Album Info
| Artist: | Diamanda Galas |
| Album: | Diamanda Galas |
| Released: | US, 1984 |
Tracklist:
| A | Panoptikon | |
| Technician [Tape Manipulations & Signal Processing] - Richard Zvonar | ||
| B | Tragouthia Apo To Aima Exoun Fonos | |
| Recorded By - Ed Herrmann | ||
| Recorded By [Recording Of Multi-voiced Backing Tape] - Richard Zvonar |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- All pictures of the second hand/used vinyl records are actual pictures of the album in stock.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Diamanda Galás, the eponymous debut album by avant-garde artist Diamanda Galás, was released in 1984. Known for her extraordinary vocal range and intense, often confrontational performance style, Galás has carved out a unique niche in the music world, blending elements of classical, jazz, blues, and experimental music. This album is a testament to her innovative approach and uncompromising artistic vision.
The album "Diamanda Galás" is a powerful introduction to her work, showcasing her ability to convey deep emotion and complex themes through her music. The album consists of four tracks: "Panoptikon," "Tragouthia Apo To Aima Exoun Fonos," "The Litanies of Satan," and "Wild Women with Steak-Knives (The Homicidal Love Song for Solo Scream)." Each track is a journey into the darker aspects of the human experience, exploring themes of suffering, madness, and existential dread.
"Panoptikon" opens the album with a haunting soundscape, featuring Galás' voice layered over dissonant piano chords and eerie electronic effects. The track sets the tone for the rest of the album, establishing an atmosphere of tension and unease. Galás' vocal performance is nothing short of extraordinary, as she shifts seamlessly between guttural growls, piercing screams, and operatic wails.
"Tragouthia Apo To Aima Exoun Fonos" is a Greek-language piece that translates to "Songs from the Blood of Those Murdered." This track is a chilling lament, with Galás' voice conveying a sense of profound grief and anger. The sparse instrumentation, consisting mainly of piano and minimal electronic effects, allows her voice to take center stage, highlighting her ability to convey deep emotion through her vocal performance.
"The Litanies of Satan," based on the poem by Charles Baudelaire, is perhaps the most well-known track on the album. This piece is a tour de force of vocal experimentation, with Galás using her voice to create a wide range of sounds and textures. The track is a dark, ritualistic invocation, with Galás' voice taking on an almost demonic quality as she recites Baudelaire's text. The use of reverb and delay effects adds to the otherworldly atmosphere, making this track a standout on the album.
The final track, "Wild Women with Steak-Knives (The Homicidal Love Song for Solo Scream)," is a visceral, intense piece that showcases Galás' ability to push the boundaries of vocal performance. The track is a relentless assault on the senses, with Galás' voice taking on a raw, primal quality. The use of extended vocal techniques, such as glottal stops and multiphonics, adds to the sense of chaos and intensity.
Critically, "Diamanda Galás" was met with acclaim for its bold, innovative approach to music. Critics praised Galás for her fearless exploration of dark themes and her extraordinary vocal abilities. The album established her as a formidable force in the avant-garde music scene and set the stage for her subsequent work.
While the album did not win any major awards, its impact on the music world cannot be overstated. Galás' work has influenced a wide range of artists, from experimental musicians to metal bands, and her fearless approach to music has inspired countless others to push the boundaries of their own art.
In conclusion, "Diamanda Galás" is a groundbreaking debut album that showcases the unique talents of one of the most innovative and uncompromising artists in contemporary music. With its intense emotional depth, extraordinary vocal performances, and bold exploration of dark themes, this album is a must-listen for anyone interested in the avant-garde and experimental music.