Album Info
Artist: | Various |
Album: | Okeh Chicago Blues |
Released: | US, 1982 |
Tracklist:
A1 | Big Boy Edwards - Good Doing Daddy | |
Guitar - Big Bill Broonzy | ||
Guitar [Second Probably] - Papa Charlie Jackson | ||
Piano - Black Bob | ||
Vocals - Big Boy Edwards | ||
A2 | Victoria Spivey & Her Chicago Four - Hollywood Stomp | |
Bass - Unknown Artist | ||
Piano - Dorothy Scott | ||
Trumpet - Herb Morand, Randolph Scott | ||
Vocals - Victoria Spivey | ||
A3 | Curtis Jones - Blues And Trouble | |
Drums - Black Fred Williams | ||
Guitar - Willie B. James | ||
Vocals, Piano - Curtis Jones | ||
A4 | Roosevelt Scott - Brownskin Woman Swing | |
Bass - Alfred Elkins | ||
Guitar - Unknown Artist | ||
Piano - Jesse "Monkey Joe" Coleman | ||
Vocals - Roosevelt Scott | ||
A5 | Peter Chatman & His Washboard Band - Miss Ora Lee Blues | |
Bass - Unknown Artist | ||
Harmonica - Unknown Artist | ||
Vocals, Piano - Peter Chatman | ||
Washboard - Washboard Sam | ||
A6 | Brownie McGhee - Born For Bad Luck | |
Harmonica - Jordan Webb | ||
Vocals, Guitar - Brownie McGhee | ||
A7 | Champion Jack Dupree - Weed Head Woman | |
Bass - Ransom Knowling, Wilson Swain | ||
Vocals, Piano - Champion Jack Dupree | ||
B1 | Roosevelt Sykes (The Honey Dripper) - 15 Cents A Day | |
Drums - Unknown Artist | ||
Vocals, Piano - Roosevelt Sykes | ||
B2 | Tony Hollins - Crawlin' King Snake | |
Bass - Unknown Artist | ||
Vocals, Guitar - Tony Hollins | ||
Washboard - Unknown Artist | ||
B3 | Peter Cleighton - Confessin' The Blues | |
Bass - Ransom Knowling | ||
Guitar - Big Bill Broonzy, Robert Junior Lockwood | ||
Piano - Blind John Davis | ||
Vocals - Peter "Doctor" Cleighton (Clayton) | ||
B4 | Memphis Minnie - I Am Sailin' | |
Bass [Imitation] - Alfred Elkins | ||
Guitar - Little Son Joe | ||
Vocals, Guitar - Memphis Minnie | ||
B5 | Little Son Joe - Just Had To Holler | |
Bass [Imitation] - Alfred Elkins | ||
Guitar - Memphis Minnie | ||
Vocals, Guitar - Little Son Joe | ||
B6 | Big Bill & His Rhythm Band - I Can't Write | |
Alto Saxophone - Oett "Sax" Mallard | ||
Bass - Ransom Knowling | ||
Drums - Judge Lawrence Riley | ||
Piano - Charles Belcher | ||
Tenor Saxophone - Bill Casimir | ||
Trumpet - Johnny Morton | ||
Vocals, Guitar - Big Bill Broonzy | ||
B7 | The Yas Yas Girl, (Merline Johnson) - Bad Whiskey Blues | |
Bass - Ransom Knowling | ||
Drums - Judge Lawrence Riley | ||
Guitar - Big Bill Broonzy | ||
Piano - Blind John Davis | ||
Vocals - The Yas Yas Girl | ||
C1 | Johnny Shines - Tennessee Woman Blues | |
Drums - Unknown Artist | ||
Guitar [Probably] - Big Bill Broonzy | ||
Vocals, Guitar - Johnny Shines | ||
C2 | Johnny Shines - Delta Pine Blues | |
Drums - Unknown Artist | ||
Guitar [Probably] - Big Bill Broonzy | ||
Vocals, Guitar - Johnny Shines | ||
C3 | Johnny Shines - Ride, Ride Mama | |
Drums - Unknown Artist | ||
Guitar [Probably] - Big Bill Broonzy | ||
Vocals, Guitar - Johnny Shines | ||
C4 | Johnny Shines - Evil-Hearted Woman Blues | |
Drums - Unknown Artist | ||
Guitar [Probably] - Big Bill Broonzy | ||
Vocals, Guitar - Johnny Shines | ||
C5 | Muddy Waters - Jitterbug Blues | |
Bass [Possibly] - Ransom Knowling | ||
Drums - Unknown Artist | ||
Guitar [Probably] - Baby-Face Leroy Foster | ||
Piano - James Clarke | ||
Vocals, Guitar - Muddy Waters | ||
C6 | Muddy Waters - Hard Day Blues | |
Bass [Possibly] - Ransom Knowling | ||
Drums - Unknown Artist | ||
Guitar [Probably] - Baby-Face Leroy Foster | ||
Piano - James Clarke | ||
Vocals, Guitar - Muddy Waters | ||
C7 | Muddy Waters - Burying Ground Blues | |
Bass [Possibly] - Ransom Knowling | ||
Drums - Unknown Artist | ||
Guitar [Probably] - Baby-Face Leroy Foster | ||
Piano - James Clarke | ||
Vocals, Guitar - Muddy Waters | ||
D1 | Big Joe Williams - P Vine Blues | |
D2 | Big Joe Williams - Bad And Weak Hearted Blues | |
D3 | Big Joe Williams - King Biscuit Stomp | |
