Album Info
| Artist: | Yellow Magic Orchestra |
| Album: | Public Pressure |
| Released: | Japan, 1980 |
Tracklist:
| A2 | Solid State Survivor | 4:01 |
| A3 | Tong Poo | 6:01 |
| A4 | The End Of Asia | 6:51 |
| B1 | Cosmic Surfin' | 4:35 |
| B2 | Day Tripper | 2:42 |
| B3 | Radio Junk | 4:19 |
| B4 | La Femme Chinoise | 6:15 |
| B5 | Back In Tokio | 1:52 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- All pictures of the second hand/used vinyl records are actual pictures of the album in stock.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Released in 1980, "Public Pressure" is the third album by the pioneering electronic music group Yellow Magic Orchestra (YMO). This album is a fascinating blend of synth-pop, new wave, and electronic music, showcasing the innovative spirit of the band, which consists of Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto. YMO is often credited with laying the groundwork for many genres that followed, including techno and synth-pop, and "Public Pressure" is a testament to their forward-thinking approach.
The album was recorded during a time when YMO was gaining international recognition, particularly after their previous albums, "Yellow Magic Orchestra" and "Solid State Survivor." "Public Pressure" is unique in that it captures the energy of their live performances, as it was recorded during a concert in London. This live aspect gives the album a vibrant and dynamic feel, making it a thrilling listen from start to finish.
One of the standout tracks on the album is "Kimi ni Mune Kyun," which translates to "My Heart Goes Thump Thump for You." This track is a perfect example of YMO's ability to blend catchy melodies with electronic sounds. The infectious chorus and playful lyrics make it a fan favorite. Another highlight is "Technopolis," a track that showcases the band's signature sound with its driving beat and intricate synth lines. The song is a nod to the technological advancements of the time and reflects YMO's fascination with the intersection of technology and music.
Critically, "Public Pressure" received positive reviews upon its release. Major publications praised the album for its innovative sound and energetic performances. Rolling Stone noted the band's ability to create a unique sound that was both accessible and avant-garde. The album's blend of pop sensibilities with experimental sounds was seen as groundbreaking, and it helped solidify YMO's place in the music world.
In terms of cultural significance, YMO was not just a band; they were a movement. They were at the forefront of the electronic music scene in Japan and influenced countless artists around the globe. Their use of synthesizers and drum machines was revolutionary, and they paved the way for future electronic acts. "Public Pressure" is often cited as an essential album for anyone interested in the evolution of electronic music.
Interestingly, the album also features a cover of "The End of Asia," a track that highlights the band's ability to blend different musical styles. This song, along with others on the album, showcases their knack for creating music that feels both futuristic and deeply rooted in their cultural background. The fusion of Western pop influences with traditional Japanese sounds is a hallmark of YMO's style, and "Public Pressure" exemplifies this beautifully.
The production of the album is noteworthy as well. YMO worked with renowned producer and engineer, Ryuichi Sakamoto, who played a crucial role in shaping the sound of the album. The meticulous attention to detail in the production is evident, with each track carefully crafted to create a cohesive listening experience. The use of synthesizers, sequencers, and drum machines was cutting-edge at the time, and it still sounds fresh today.
In terms of awards, while "Public Pressure" itself may not have won specific accolades, YMO as a group has received numerous awards and nominations throughout their career, including being inducted into the Japanese Music Hall of Fame. Their influence on the music industry is undeniable, and their legacy continues to inspire new generations of musicians.
In conclusion, "Public Pressure" is a must-listen for anyone interested in the evolution of electronic music. Its infectious melodies, innovative production, and cultural significance make it a standout album in YMO's discography. Whether you're a longtime fan or new to their music, this album is sure to captivate and inspire. So, plug in your headphones, turn up the volume, and let Yellow Magic Orchestra take you on a sonic journey that still resonates today.
