Album Info
| Artist: | Derek & Clive |
| Album: | Ad Nauseam |
| Released: | Australia, 1978 |
Tracklist:
| A1 | Endangered Species | 5:18 |
| A2 | Racing | 2:43 |
| A3 | T.V. | 1:23 |
| A4 | Bruce | 0:42 |
| A5 | Records | 4:56 |
| A6 | Soul Time | 1:40 |
| A7 | Russia | 1:43 |
| A8 | Sir | 3:02 |
| A9 | Celebrity Suicide | 2:52 |
| A10 | Politics | 1:24 |
| A11 | Labels | 3:07 |
| A12 | Street Music | 0:36 |
| B1 | The Horn | 23:15 |
| B2 | Mona | 3:26 |
| B3 | The Critics | 3:26 |
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Description
"Derek & Clive - Ad Nauseam" is the third and final album by the British comedy duo Peter Cook and Dudley Moore, who adopted the personas of Derek and Clive for their more risqué and controversial material. Released in 1978, this album continues the tradition of the duo's previous works, "Derek and Clive (Live)" and "Derek and Clive Come Again," by pushing the boundaries of comedy with its explicit content and dark humor.
The album is notorious for its raw and unfiltered approach, featuring a series of sketches and dialogues that delve into taboo subjects with a level of vulgarity and irreverence that was groundbreaking for its time. The content is a mix of improvisational comedy and scripted material, showcasing the duo's sharp wit and ability to play off each other seamlessly. However, this very nature of the content also means that it is not for the faint-hearted or easily offended.
One of the standout tracks on the album is "The Horn," a sketch that exemplifies the duo's ability to take a mundane topic and escalate it to absurd and often shocking levels. Another notable track is "The Critics," where Derek and Clive take aim at their detractors in the media, showcasing their disdain for the establishment and critics who failed to appreciate their unique brand of humor.
"Ad Nauseam" did not win any major awards, but its cultural significance lies in its influence on the landscape of comedy. The album, along with the rest of the Derek and Clive series, has been cited as an inspiration by numerous comedians who followed, particularly those who appreciate the art of pushing comedic boundaries. The raw and unfiltered nature of the content paved the way for future generations of comedians to explore more controversial and explicit material.
The critical reception of "Ad Nauseam" was mixed. While some praised the duo for their fearless approach to comedy and their ability to tackle taboo subjects with humor, others found the content to be excessively vulgar and offensive. This polarized reception is a testament to the provocative nature of the album and the duo's commitment to their comedic vision, regardless of mainstream acceptance.
Historically, "Ad Nauseam" represents a period in British comedy where there was a shift towards more explicit and boundary-pushing content. The late 1970s saw a rise in alternative comedy, and Derek and Clive were at the forefront of this movement. Their work challenged the status quo and opened up new possibilities for what could be considered acceptable in the realm of comedy.
In conclusion, "Derek & Clive - Ad Nauseam" is a significant album in the history of comedy, known for its explicit content and dark humor. While it may not have garnered critical acclaim or major awards, its influence on the comedy world is undeniable. The album's standout tracks, such as "The Horn" and "The Critics," showcase the duo's ability to push boundaries and challenge societal norms. Despite its mixed reception, "Ad Nauseam" remains a culturally significant work that continues to be referenced and appreciated by those who value the art of provocative and boundary-pushing comedy.