks that have become staples in Simon's repertoire, including "Mother and Child Reunion," which was notable for its incorporation of reggae influences, a departure from his earlier work. The song was inspired by the death of a pet and reflects Simon's ability to weave personal experiences into universal themes. Another highlight is "Me and Julio Down by the Schoolyard," a catchy tune that tells a whimsical story, showcasing Simon's knack for storytelling through music.
The album's production is noteworthy as well. Simon worked with producer Phil Ramone, who helped to craft a sound that was both polished and organic. The use of various instruments, including horns and percussion, adds a rich texture to the songs, making them feel vibrant and alive. The album's arrangements are intricate yet accessible, allowing Simon's poignant lyrics to shine through.
Critics at the time praised the album for its lyrical depth and musical diversity. Rolling Stone magazine lauded it as a significant step forward for Simon, highlighting his ability to blend different musical styles seamlessly. The album has since been recognized in various lists of the greatest albums, further solidifying its place in music history. It was nominated for a Grammy Award for Best Pop Vocal Performance, Male, which speaks to its impact and Simon's artistry.
One of the most interesting aspects of this album is the way it reflects Simon's personal journey. After the disbandment of Simon & Garfunkel, he was navigating his identity as a solo artist, and this album captures that transition beautifully. In interviews, Simon has mentioned how the process of creating this album was liberating for him, allowing him to explore new sounds and themes without the constraints of a duo. This sense of freedom is palpable in the music, making it feel fresh and innovative.
The cultural significance of this album cannot be overstated. It came at a time when the music scene was rapidly changing, and artists were beginning to experiment more with their sounds and messages. Simon's willingness to incorporate different musical styles, such as the aforementioned reggae in "Mother and Child Reunion," helped pave the way for future artists to explore cross-genre collaborations.
In terms of personal anecdotes, Simon has often reflected on the emotional weight of the songs in this album. For instance, he has shared that writing "Mother and Child Reunion" was a cathartic experience, allowing him to process grief in a creative way. This personal connection to the music resonates with listeners, making the album feel intimate and relatable.
Overall, Paul Simon's self-titled album is a remarkable work that showcases his growth as an artist and his ability to connect with listeners on a deep level. Its blend of musical styles, thoughtful lyrics, and innovative production make it a timeless piece of art that continues to influence musicians today. Whether you're a long-time fan or new to Simon's music, this album is definitely worth a listen, as it encapsulates a pivotal moment in his career and the broader landscape of 1970s music.