Album Info
Artist: | The Band |
Album: | The Last Waltz |
Released: | Australia, 1978 |
Tracklist:
A1 | Theme From The Last Waltz | 3:28 |
Bass [Electric Standup] - Rick Danko | ||
Dobro - Richard Manuel | ||
Guitar [Harp] - Robbie Robertson | ||
Organ [Pipe Organ] - Garth Hudson | ||
Written-By - R. Robertson | ||
A2 | Up On Cripple Creek | 4:44 |
Written-By - R. Robertson | ||
A3 | Who Do You Love | 4:16 |
Guitar [Solo] - Robbie Robertson | ||
Vocals - Ronnie Hawkins | ||
Written-By - E. McDaniel | ||
A4 | Helpless | 5:47 |
Backing Vocals - Joni Mitchell | ||
Guitar, Vocals - Neil Young | ||
Written-By - Neil Young | ||
A5 | Stagefright | 4:25 |
Arranged By [Horns] - Tom Malone | ||
Guitar [Solo] - Robbie Robertson | ||
Organ [Solo] - Garth Hudson | ||
Written-By - R. Robertson | ||
B1 | Coyote | 5:50 |
Congas - Dr. John | ||
Guitar, Vocals - Joni Mitchell | ||
Written-By - Joni Mitchell | ||
B2 | Dry Your Eyes | 3:57 |
Drums - Dennis St. John | ||
Guitar, Vocals - Neil Diamond | ||
Written-By - N. Diamond, R. Robertson | ||
B3 | It Makes No Difference | 6:48 |
Arranged By [Horns] - Howard Johnson | ||
Written-By - R. Robertson | ||
B4 | Such A Night | 4:00 |
Piano, Vocals - Dr. John | ||
Written-By - M. Rebennack | ||
C1 | The Night They Drove Old Dixie Down | 4:34 |
Arranged By [Horns] - Allen Toussaint | ||
Written-By - R. Robertson | ||
C2 | Mystery Train | 4:59 |
Harmonica, Vocals - Paul Butterfield | ||
Written-By - H. Parker Jr., S. Phillips | ||
C3 | Mannish Boy | 6:54 |
Guitar - Bob Margolin | ||
Harmonica - Paul Butterfield | ||
Piano - Joe "Pine Top" Perkins | ||
Vocals - Muddy Waters | ||
Written-By - E. McDaniels, McKinley Morganfield, M. London | ||
C4 | Further On Up The Road | 5:08 |
Guitar [Solo] - Robbie Robertson | ||
Guitar, Vocals - Eric Clapton | ||
Written-By - D.B. Robey, J. Medwick Veasey | ||
D1 | Shape I'm In | 4:06 |
Arranged By [Horns] - Howard Johnson | ||
Organ [Solo] - Garth Hudson | ||
Written-By - R. Robertson | ||
D2 | Down South In New Orleans | 3:06 |
Accordion [Solo] - Garth Hudson | ||
Guitar, Vocals - Dr. John | ||
Vocals - Bobby Charles | ||
Written-By - J. Anglin, J. Anglin, J. Wright | ||
D3 | Ophelia | 3:53 |
Arranged By [Horns] - Garth Hudson | ||
Guitar [Solo] - Robbie Robertson | ||
Written-By - R. Robertson | ||
D4 | Tura Lura Lural (That's An Irish Lullaby) | 4:15 |
Arranged By [Horns] - Henry Glover | ||
Piano - John Simon | ||
Vocals - Van Morrison | ||
Written-By - James Royce Shannon | ||
D5 | Caravan | 6:02 |
Vocals - Van Morrison | ||
Written-By - Van Morrison | ||
E1 | Life Is A Carnival | 4:32 |
Arranged By [Horns] - Allen Toussaint | ||
Guitar [Solo] - Robbie Robertson | ||
Written-By - L. Helm, R. Danko, R. Robertson | ||
E2 | Baby Let Me Follow You Down | 3:00 |
Written-By - Rev. Gary Davis | ||
E3 | I Don't Believe You (She Acts Like We Never Have Met) | 3:23 |
Written-By - Bob Dylan | ||
E4 | Forever Young | 4:42 |
Written-By - Bob Dylan | ||
E5 | Baby Let Me Follow You Down (Reprise) | 2:46 |
Guitar [Solo] - Robbie Robertson | ||
Guitar, Vocals - Bob Dylan | ||
Written-By - Rev. Gary Davis | ||
E6 | I Shall Be Released | 3:53 |
Backing Vocals - Bobby Charles, Dr. John, Eric Clapton, Joni Mitchell, Neil Diamond, Neil Young, Paul Butterfield, Ronnie Hawkins, Van Morrison | ||
Drums - Ringo Starr | ||
Guitar - Ron Wood | ||
Vocals - Bob Dylan | ||
Written-By - Bob Dylan | ||
The Last Waltz Suite | ||
F1 | The Well | 3:27 |
Written-By - R. Robertson | ||
F2 | Evangeline | 3:17 |
Guitar, Vocals - Emmylou Harris | ||
Written-By - R. Robertson | ||
F3 | Out Of The Blue | 3:08 |
Written-By - R. Robertson | ||
F4 | The Weight | 4:38 |
Arranged By [Horns] - Tom Malone | ||
Guitar, Vocals - Roebuck Staples | ||
Vocals - Mavis Staples | ||
Written-By - R. Robertson | ||
F5 | The Last Waltz Refrain | 1:28 |
Written-By - R. Robertson | ||
F6 | Theme From The Last Waltz (With Orchestra) | 3:22 |
Arranged By [Horns] - John Simon | ||