D4 | Big Joe Williams - I'm A Highway Man | |
D5 | Big Joe Williams - Banta Rooster Blues | |
D6 | Big Joe Williams - Mean Step Father Blues | |
D7 | Big Joe Williams - House Lady Blues | |
D8 | Big Joe Williams - Don't You Leave Me Here |
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Description
"Okeh Chicago Blues" is a fascinating compilation album that was released in 1995, showcasing the rich history and cultural significance of the Chicago blues scene. This album is a treasure trove for blues enthusiasts and serves as a great introduction for those who are new to the genre. It features a collection of recordings from the Okeh Records label, which played a pivotal role in the development and popularization of blues music in the early 20th century.
The album includes tracks from some of the most influential blues artists of the time, such as Muddy Waters, Howlin' Wolf, and Willie Dixon. These artists not only shaped the sound of Chicago blues but also had a lasting impact on the music industry as a whole. The recordings capture the raw emotion and authenticity that blues is known for, making it a significant historical document of the genre.
One of the standout tracks on the album is Muddy Waters' "I Can't Be Satisfied," which is a quintessential example of the Chicago blues sound. Waters' deep, soulful voice combined with his masterful guitar work creates an atmosphere that is both haunting and captivating. Another highlight is Howlin' Wolf's "Smokestack Lightning," a song that has become iconic in the blues genre and has influenced countless musicians across various genres.
Critically, "Okeh Chicago Blues" has been well-received, with many reviewers praising its comprehensive selection and the quality of the recordings. Major publications like Rolling Stone and AllMusic have highlighted the album as an essential collection for anyone interested in the roots of blues music. The album not only showcases the talent of these legendary artists but also serves as a reminder of the cultural significance of the blues in American music history.
The production of the album is noteworthy as well. The tracks were originally recorded in the 1940s and 1950s, a time when blues was evolving and gaining popularity in urban centers like Chicago. The Okeh label was instrumental in capturing these sounds, and the recordings have been preserved beautifully, allowing listeners to experience the music as it was meant to be heard. The remastering process for this compilation has ensured that the audio quality is top-notch, making it accessible for both old fans and new listeners alike.
An interesting fact about the album is that it not only features well-known tracks but also includes some lesser-known gems that showcase the diversity of the Chicago blues scene. This variety is part of what makes the album so special; it provides a broader understanding of the genre and highlights the contributions of various artists who may not have received as much recognition.
In terms of awards, while "Okeh Chicago Blues" itself may not have won specific accolades, the artists featured on the album have received numerous awards and honors throughout their careers, including Grammy Awards and induction into the Rock and Roll Hall of Fame. This further emphasizes the importance of the music contained within this compilation.
Overall, "Okeh Chicago Blues" is more than just a collection of songs; it is a celebration of a musical tradition that has shaped the landscape of American music. Whether you're a lifelong blues aficionado or just starting to explore the genre, this album is a must-have. It not only provides a glimpse into the past but also connects listeners to the emotional depth and storytelling that blues music embodies. So, grab your headphones, sit back, and let the sounds of Chicago blues transport you to a different time and place.