Arranged By [Strings] - John Simon | ||
Backing Vocals - Alison Hormel | ||
Written-By - R. Robertson |
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Description
The Last Waltz, released on November 26, 1978, is a landmark live album by The Band, capturing their farewell concert held on Thanksgiving Day in 1976 at the Winterland Ballroom in San Francisco. This album is not just a collection of songs; it’s a celebration of a musical journey that spanned over a decade, showcasing the unique blend of rock, folk, and Americana that The Band is renowned for.
The Last Waltz is often hailed as one of the greatest live albums of all time, and for good reason. The concert featured an impressive lineup of guest artists, including Bob Dylan, Eric Clapton, Neil Young, Joni Mitchell, and Muddy Waters, among others. This star-studded gathering not only highlights The Band's influence in the music world but also serves as a testament to their collaborative spirit. The album is a rich tapestry of musical styles, with each guest bringing their own flavor to the performance.
Critically, The Last Waltz received widespread acclaim upon its release. Major publications like Rolling Stone praised it for its emotional depth and musicality. The album was nominated for a Grammy Award for Best Album Package, which speaks to the artistic vision behind it. The accompanying film, directed by Martin Scorsese, further cemented its cultural significance, providing a visual narrative that captures the essence of the concert and the era.
Standout tracks on the album include "The Weight," which features a stunning performance by The Band alongside The Staples Singers, and "I Shall Be Released," where Bob Dylan’s presence adds a poignant touch to the proceedings. Another highlight is the rendition of "The Night They Drove Old Dixie Down," which showcases the storytelling prowess of The Band’s lead vocalist, Levon Helm. The interplay between the musicians is palpable, creating an atmosphere that feels both intimate and grand.
One of the most interesting aspects of The Last Waltz is the way it encapsulates the spirit of the 1970s music scene. The concert was not just a farewell for The Band; it was a celebration of an entire era of music that was characterized by experimentation and collaboration. The album and the film together serve as a time capsule, preserving the essence of a vibrant musical community.
In terms of production, the album was meticulously crafted. The sound quality is exceptional, thanks to the efforts of producer John Simon and the engineering team. They captured the energy of the live performance while ensuring that each instrument and vocal was clear and impactful. The attention to detail is evident, making it a pleasure to listen to even decades after its release.
Personal anecdotes from the band members about the concert reveal a mix of nostalgia and bittersweet emotions. In interviews, Levon Helm often reflected on the camaraderie and the sense of closure that the concert provided. It was a moment of celebration, but also a farewell to a chapter in their lives. The Last Waltz stands as a testament to their legacy, encapsulating the joy and sorrow of saying goodbye.
Fun fact: the concert was originally intended to be a simple farewell show, but it evolved into a grand event with elaborate staging and a full orchestra. The Band’s decision to invite so many guest artists transformed it into a historic occasion, one that would be remembered for years to come.
In conclusion, The Last Waltz is more than just an album; it’s a cultural milestone that captures the essence of The Band and the music of its time. With its stellar performances, rich collaborations, and emotional depth, it remains a beloved classic that continues to resonate with fans old and new. Whether you’re a longtime admirer of The Band or a newcomer to their music, this album is a must-listen, offering a glimpse into the heart of rock and roll history.